Hollywood

Indescribably essential. Kevin Brownlow, the late David Gill, and their superlative production and support staff at Thames Television created the absolute apotheosis of film documentary in this series. AND, to boot, they provided undoubtedly the greatest single service ever rendered to film history in seeking out these amazing pioneers and capturing their recollections and memories, shortly before they all passed forever from the scene. I have seen this innumerable times, yet I still fall back in awe at sequences such as director Allan Dwan describing his entry into the film industry in 1911, or cameraman Karl Brown speaking of the 1915 opening night of "Birth of a Nation". I also highly recommend Brownlow's predecessor book "The Parade's Gone By" (1969), and the companion book to the series "Hollywood, the Pioneers" (out of print). Also, the subsequent Brownlow documentaries on Chaplin, Keaton, Harold Lloyd, DW Griffith, and Lon Chaney are all of equal quality, and beautifully augment original the series. I can only hope that when the DVD version of Hollywood is released, it will include unedited interviews with the participants.

Hollywood (1980)

**** (out of 4)

---See episode list for reviews of each of the 13 on their own---

The film tells thirteen different stories of the silent era with things kicking off with THE PIONEERS, which features discussion of the earliest film to THE GREAT TRAIN ROBBERY and then D.W. Griffith's THE BIRTH OF A NATION. Episode two, IN THE BEGINNING, takes things to California where the industry begins to pick up steam before crashing down with the arrest of Fatty Arbuckle, which is documented in SINGLE BEDS AND DOUBLE STANDARDS. This third episode is perhaps the greatest of the set because it really shows what type of hypocrisy was going on in this country and how the studios were clearly only interested in money and they weren't going to stop even if it meant hurting someone. Hollywood GOES TO WAR covers, as the title says, talks about Hollywood and how it showed us in the war. This includes Griffith going to the front lines to get footage for HEARTS OF THE WORLD and how after the war people didn't want to see these types of films until John Gilbert showed up in THE BIG PARADE. One of the greatest things about silents are the amazing stunts and these are covered in HAZARD OF THE GAME, which talks about how these were done and we also get to hear about how many lives were lost.

SWANSON AND VALENTINO, perhaps the weakest in the set, looks at the two stars and how they rose to be the giants they were. THE AUTOCRATS looks at Cecil B. DeMille whose wild demands made him a legend while the craziness of Erich von Stroheim ended his career. COMEDY - A SERIOUS BUSINESS gives small bios of Chaplin, Keaton, Lloyd and Langdon with some nice interviews and plenty of great footage. OUT WEST explains why Westerns were one of the most popular genres in the silent era and why the Old West dying sent a flood of real cowboys to Hollywood looking for a way to make a living. THE MAN WITH THE MICROPHONE focuses in on directors and their crazy attitudes and demands. TRICK OF THE LIGHT takes a look at cinematography and how the men behind the camera were often more important than some of the stuff in front of it. STAR TREATMENT goes back the hypocrisy of Hollywood and how Clara Bow's sexuality made her a star only to have the sex in her real life kill her career. We also hear about John Gilbert's rise to fame and the legends around his eventual fall. Finally, END OF AN ERA talks about the many early attempts at sound and the eventual release of THE JAZZ SINGER.

These thirteen episodes pretty much tell you all you'd need to know but I'm going to guess that a majority of those familiar with silent cinema will know many of the scenes here. There is so much wonderful footage here that if you don't know a film then you're going to be doing research trying to figure out what it is and find out how to buy it. If you know the film then seeing the clips are just going to make you want to see it again from start to finish. I think what makes this documentary so important is how wonderfully well-made it is because I really do believe you could show episodes of this to people who don't like silent movies and I think they'd open up a little bit. I'm not sure if the majority of them would become silent film buffs but I think they'd view the films in a different light. I think the third episode about Fatty would show them that Hollywood has always had its scandals and it didn't start with recent celebrities. I think the stunt episode would show people how much more exciting these films were than the CGI, safe films of today. I'm sure even the most jaded person would be outraged at how the career of Clara Bow fell apart simply because of some weird folks with morals that were nothing more than double standards.

Another major plus of watching this are the amazing interviews with the likes of Lillian Gish, Douglas Fairbanks, Jr., Frank Capra, Harold Lloyd, Gloria Swanson, Harvey Parry, Bob Rose, King Vidor, Janet Gaynor, Colleen Moore, Allan Dwan, Karl Brown and countless others. It's a shame that so many other well-known stars turned down the opportunity of being in the picture but we can at least be thankful for who is actually here. A lot of the interviews here are the only ones these folks did so these are quite important for that alone. The amazing thing is that the memories are so crystal clear and you can tell these people are having a great time reliving these early days of Hollywood. You can't help but wonder how many more stories they had and I'm sure several were just bursting to tell them and finally had the chance with this documentary. Again, there's plenty of footage shown from dozens of silent films but sadly many of them are still unreleased to VHS or DVD, which is a real shame. I personally can't understand how studios like Kino and Image can release lesser known silents yet the major guys can't get bigger films released.

