Zumbi 2 - A Volta dos Mortos

A film that starts almost quietly, with low quality sequences of zombies not very suggestive and not very engaging, but which gradually improve more and more until they are terrifying towards the end. In some scenes the emotional reactions of the characters to certain events seem almost non-existent while others are very trashy (e.g. The woman who stares terrified a zombie but stays where she is and doesn't even attempt to escape, or the four people who are in a wood full of zombies but decide to split into couples). In many scenes, however, there is a lot of scary atmosphere and in others a little bit less; some shot are amazing and have a very good photography, some others not; all in all the plot is very good and the gory style of Fulci is stunning and result of a very creative mind. I think you won't regret to watch it, it's totally worth.

'Zombie Flesh-Eaters' is the movie that put Lucio Fulci on the map, after a career of over twenty years. Initially presented as a sequel to Romero's (superior) 'Dawn Of The Dead' there is actually no connection between the two, and is best regarded as a stand alone horror movie. Unfortunately I watched the Australian cut from several years back which is missing a lot of the most explicit violence and gore, but even so I recommend this for lovers of Zombie movies.

The plot here is pretty simplistic, the acting variable but usually above average (including a few familiar horror veterans and Tisa Farrow of 'Fingers'), but after a fairly dull first half hour it picks up the pace. Fulci and his special effects crew must be congratulated for creating such realistic and repulsive looking zombies on such a low budget. They really are something to see, and arguably better than Romero's. And 'Zombie Flesh-Eaters' features an extraordinary sequence involving an underwater zombie/shark fight, which must be one of the highlights of any zombie movie, Romero or otherwise. Fulci went on to more spectacular and original movies ('The Beyond' is highly recommended), but this is still a very credible effort, and essential viewing for horror fans.

This has got to be one of the best Zombie films ever. It is one of Fulci's best. Great gore effects and cool zombies. Rent or buy this now if you are a fan of the Living Dead, or just a fan of gore.

This was my first ever video nasty, originally viewed in the mid 80's, and for that reason it shall always have a special place in my heart. The first thing that struck me was that the budget must have been relatively high. Fulci was never a great one for narrative coherence (this is probably his most conventional film) and typically for the Italian films of the time this must have been pitched as a sequence of set-pieces (the shark battle, the fiery finale, and of course, the infamous eyeball scene). Unfortunately for the most part these are fairly flatly directed and fall short of their potential for tension. The earlier expository scenes are especially protracted, and throughout Fulci has a tendency to leave shots hanging well past their sell-by date. That said, the film is not completely artless, and whereas it lacks suspense, it does have a degree of atmosphere about it. After the political correctness of the 80's and the 'post-Modernist' knowingness of the 90's, Zombie Flesheaters, with its excessive gore and its leering nudity, its risible dubbed dialog and its a complete lack of humour, with its simplistic plotting and comic-book characterisation, is probably most interesting if viewed from the perspective that firstly, that there was ever a market for this sort of thing and secondly, that people thought that films like this needed suppressing. Yes it's true, they don't make them like this anymore!

When it's good, it's really great. C'mon, this film has a shark fighting with a zombie...it doesn't get much better than that!

I liked the scenario - not the usual in the city - even if I would the vudu part to be much better explored. The acting is bad - especially when zombies are attacking - and Fulci brought a lot of the giallo bad tropes. That's the only reason why this isn't, for me, the masterpiece a lot claim to be.