Manhunter - O Seqüestro

When a man who doesn't have Alzheimer's can't remember how many films he's made, he probably is the world's most prolific director after all. That man is Jesus Franco, the king of so-called 'eurotrash'. His 1980 flick Devil Hunter is as rushed, opaque, stupid, lazy and exploitative in the truest sense of the word (the film's title is misleading, for starters) as any other Franco film I've seen. That makes it sound pretty awful, and it is... Yet Franco does have some kind of inimitable sensibility, a generous way with the baldly outrageous, with nudity and sleaze and violence, and even with his stupid cheap editing which tries to pave over the extreme haste with which all his films were made. The mix of all these elements causes you to ride his films out, even while you're mostly waiting for them to end because they're so very tedious.

Devil Hunter is nigh on incomprehensible for the first half an hour. The kidnap by strangers of a white woman who seems to be a model or film star is intercut with a bunch of native action in South America. There's lots of naked writhing, dancing, and endless repeated zoom-ins on an ugly totem pole. You need to get used to the repetitive zoom-ins and the technique of cutting back to the same shot about three times in a row right away, as these are Franco's main methods of extending a film out to feature length.

The monster who looks like the totem pole is actually kind of scary. He has raw bug eyes and his presence is always signalled on the soundtrack by cacophonous groaning, apparently recorded in an echo chamber. Early in the piece he chews on a native lady strapped to a tree, and it's hard to know what really happens here but I think he ate her stomach (or her genitals, sweet Jesus!).

Anyway, the adventure begins properly when a studly guy and his freaked out Vietnam vet pal are sent to the island to recover the white girl from the kidnappers. The flakey guy has an accent which, as dubbed, is half Brooklyn-American, half English-Liverpudlian and all retarded. All of the dialogue and dubbing is ridiculous and laughable, making for another layer of the film which can somehow hold your interest.

Not too much really happens from here on in, and it happens pretty sluggishly, studded with the odd bit of outrage like a rape. The nebulous action is fleshed out (haha!) by acres of 360 degree nudity from the natives and the two female leads, and even from the monster himself. That he walks around with his penis exposed makes wrestling him an unappetising prospect for the tough guy hero, but it's gotta be done at some point, and it's nice to note that the director will show anyone's genitals on camera.

The best feature of Devil Hunter is the location filming. Franco can be extremely cheap with the structural and story aspects of film-making, but he doesn't muck around with sets. You get real islands, jungles, helicopters and mountains, all in widescreen. This is something that is really cool to experience in these days of crappy CGI sets and backdrops ad nauseam.

Ultimately, issues of recommendation where this film is concerned seem moot. If you're trying to see all the Video Nasties, you will have to watch this at some point, and you'll be made as restless as I was. If you like Franco, you'll watch this anyway. If you fall into neither of the above categories, the odds are you'll never come across this film. Copies of it aren't just lying around, and I could hardly recommend the seeking out of it. It's Franco. Lazy, crazy Franco.

Devil Hunter, The (1980)

** (out of 4)

A producer is showing off his beautiful actress (Ursula Buchfellner) when terrorists kidnap her and hold her for ransom in the jungle. The producer hires a specialist (Al Cliver) to go in after her but he must battle cannibals and the monster they worship to try and save the beauty. I had previously seen the German version of this film but this new one released by Severin features nearly twelve-minutes worth a new footage and brings the running time up to 102-minutes. I was worried about this but the added running time actually helps the movie. If you know Franco then you know sleaze is his specialty and that's what we get here. There's a whole lot of sleaze in this thing ranging from non-stop nudity to some bloody violence. Speaking of the nudity, I really don't think there are many frames in this film where a woman isn't naked and if there is then it doesn't last more than thirty-seconds or so. As usual, Franco knows how to film a naked body and his camera doesn't shy away from scanning the woman from head to toe and that includes one of the new scenes where a woman does a tribal dance and the camera goes as close as you can to capture those lower regions. Cliver is best known for his role in Lucio Fulci's Zombie but he makes for a good hero. His acting isn't the greatest out there but he does look the part well. Buchfellner is fairly good in her role as well but I'm sure it was her naked body that caught Franco's eyes. The film has a fairly weak story but it does make for some good sleaze if that's what you're looking for.

Not sure if I'm referring to those who labeled this a video nasty or to the director..."Devil Hunter" sure is one bizarre 'horror' movie.

