Rote possession film
Genre favorites John Saxon and Lynda Day George star as a couple who move to the Philippines where they purchase a grand colonial mansion. Life seems great, but it turns out the house was built by a husband and wife who killed one another. The wife was an occultist, and she still happens to be looking for a living vessel to inhabit.
This kitschy supernatural horror movie takes cues from "The Exorcist" and a spat of other similar films, and predates "Mausoleum," which has a similar tone and premise. The good is that it has some nice cinematography, and there are a few moments throughout that evoke a sense of creepiness; Saxon and George are awoken in the middle of the night to odd voices; he finds her idly meditating over a fire in the fireplace; she sees the ghost of the deceased female occultist trying to possess her. The cinematography is also top-notch, especially for a low-budget feature.
The bad? The screenplay is rote in its procession. Saxon's character goes back and forth from his architect job, while George's character experiences increasingly odd supernatural experiences. A subplot involving a medicine man who lives next-door is woven in, and he is a source of all the knowledge regarding possession and the evil spirit in the couple's mansion. These events play out in a manner that is rather dull and predictable, and there isn't enough connective tissue to bind them together. The performances from Saxon and George do help amplify the proceedings, and both give admirable efforts in a screenplay that gives them limited options.
In the end, "Beyond Evil" is a slightly amusing genre picture (several reviewers have commented on the dated special effects, which are actually not all that terrible in comparison to other films of this ilk), but it does feel largely underwhelming. The horror scenes, when present, are well-executed, but the rote unspooling of the story leaves the film feeling by-the-numbers. There are no real surprises to be had here, but if you are willing to accept that, it is a notch above the standard television horror flick of its era. 5/10.
This kitschy supernatural horror movie takes cues from "The Exorcist" and a spat of other similar films, and predates "Mausoleum," which has a similar tone and premise. The good is that it has some nice cinematography, and there are a few moments throughout that evoke a sense of creepiness; Saxon and George are awoken in the middle of the night to odd voices; he finds her idly meditating over a fire in the fireplace; she sees the ghost of the deceased female occultist trying to possess her. The cinematography is also top-notch, especially for a low-budget feature.
The bad? The screenplay is rote in its procession. Saxon's character goes back and forth from his architect job, while George's character experiences increasingly odd supernatural experiences. A subplot involving a medicine man who lives next-door is woven in, and he is a source of all the knowledge regarding possession and the evil spirit in the couple's mansion. These events play out in a manner that is rather dull and predictable, and there isn't enough connective tissue to bind them together. The performances from Saxon and George do help amplify the proceedings, and both give admirable efforts in a screenplay that gives them limited options.
In the end, "Beyond Evil" is a slightly amusing genre picture (several reviewers have commented on the dated special effects, which are actually not all that terrible in comparison to other films of this ilk), but it does feel largely underwhelming. The horror scenes, when present, are well-executed, but the rote unspooling of the story leaves the film feeling by-the-numbers. There are no real surprises to be had here, but if you are willing to accept that, it is a notch above the standard television horror flick of its era. 5/10.
- drownsoda90
- 1 de set. de 2019