No futuro próximo, um líder carismático chama as gangues de rua de Nova York com a intenção de assumir o controle. Quando ele é morto, os guerreiros são falsamente acusados e devem lutar par... Ler tudoNo futuro próximo, um líder carismático chama as gangues de rua de Nova York com a intenção de assumir o controle. Quando ele é morto, os guerreiros são falsamente acusados e devem lutar para voltar para casa.No futuro próximo, um líder carismático chama as gangues de rua de Nova York com a intenção de assumir o controle. Quando ele é morto, os guerreiros são falsamente acusados e devem lutar para voltar para casa.
- Direção
- Roteiristas
- Artistas
Marcelino Sánchez
- Rembrandt
- (as Marcelino Sanchez)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I was working in a movie theater when The Warriors first came out, and remember well the flick and the hype surrounding it. Here's a few notes to clear up some misconceptions that many other commentors seem to have.
The flick was NOT ever intended to be an accurate portrayal of New York gang life, although there were some realistic elements. At the time it was generally accepted that it took place in the future, although nothing in the movie supports this. At best it can be considered an urban fable that takes place in a sort-of-imaginary world. You know, like Pulp Fiction (you think 90s LA gangsters dressed like that??).
Second, the film itself was not accused of inciting violence. Problem was, it was a VERY popular film with gang members, who would show up in force. Two rival gangs would show up at the same theater, and... you can figure the rest out yourself. One guy was killed on the first weekend the movie was playing in New York; after that, the distributor hired off-duty police for security at every theater across the country that showed the flick. In the small-town Midwest where I lived, this served more as advertising hype than anything else.
Finally, it was widely known back in the day that The Warriors was based on the ancient Greek nonfiction tale Anabasis, written around 370 BC by the Spartan general Xenophon (it's also published under the title The Persian Expedition). In this classic tale, a battalion of 10,000 Spartan mercenaries join the Persian emperor Cyrus for a war in Asia Minor (i.e. Turkey). Cyrus's army is defeated, the Spartan leaders are captured, and the remaining force must make their way across country, fighting various hostile tribes along the way, experiencing their own internal power struggles, until they reach the safety of the sea. I'm shocked that only one reviewer seemed to be familiar with this; in the 70s almost nobody talked about the movie without mentioning it.
Great flick, by the way, and it holds up extremely well over time. I'm sure the remake will suck.
The flick was NOT ever intended to be an accurate portrayal of New York gang life, although there were some realistic elements. At the time it was generally accepted that it took place in the future, although nothing in the movie supports this. At best it can be considered an urban fable that takes place in a sort-of-imaginary world. You know, like Pulp Fiction (you think 90s LA gangsters dressed like that??).
Second, the film itself was not accused of inciting violence. Problem was, it was a VERY popular film with gang members, who would show up in force. Two rival gangs would show up at the same theater, and... you can figure the rest out yourself. One guy was killed on the first weekend the movie was playing in New York; after that, the distributor hired off-duty police for security at every theater across the country that showed the flick. In the small-town Midwest where I lived, this served more as advertising hype than anything else.
Finally, it was widely known back in the day that The Warriors was based on the ancient Greek nonfiction tale Anabasis, written around 370 BC by the Spartan general Xenophon (it's also published under the title The Persian Expedition). In this classic tale, a battalion of 10,000 Spartan mercenaries join the Persian emperor Cyrus for a war in Asia Minor (i.e. Turkey). Cyrus's army is defeated, the Spartan leaders are captured, and the remaining force must make their way across country, fighting various hostile tribes along the way, experiencing their own internal power struggles, until they reach the safety of the sea. I'm shocked that only one reviewer seemed to be familiar with this; in the 70s almost nobody talked about the movie without mentioning it.
Great flick, by the way, and it holds up extremely well over time. I'm sure the remake will suck.
I just finished watching The Warriors again and it always brings me back to that time. A time where you relied on friends and a brotherhood to keep you safe. A time where we took care of our own. I was born in Brooklyn and I remember going to the theater in Williamsburg with my older cousin to see this movie. Back then they had double features. We stayed and watched The Warriors for the second time. To me it is a simple movie of survival against all odds with no one but your brothers watching your back. Even the crime syndicate had rat's snitching on each other back then. Look at the end of the movie and see how the Rouges reacted even when faced with their destiny. They all stuck together. This is by far one of the best films of that era. And still today on DVD it is as fresh as the day it was released. I even turned my best friends wife into a fan. I truly believe this movie can reach all types of people. Kudos to the writers and producers and actors and everyone involved in this film.
"Listen boppers", this is a great gang flick that has a small crew chased down by every gang in NYC after they are wrongly accused of killing Cyrus (the local crime boss) at the Bronx Zoo. The Warriors have to make it from the Upper Bronx to Coney Island with every gang in town trying their own unique ways of knocking them off. Baseball mimes, Roller Skating posses, chick gangs, and of course, the "Riffs" do their darnedest to knock off the resilient Coney Island gang before they can make it back to their stomping ground. A local radio announcer (the woman from "Where in the World is Carmen San Deigo?") narrates their progress downtown, tipping off rivals and setting up further confrontation. A great movies for all ages.
Interesting, action-filled, gang-drama.
A delegation from a gang, the Warriors, goes to a meeting of all the major gangs in New York. The convener of the meeting, Cyrus, wants to unite all the gangs into one huge crime army. However, he is shot and killed by a disgruntled gang member and the Warriors are blamed. Now they have to fight their way home...
