O Grande Lutador

This exciting movie is crammed of action-packed, spectacular fights, comedy ,and breathtaking stunt-work . Jackie Chan as young Asian American martial artist expert is top notch , he is one army man fighting a group of heinous criminals and as always he makes his own stunts . As he is forced to participate in a brutal formal street-fight competition .Chan along with his girlfriend (Kristine DeBell) seek fame and fortune in 1930s America when he enters an all-comers martial arts competition , the ¨Champion fight , Battle Creek , the Brawl of this Century¨, forced by Mob that has kidnapped the brother's fiancée (Rosalind Chao) , despite the opposition of his father and several imposing opponents. This time Chan join forces with his uncle , a martial arts master (Mako) , both of whom are taken to Texas to participate in a free-for-all match .

This Chop-Socky displays action-packed, thrills,fast-paced and wild fighting images. Incredible stunts and brief comic touches, as usual , the picture is regularly constructed and contains some flaws and gaps . This is a passable action movie distinguished by ferocious sequences , and packs silly sense of humor as well as subsequent Jackie's entries; however being hampered by mediocre cinematography which is necessary a good remastering . In this outing Jackie teamed up to prestigious secondary named Mako and some veteran star as Jose Ferrer . Jackie Chan's failed at Box-office in this USA debut , however , being quite amusing and better than its reputation . Chan is a hard-working actor and director throughout his long and varied career .He went on playing ¨Cannoball¨ , ¨The protector¨ and "Rumble in the Bronx", until getting all American success with ¨Shangai Kid¨ . Of course , his big hits were ¨The Police story¨ series that won the Golden Horse Award, a Chinese version of the Oscar , the first was titled ¨Police story(1985)¨ directed by the same Chan , it was a perfect action film for enthusiastic of the genre ; the following was ¨Police story 2(1988)¨also pretty violent and with abundant humor touches. It's followed by this ¨Supercop¨ or ¨Police story 3¨ and finally, ¨Police story IV : Crime story.

This medium-budgeted and ordinary Kung-Fu actioner is middling realized by Robert Clouse , an expert on Chop-Socky movies and he directed Bruce Lee's last film , Game of Death (1978) . Robert Clouse is known best for his most successful film : Enter the Dragón (1973) and Clouse was a director who worked mainly in the visuals of cinema, owing to the fact that he was completely deaf, he employed assistant directors who could verify that actors had delivered their lines correctly. After being contracted by Warner Bros. and Golden Harvest to direct Enter the Dragón (1973), Clouse was escalated into the realm of profitable filmmakers . But, unlike others in this category, doors in Hollywood were not entirely open to him and the failed with ¨The big brawl¨. Clouse was hired by Warner Brothers Pictures to direct Black Belt (1974) . The film proved to be a moderate success, but was seen more as a vehicle for Enter the Dragón (1973) protégé 'Jim Kelly'. After that , he directed vehicles for Samo Hung , Jim Kelly , Richard Norton as ¨Gynkata ¨ , Yul Brynner in ¨The last warrior¨ one of the best films of his long career , Cynthia Rothrock as ¨China O'Brian I and II ¨ and other B films .

The Big Brawl and The Protector are two of my favorite Jackie Chan films. They are both fun to watch, although in the Big Brawl Jackie gets to show his comedic side which adds quite a bit to the enjoyment factor. I have low quality VHS copies of both of these films and I am currently searching for new first generation copies in English. I would advise anyone to give these films a look. Of course I like any film with Jackie Chan, and I hope he will continue to team up with American filmmakers, as in Rushour, to give us more laughs and wild action.

Jackie's first staring role in an American made movie, Robert Clouse (Enter the Dragon) directs but this never really hits the high notes of say Project A or Armour of God. The problem being that Jackie is lumbered with ex-pro wrestlers and the like with which to produce fight choreography and not his own JC stunt team so the timing and trust was just not there to produce truly stunning fights.