The plot is a loosey goosey combo of superior films like "Cannibal Ferox" and "Cut and Run." Chick gets kidnapped in the 'jungle' by a 'tribe' of 'savages.' The jungle looks more like a park somewhere in Mexico. The tribe is like a group of hippies who walk around in Party City-style Halloween costume renditions of tribal garb. And the savages range in race from white to Asian to black to hispanic. I suppose Franco just grabbed anyone who looked even slightly ethnic for this romp.

To make matters worse, this film has ultra-minimal gore, no real scares and a lot of unnecessary penis. Not fun. I can find something to like in just about any sleazy Italian or Euro-trash film; this one just fell WAY short.

2 out of 10, kids.

Of the three titles from Jess Franco to find their way onto the Official DPP Video Nasty list (Devil Hunter, Bloody Moon and Women Behind Bars) this is perhaps the least deserving of notoriety, being a dreadfully dull jungle clunker enlivened only very slightly by a little inept gore, a gratuitous rape scene, and loads of nudity.

Gorgeous blonde Ursula Buchfellner plays movie star Laura Crawford who is abducted by a gang of ruthless kidnappers and taken to a remote tropical island inhabited by a savage tribe who worship the 'devil god' that lurks in the jungle (a big, naked, bulging-eyed native who likes to eat the hearts of nubile female sacrifices).

Employed by Laura's agent to deliver a $6million ransom, brave mercenary Peter Weston (Al Cliver) and his Vietnam vet pilot pal travel to the island, but encounter trouble when the bad guys attempt a double-cross. During the confusion, Laura escapes into the jungle, but runs straight into the arms of the island's natives, who offer her up to their god.

Franco directs in his usual torpid style and loads this laughable effort with his usual dreadful trademarks: crap gore, murky cinematography, rapid zooms, numerous crotch shots, out of focus imagery, awful sound effects, and ham-fisted editing. The result is a dire mess that is a real struggle to sit through from start to finish (It took me a couple of sittings to finish the thing), and even the sight of the luscious Buchfellner in all of her natural glory ain't enough to make me revisit this film in a hurry.

I am a huge admirer of the prolific Spanish Exploitation deity Jess Franco, whose impressive filmography includes over 190 titles so far. It is undeniable that the man has made masterpieces and total crap alike, and his attempts to cash in on the popular Italian Cannibal-sub-genre belong rather to the latter category. This movie of the delicate title SEXO Cannibal (aka. THE DEVIL HUNTER) of 1980 is better than his absolutely terrible other Cannibal flick from the same year, MONDO CANNIBALE (which is not to be confused with Umberto Lenzi's PAESE DELLO SESSO SELVAGGIO and Ruggero Deodato's ULTIMO MONDO CANNIBALE, two genre-classics which are often referred to as MONDO CANNIBALE 1&2). SEXO Cannibal is somewhat interesting for its epitomizing Jess Franco's habit to shamelessly ignore any logic and build up movies that exist almost entirely of sleaze and violence. The film is furthermore notable as it is one of the three Franco-films that landed on the UK's infamous "Video Nasty" list of banned movies, making him the most prolific Video Nasty maker alongside the Italian genius and 'Godfather of Gore' Lucio Fulci, who also made three films that landed on the list.

A model (Ursula Buschfellner) is kidnapped by criminals who ask for a ransom of 6 million dollars. Her agent asks 'nam vet and soldier of fortune Weston (Al Cliver) to free her. Out of all places, the criminals hold her hostage on an island full of savages who habitually feed young women to a rape-hungry cannibal fiend. Needless to say that the island is full of hot women with exhibitionist tendencies...

The film is fun to watch for its shameless sleaze and for the gore (though the latter wasn't as extreme as I had expected). It is also fun to watch for the lack of logic, and some parts that are downright absurd. Weston's sidekick, for example, is the wussiest 'Nam vet I've ever seen on film. The guy starts crying whenever he enters the jungle. Franco obviously picked up on the 'Nam-trauma' theme that was so popular in US-cinema in the late 70s and 80s here, and since he is Jess Franco he decided to exaggerate it more than a little bit. Overall, this isn't one of Franco's worst 80s movies, but it certainly far from being one of his better ones. Personally, I would state that Franco is best when making films about deranged Scientists or Nymphomaniac/Lesbian Vampires, his contributions to the Cannibal-genre are rather forgettable. SEXO Cannibal is still worth the time for my fellow fans of the man, who are most likely not gonna expect intriguing story lines and breathtaking suspense anyway.