Regarded as a bit of cult classic, the Warriors isn't brilliant, but it is quite entertaining. Decent plot - though some of the traps and twists can be spotted a mile off - and good action scenes.
Performances aren't bad - the machismo, swagger and, to an extent, overacting are laid on thick but this suits the characters and movie.
A delegation from a gang, the Warriors, goes to a meeting of all the major gangs in New York. The convener of the meeting, Cyrus, wants to unite all the gangs into one huge crime army. However, he is shot and killed by a disgruntled gang member and the Warriors are blamed. Now they have to fight their way home...
Regarded as a bit of cult classic, the Warriors isn't brilliant, but it is quite entertaining. Decent plot - though some of the traps and twists can be spotted a mile off - and good action scenes.
Performances aren't bad - the machismo, swagger and, to an extent, overacting are laid on thick but this suits the characters and movie.
Explaining what makes "The Warriors" a good movie and one that is so enjoyable to watch is simple. It's the style.
The style announces itself loudly in the opening scene/credit sequence. Each credit appears in the custom text style then recedes into the depth of the screen like a departing train disappearing down a tunnel. Characters engage in excited exchanges about a deity-like leader, Cyrus, who commands the city's most powerful gang, the Grammercy Riffs.
Everyone is heading to see him deliver a speech. And, boy, what a speech it is. He captivates the crowd of thousands by using his striking charisma and booming baritone.
Then the gathering is abruptly interrupted by an act of violence for which the Warriors are falsely blamed. Acting on this inaccurate information, all gangs seek to capture and/or kill the Warriors. Now the Warriors must brave the dangerous streets on a 28-mile journey to safety.
Queue the action sequences. We see a lot of fights and running. A LOT of running. It's all delightful and stylish.
Director Walter Hill boldly leaves his fingerprints everywhere, shaping the aesthetic and creating something unusually special.
He creates a world of gang warfare that has undertones steeped in reality, but none of the characters of the world they inhabit ever feel real. The movie much more closely resembles a comic book. At times this is played subtly, and in other scenes Hill makes this readily apparent by pausing certain frames on screen to make them look like boxes from a comic book.
Dialogue continues the comic book theme. Characters say strange things that no one in real life would ever utter. The camera even moves in an unnatural manner. The action sequences contain exquisite energy, yet they feel completely rehearsed. Viewers are constantly fed reminders that they are watching a movie. It's never meant to be a realistic experience.
None of that is to say that this movie isn't enjoyable or that it is poorly made. It's purely a stylistic choice that Hill makes, and it's an overtly intentional one.
Within the first few minutes, you will have a pretty good sense if this movie is for you. If you like the vibe early, you'll enjoy the movie. At the very least, this one is worth a shot.
The style announces itself loudly in the opening scene/credit sequence. Each credit appears in the custom text style then recedes into the depth of the screen like a departing train disappearing down a tunnel. Characters engage in excited exchanges about a deity-like leader, Cyrus, who commands the city's most powerful gang, the Grammercy Riffs.
Everyone is heading to see him deliver a speech. And, boy, what a speech it is. He captivates the crowd of thousands by using his striking charisma and booming baritone.
Then the gathering is abruptly interrupted by an act of violence for which the Warriors are falsely blamed. Acting on this inaccurate information, all gangs seek to capture and/or kill the Warriors. Now the Warriors must brave the dangerous streets on a 28-mile journey to safety.
Queue the action sequences. We see a lot of fights and running. A LOT of running. It's all delightful and stylish.
Director Walter Hill boldly leaves his fingerprints everywhere, shaping the aesthetic and creating something unusually special.
He creates a world of gang warfare that has undertones steeped in reality, but none of the characters of the world they inhabit ever feel real. The movie much more closely resembles a comic book. At times this is played subtly, and in other scenes Hill makes this readily apparent by pausing certain frames on screen to make them look like boxes from a comic book.
Dialogue continues the comic book theme. Characters say strange things that no one in real life would ever utter. The camera even moves in an unnatural manner. The action sequences contain exquisite energy, yet they feel completely rehearsed. Viewers are constantly fed reminders that they are watching a movie. It's never meant to be a realistic experience.
None of that is to say that this movie isn't enjoyable or that it is poorly made. It's purely a stylistic choice that Hill makes, and it's an overtly intentional one.
Within the first few minutes, you will have a pretty good sense if this movie is for you. If you like the vibe early, you'll enjoy the movie. At the very least, this one is worth a shot.
Você sabia?
- CuriosidadesSol Yurick wrote the original book as a rebuttal to the romanticized view of street gangs presented in Amor, Sublime Amor (1961) based on his experience as a New York City welfare department worker.
- Erros de gravaçãoWhen the Warriors first leave the gunfight in the Bronx, we see them walking in the rain, completely soaked. A short while later, they're back on the train with dry hair and clothes.
- Cenas durante ou pós-créditosIn the original version, the end credits are followed by 3 minutes of black screen as the Joe Walsh song "In the City" plays.
- Versões alternativasThe Ultimate Director's Cut runs around one minute longer, adding a voiceover introduction from director Walter Hill describing a legendary Greek army's attempt to fight its way home, and comic-book freeze frame shots bridging various scenes in the film.
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Detalhes
Bilheteria
- Orçamento
- US$ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.490.039
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.529.675
- 11 de fev. de 1979
- Faturamento bruto mundial
- US$ 22.495.685
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