Only once does Jackie get to work his true magic and this is with two members of his own team in a fight that easily surpasses anything on show in the rest of the movie. If they had let Jackie choreograph the entire movie this would have been a much better film as lets face it the fights are what we here for in a movie like this.

Overall it's entertaining in places but for Chan enthusiasts only, if you've never seen a J.C film before your better of starting with Project A, Police Story or for the older more traditional style kung fu flick Drunken Master.

Entertaining for Chan fans only - 5/10

It's weird to think that there once was a time when the whole world didn't know about Jackie Chan. It's even weirder to realize that at one time, he was introduced to us but we didn't think to remember him. BATTLE CREEK BRAWL is odd for being a Hong Kong-inspired movie before Hollywood knew the value of the HK influence. But while director Robert Clouse may have been unable to capitalize on Jackie Chan like he did Bruce Lee, this is still an exciting adventure and an interesting study of one of the earlier chapters of one of the genre's top stars.

The story: A martial arts-practicing adventurer (Chan) runs afoul of a Chicago crime syndicate and is strong-armed into competing in an all-important toughman contest.

While there are plenty of criticisms to be leveled at this film, I don't accept its departure from the style of other JC movies as one of them. Director Clouse isn't Stanley Tong, and he doesn't need to be: his utilization of Jackie isn't the ideal standard, but someone as talented as Chan benefits from showing poise in alternative circumstances. Admittedly, one casualty of Clouse's style is Chan's comedy, which comes across as clumsy and childish, but his action scenes remain pretty swell. Almost none of his on screen opponents approach Chan's level of agility and they clearly aren't comfortable with the hero's rhythmic style, but Jackie's athletic abandon is matched by satisfying, stunt-heavy choreography. The filmmakers keep the camera pulled back, diminishing our boy's facial expressions but showing off the authenticity of his abilities. Given that this was the first time Chan was being captured as a lead outside of Hong Kong, I'm impressed with the results.

The production is on the modest side of respectable. Clouse works well in small, homey locations and pulls off the 1930s setting pretty smoothly. Disappointingly, the story and characters within the setting are not intriguing. The screenplay offers exactly one character and relationship that I found intriguing: dear old Mako in his surprisingly stern role as Jackie's mentor. Everyone else, from Chan's on screen girlfriend (Kristine DeBell) to the evil champion (H.B. Haggerty), are simply varying shades of boring. Even Oscar-winner Jose Ferrer is incredibly vanilla as the lead villain and doesn't enliven a story that's almost solely kept afloat by its lead star's infectious talent. Chan himself isn't at his best either, though this is mainly due to his discomfort with English at this point, and his physical expressiveness conveys a lot of what his dialogue doesn't.

BATTLE CREEK BRAWL teeters on a less enthusiastic rating, but eventually wins me over through its strengths. It's not surprising that this film didn't make Jackie Chan a household name, but it's good enough to qualify as a collector's item for the right viewer. The one thing all viewers needs to do when watching is not expect RUMBLE IN THE BRONX, and if you manage that, you'll probably have a good time.

Well, I finally got to see it...mmmm I thought, not too bad..seeing as he didnt know much english at the time, and was well restricted by the American Film industry machine!. His Fight scenes were watered down and slow by all normal 'Jackie' standards but that apart,there are some great comic moments and Jackie wins through. He Radiates innocent charm and even manages to Rollerscate with gusto, although Im not too sure about the historical acuracy of some of the costumes..this was supposed to have been 1930s USA and Im sure spandex wasnt invented then!One interresting note for real 'died in the wool' Jackie fans , is the continued theme of the Lazy but tallented boy being trained in wierd and some would say inhumane ways by a 'sifu','master','uncle!'...amazing how this sort of idea managed to cross the pacific with him!.All in all a pleasent movie, although I can understand why Jackie was both Disappointed and Angry at the outcome at least it spurred him on to make greater and greater movies in HK.