O Humanóide

....Which is pretty much the only occasions I'd watch this film.

Honestly, this film is one long collection of laughable clichés. More than Star Crash, and that is a feat of some magnitude.

The incredibly poor special effects. Yes, it was 1979 and this film was a low-budget spaghetti sci fi flick, so I suppose we could forgive it for this. Almost.

The incredibly laughable reuse of models and costumes from other sources which shall remain nameless to protect them from comparison.

The painfully repetitive soundtrack, more like a collection of notes strung together.... I can't believe Ennio Morricone was responsible for it.

The stunning range of Richard Kiel's acting. He must have been getting mightily sick of playing the invincible, monstrous giant by this stage. Normally nobody would play the role better, but his rampage through various faceless soldiers is so stupid as to elicit more laughs than fear.

And then there is Marco Yeh as Tom Tom.... It doesn't come as any surprise to me that this is the only production to feature him listed on IMDb.... At least he didn't have to wear the stupid costume Ivan Rassimov was made to suffer.

But gawd is it funny as hell....

THE HUMANOID tells the story of two brothers of noble titles, one good named the Great Brother; the other evil, who are fighting against each other to become the sole ruler of planet Metropolis. The evil brother Graal (Ivan Rassimov) gets the support of the insane Dr. Kraspin (Arthur Kennedy) to create a new army of invincible soldiers called humanoids. To prove that his chemical invention really works, the doctor tests it on the pilot Golob (Richard Kiel), an unsuspecting human from another planet whose plane happens to land on the deserts of Metropolis. Golob is turned – in a very ridiculous way – into an indestructible soldier that doesn't speak but possesses superhuman strength and lives under the doctor's control. Commanded by the evil Graal, Golob charges into the city where the Great Brother lives to kill him. When Golob's brain-washed mind is neutralized by a little oriental sage living in the city named Tom Tom, he turns side and befriends everyone, including the person he is assigned to kill. Heading back to Graal's headquarter to destroy him, Golob leads his band of new ally. Following a decisive battle that destroys Grall and the doctor, Golob regains his human side and reacquires his speech. With his newly-befriended comrades, he decides to live on the planet, which is then called Earth (no more Metropolis as that's what shown on screen!).

That is not the whole story, there are other characters and subplots that are not worth telling as they do not add anything to the main plot!

THE HUMANOID is a Star Wars copycat and a mega-waste of budget that doesn't have any of the elements that have made Star Wars a timeless classic. Here you see similarities that you see in Star Wars – from vehicles, places to characters: Star Destroyer (even following the exact sequence of how it is shown in Star Wars!), Land Speeder, laser guns that shoot red beams, lots of Darth Vader look-alike (since they are portrayed not only as the leader but also guards), Princess Leia wannabe (she's called Barbara and sexier), a kung fu fighting Luke Skywalker, a robot dog (a substitute for R2D2) and a little oriental Obi-Wan Kenobi! Even the opening sequences mimic those of Star Wars!

Richard Kiel's performance in "The Spy Who Loved Me" and "Moonraker" must have immensely impressed the producers that he was given a similar role here – doesn't speak, just snarls and looks dumb.

This cheesy Italian sci-fi yarn could have been a lot better. Sadly, it lacks the creativity that would have made it into a fun B-movie. The STAR WARS-inspired characters, vehicles, and scenes show lazy film-making. Adding insult to the injury, the plot and directing are as uninspired.

All in all, THE HUMANOID comes mildly recommended and is strictly for lovers of B-movies.

With Aldo Lado (Night Train murders) directing, Antonio Margheretti (Cannibal Apocalypse) on special effects, Enzo Castellari (Bronx Warriors) as second unit director, and a Ennio Morricone soundtrack, you'd think The Humanoid would be the greatest Italian Star Wars rip-off ever made, but you'd be wrong. Because that's Starcrash.

This one seems to be handicapped due to the amount of talent behind the camera. It's all well and good, but where's the insanity? Apart from the last half hour there.

Story wise, we've got Ivan Rassimov (Last Cannibal World) as a guy who bought Darth Vader's helmet at a car boot sale wanting to get revenge on his big brother via Arthur Kennedy (from goat arse licking film The Antichrist), who wants to kills Barbara who is a teacher to Tom Tom, a sat nav provider with psychic powers. Arthur also keeps Barbara Bach (Street Law) alive and she's Ivan's missus or something.

On the good guy side, there's Leonard Mann and Richard Kiel. Now Richard seems to be a good guy with a robot dog when he's got a beard, but when Arthur Kennedy gets a hold of him and removes that beard, Richard gets a bit killy and starts wasting everyone. This goes on for quite a while I'm afraid and I was almost losing patience with the film at this point, but then Tom Tom turns up and who cares...

So eventually the film gets around to the big battle bit at the end which is more enjoyable than what went before it. Loads of explosions, robot arse gravy, decapitations and all that jazz. Look - it's on Youtube. If you like Italian sci-fi (a seemingly random genre for the usually dependant Italians) then just watch it...

Valentino Valentini is named in the credits, but I don't recall seeing him.

Also, Italian cinema is now like watching Dad's Army 20 years ago...it's a case of who's alive and who's not - Not alive in this film as of today - Richard Kiel, Arthur Kennedy, Ivan Rassimov....sigh

I actually enjoyed this more than the better known Italian Star Wars rip-off, STARCRASH. Though it's seldom as hilariously awful as STARCRASH, it is what it is far more CONSISTENTLY. In other words, if you're not charmed by the first 10 minutes of this movie, you're not likely to like any of the rest of it either. The odd thing is that - aside from one early scene in which a vertical bed of nails penetrates a nude woman - this movie seems to have been made for kids. Is it possible that there are two versions, one of which is absent that particular scene? Everything else - from the cute Robodog, to the silly music (via Morricone, no less!), to the dime store moralizing, to the lovable gentle giant (Richard Kiel), to the magic kid from another planet - absolutely screams "kiddie flick".

As all good SF Fans know, after the success of Star Wars, there was a huge rush to cash in with ripoffs around the world. Most are forgettable, and this was one of them.

The ironic thing was that Richard Kiel (who plays the titular humanoid) was offered the role of Chewbacca in Star Wars and turned it down to play Jaws in the James Bond series. This movie is just another example of his poor career choices.

Anyway, the plot is that Discount Darth Vader escapes from a prison planet with the intent of overthrowing his brother, the leader of a space alliance. A mad scientist turns a space pilot (Kiel) into an indestructible monster to unleash on the Earth. Hilarity ensues as they try to copy Star Wars in style but not substance.

The thing is, the movie looks good for the time period, but it suffers from what all Italian films of that era suffer from- bad dubbing. All the ADR line delivery is flat and barely matches the actions of the characters.

It's not even fun in a so-bad-it's-good way.