If you are a fan of the silent period, this series is a must see.

Interviews with the silent stars, producers, directors, writers, and craft people, as well as more footage of the era than you can possibly imagine. Brownlow and Gill, two of Hollywood's premier historians, have put together this highly entertaining documentary series and are able to capture the feel and the look of early Hollywood.

Particularly interesting is that each episode is a theme. From comedies, to westerns, to a particular star or director, to the frequent scandals, each episode has insight into what made Hollywood tick.

Those of us who see the silent film as a beautiful art form marvel at the beauty of the technique when sound doesn't get in the way. Brownlow and Gill have found footage frequently thought to be destroyed but found in someone's garage or basement.

I am raising my son to appreciate the silent film, and with the help of this series he has become a fan of Chaplin, Keaton, Lloyd, and many others.

Thanks to David and Kevin.

Until I found this page, I had thought the very first episode was all there was--I watched very little television in 1980 and had never even heard of the series. I just checked this VHS out of the NYPL and watched it just now--but I will search out all the other episodes.

This one is the one I would want to make a few comments on. As a real aficionado of Los Angeles and its history--which is not entirely composed of its bond with Hollywood, but most aspects of it are somewhat suffused with it even now, even when Los Angeles has long had a reputation as a volatile place--there were things I saw and, perhaps even more, heard, that I had never seen and heard before; and I have done a LOT of research and made a lot of journeys to and within Hollywood and Los Angeles.

In this first hour of the series (I assume it must be, because it is called "In the Beginning") I was able to see the incredible photographs and footage of geographical Hollywood when it was still rural. I had seen only a few in a D.W. Griffith volume (which I recommend: It has excellent commentary by the great film historian Aileen Bowser), and one--a battle scene from 'Birth of a Nation' filmed right down in the Hollywood Flats--I xeroxed in 1998 and framed and placed it on my living room wall. These pictures of earliest Hollywood are breathtaking to me; they show the fragility of a bucolic and special land just before it is rendered unrecognizable--and there may never have been a more violently rapid transformation of an environment. Of course, there are houses from the silent era that can still be seen in the Hollywood Hills and in Beverly Hills (but Pickfair can't be; a few years after this production, Pia Zadora had it razed--an astonishing act, it would seem), but the photos from about 1903 till about 1920 are almost all of landscape that has disappeared: I was even vaguely surprised that when the transformation from 1903 to the present is dramatically shown, that the Hollywood Hills in the background still had their general shape--at least the far-off taller one did; I think one closer to the foreground had been leveled.

And, especially in Agnes de Mille's inspired description of the "virility" of the grass in Los Angeles at that time "that was so exciting," of the "lupine, marigolds, the poppies.." that were "just growing wild" and that "we just gathered by the armload.." this is just so moving. In fact, Miss de Mille's love for the place itself is perhaps the strongest of those who speak of their memories; she also describes wonderfully a moment when she and her mother were stuck at a location shooting and all the actors changed their clothes without a thought, her mother telling her not to look, but instead to "think of God." What a glorious lady she was, as was Lillian Gish, one of the greatest actresses of the period , primarily for her work in the great works of Griffith, and who also offers fine commentary here.

There is wonderful footage of 'Intolerance', of Douglas Fairbanks's sets for 'Robin Hood' and 'The Thief of Baghdad' (which ends with the remarkable words "Happiness Must Be Earned" streaked across the movie sky). There is a wonderful history of Pickfair and the fantastic reception given Fairbanks and Pickford in Europe and even in Moscow.

I can't wait to see the rest of this glory of a documentary, but this one alone captures the spirit of camaraderie and fun and experimentation that preceded many of the harsher elements we now associate with the business of Hollywood.

James Mason narrates and his voice is appreciated, as always.

Carl Davis, who has written so much glamour-sounding music for movies and TV, as for THE RAINBOW by Ken Russell, does the same for this superlative production, and the "Englishness" of the music is not at all obtrusive.

I heard of this documentary years ago and bought it on Laser Disc (that's right, Laser Disc, eat your hearts out!) in the 90's. This is THE BEST documentary on silent film I have every seen. 10 of 10!

If my house was on fire, and I only had time to grab one laser disc, this would be it. From the fantastic, sweet music of the opening titles to the end of part 13, this will HOLD your interest for 12 hours (each part is about 52 min. long). The 4 page essay by Kevin Brownlow with the laser disc set is fantastic.

Watching silent film on television at home is different than watching a sound film. With a sound film, you might glance at the newspaper, let the dog out, etc. and still use your ears to keep up with the story, but a silent film HOLDS you to the screen.

To quote the last lines of the Brownlow essay: "It is impossible to listen to these people without marvelling; they are so extraordinary in their old age... what must Hollywood have been like when they were all young? This series tries to find out."

I agree: WHERE IS THE DVD!!!!