That Summer!

... but the soundtrack ROCKS! Basically a snap shot of the best of British and American power pop and poppy punk, circa 1978: the Undertones' "Teenage Kicks," Patti Smith's "Before the Night," Elvis Costello's "Chelsea," Richard Hell and the Voidoids' "Blank Generation," the Boomtown Rats' "She's So Modern" and "Kicks," Wreckless Eric's "Whole Wide World," the Only Ones' "Another Girl, Another Planet," Zones' "New Life," the Ramones' "Rockaway Beach"....it's perfectly sequenced and keeps up from start to finish.

Unfortunately, the album's long out of print and the movie just isn't available on VHS or DVD anywhere as far as I can tell.

I saw the film in the cinema of SS Canberra on the way back from the Falklands in 82. The most memorable bit of the film is when the lead man is trying to get into the drawers of the lead girl. She stops him at the critical moment and asks: "You do love me don't you?" With that and in unison with Ray Winstone the entire audience of now Falkland Veterans chorused "Of course I do!" Brilliant! This film is a classic of the era, although filmed in 78 it captured the early 80s and the quoted lines above remind of my escapades before departing for the unknown in the South Atlantic. Ray Winstone certainly cut his teeth on films like this and archetypal the great Brit actor.

First saw this film in 1989 when I taped it. Unfortunately it got taped over about five years ago and I have spent the last five years looking for another copy. Luckily, I now have it on DVD. Although the acting isn't really anything to speak of, the soundtrack is really good. It's also nice to see how things have changed in the area since 1978. I recently visited the Pickwick which is where Steve worked. It's changed quite a bit, different colour with some building work done. One thing that always makes me chuckle about the film is the continuity errors. Didn't the director realise you can't see Torquay Harbour out of the window of the Pickwick.

Made in the Summer of 78 an odd film with a great soundtrack. Meant to be the follow on from 'Scum' A young man (Ray Winstone) leaves prison and travels down to Torquay for work, meets a girl, and enters a swimming race, and that's about it really.

I was living in Torquay when it was made, and with a mate followed the crew around and generally annoyed them while they were filming. Managed to get in a couple of scenes, that's me and Pete standing on the shore throwing stones into the water about half way through, real method stuff! Paid £5 for our troubles. The only time I have ever seen it was on a warm night in 1983, onboard a Frigate in the West Indies, It was projected from a 16mm print onto the hanger doors as we all sat on the flight deck. Worth seeing for the soundtrack, and us on the beach of course.

I absolutely LOATHE coming-of-age films, for their embarrassing-ness, stupidity, and exaggerated, unrealistic portrayal of that time of life. Normally this would be no exception. However, the soundtrack to this film was on the sharpest cutting edge in its day; the chat boards/threads here have comments from several of us on the soundtrack.

Plot is four British youths -- two girls, two guys -- go to a seaside resort town in England. They hook up there, work, go out, quarrel, have sex for the first time, etc. etc. They are repeatedly antagonized by a trio of mean-spirited Scottish thugs. The lead character, played by Ray Winstone, is focused on a swimming race/contest which he deeply wants to win.

Back to the soundtrack: it contains the likes of Eddie & the Hot Rods, Richard Hell & the Voidoids, Mink DeVille, the Boomtown Rats; plus a lot of the score is composed around the melody of the Only Ones' "Another Girl, Another Planet." This was the stuff of the fantastic, now-classic original punk rock & New Wave of the late '70s. Whoever did the music supervising/selection (I'd like to know who this was) was well in-tune with this edgy genre, and matched the songs' lyrical content well to the scenes. The use of Patti Smith's "Because the Night" particularly comes to mind in this regard.

I've finally seen this film now (July 2009), and it's a treat in that I was the EXACT same age as these kids (18) in the year of the film's release (1979). As an American it was also a glimpse into what life was like for my contemporaries across the pond. It was very, very different; and I can say the life of American 18-year-olds in 1979 was NOTHING like the Brits' portrayed in this film. It may have been sort of like this in the U.S. back in the 1950's, but that's about it. Also, I couldn't understand some of the dialog, due to the accent factor.

The soundtrack may be New Wave, but the characters are not. They were what we American punkers back then would've termed "regular," "mainstream," or "straight" people. But ironically, one of the Scot thugs, Georgie, looks as contemporary now as he did 30 years ago.

The film's title is oriented in hindsight; as if referring to looking back on the past experience of one's younger days; when nostalgia selectively blocks out the bad times and remembers mostly the good. I wish in some ways that I could've had a teenage beach summer like this...ah, but I was too busy in the gritty city, being a punk rocker. Aaarrrgghh! :-P