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I never saw 9 TO 5 when it played in the theaters but saw it soon after on video. I was like 14 years old back then and I remember enjoying the film very much, even if I didn't get all the misogynistic humor and women's lib stuff. Fast forward to 2006 and I decided to buy 9 TO 5 on DVD and see the fun again. After all, I haven't seen this one on TV in a LONG time and my local BLOCKBUSTER is sorely lacking a "classics" catalog. I knew in my mind that some of the movies you hold so dearly when you're a kid simply don't "cut it" when you see them all grown up. I am very pleased to say that 9 TO 5 has stood the test of time quite well and its "it's a corporate world" underpinnings couldn't be more appropriate now a days. The movie was cleverly written and directed and the humor develops naturally without looking forced or too acted out. It's the story of recently divorced Judy Bernly (Jane Fonda). Her ex husband ran away with his secretary and now Judy, ironically, finds a job being one. The company is called Consolidated Companies, which by the way, we never really know what they do or what they sell. We only know that it is a big company and that each floor of the high building is a "division". Frank Hart (played wonderfully by Dabney Coleman) is the villainous boss and head of the division. He is, as his right hand aide might put it, an "egotistical bigot". Hart's overwhelming tyranny makes his aide, Violet, to snap and with her go Judy and Dorlee (Dolly Parton), his voluptuous personal secretary. The trio spend the afternoon together drinking and smoking pot and jokingly thinking how each of them would "kill" their boss if they had the chance. The movie visualizes each of the secretary's outlandish fantasies and this part of the movie is one of the most entertaining and hilarious. Next day it's back to the real world and back to the daily grind. From here on each of the secretaries' fantasies take real form in some way or another making the movie even more fun. You'll have to see the rest to know what I mean. Despite being a 25 year old movie, 9 TO 5 stands the test of time perfectly, with only some of the cars and some of the clothing fashion looking a bit dated. It is a very well made, fast paced comedy that never bores. My wife loved it and she had never seen it before (she was barely a year when this came out!). 9* out of 10!!!

I'll take the blame for this: not only am I forty years late to the party, but I'd also underestimated the star power of Dolly Parton; a natural performer who's integral to the success of this movie. On its own, 9 to 5 is a decent comedy, led by the more-than-capable Lily Tomlin, but Parton infuses her scenes with a bubbly independence that really helps sell the feminist message. Dabney Coleman is the consummate company sleaze, the tinpot schemer helming this faceless conglomerate; ideal for the target of such a workplace revenge fantasy.

In less capable hands, this may have fallen flat. But I enjoyed myself and have a newfound (overdye) reverence for The Queen of Nashville.

Three female company employees wage war against their "sexist, egotistical, lying, hypocritical bigot" boss in this prototype 80s sisterhood comedy, 9 TO 5 is the late Colin Higgins' second feature film and flexes the muscle of female star power which not only brings down the house, but also sets alight its box office, the runner-up top-grosser of its year, second only to STAR WARS: THE EMPIRE STRIKES BACK.

The Fonda-Tomlin-Parton trinity embodies three different types of career women, Fonda's Judy is a housewife grossly jilted by her ex-husband for his secretary, so she is the greenhorn in the workplace, prissy but not without wits and guts, her frilly entrance is remarkably incongruous with the rest, although her clash with the boss Frank (Coleman) is most tangential among the three, her personal victory climaxed when she blurts out to her feckless ex-husband that being dumped by him is the best thing ever happened to her.

Tomlin's Violet is a widow with a brood of four, the assertive senior office supervisor who has plodded for years in the company, yet the promotion she deserves proves to be unattainable because of Frank's sexism, and aggravated by being ordered about like a servant by him, she has every reason to get back at him; Parton's Doralee (her maiden picture, who also pens and belts out the Oscar-nominated title song), a corn-fed, bosomy secretary repulses the derogated stereotype as a boss-hunting schemer, who is indeed happily married and only humors Frank's advancement for the sake of the job, but in the face of Frank blabbering blackmail, she is the one who is not hesitant to pinion him like a steer.

Truly, the triad enjoys a real blast together, initiated by a joint-influenced brainstorm about how each envisions a scenario to vent their grievance on Frank - here Higgins makes a good fist of genre conventions, whether it is a black-white mob thriller, a lasso-tossing oater or a Snow White animation with a dark spin, all are given a reality simulacrum later in the plot - and hits the mark during their hilarious blunder with the wrong body, although the resultant kidnapping idea is less wholly engaging for its yawning implausibility, not least when the deus ex machina comes about in the form of Sterling Hayden's chairman of the board, publicly asks equal pay to be eliminated from the reform program, which is actually conceived by the triad and executed by forging Hank's signature.

Nonetheless, 9 TO 5 is as delightful and jolly as one can get in a comedy that has something to say but consciously eschews any trace of indoctrination, all three leading ladies are having a field day, but for my liking Tomlin is the one gets an upper hand for her steely nerve and comedic timing; as the antagonist, a versatile Coleman eloquently exhibits shameless wickedness to the hilt, and lastly, Elizabeth Wilson has her own moment as a brilliant tittle-tattler, who perfectly encapsulates the entire farce with a precisely uttered "Holy merde!" to bring down the curtain in the coda.

From the sparkling acting debut of Dolly Parton to the comic genius of Dabney Coleman 9 to 5 is one of the best acted comedies of the 1980s. Jane Fonda and the brilliant Lilly Tomlin round out the lead cast with hilarious performances in this screwball revenge comedies that was one of the first films to champion "girl power". Even the smaller characters like Marien Mercer (as Missy Hart)and Elizabeth Wilson (as office snitch/bitch Roz)get in good one liners and laughs. Rent this movie. No wait - BUY this movie. You can watch it again and again.

Three miserable women (Dolly Parton, Lily Tomlin and Jane Fonda) take it upon themselves to get back at their evil boss (Dabney Coleman) in this hilarious little film. Rat poison, crazy dream sequences and S&M-styled equipment are the main calling cards in this amazingly creative little comedy. Parton's title song is also strong and it received an Oscar nod in 1980. Impressive comedic fare. 4 stars out of 5.