A Volta dos Mortos Vivos

A real classic of the zombie business. Directed by Dan O'Bannon who got writer credits for such classics as Alien, Aliens, Dark Star, Lifeforce and Screamers (he is still in business). The Return of the Living Dead is one of the earliest movie (if not the first) I remember who glued zombie-horror and a decent level of gore together with a fine shot of comedy elements.

A must-see if you like zombies + comedy. Alone the scenes with the goth-punks having a party on the graveyard till the dead rise is iconic stuff. But unlike some of the recently produced zombie-comedies this one got still a good level of horror and gore and its main focus is not on comedy only.

I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!

First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.

Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).

James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!

This film is a hidden treasure in a genre all too often plagued by mediocrity.

ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.

ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.

The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.

ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.

This is saying a lot too, because to me this is the only film of the five Return of the Living Dead films to be above good standard. The sequels varied in quality, with 2 and 3 being acceptable enough though with their problems and 4 (Necropolis) and 5 (Rave to the Grave) being terrible, the latter being marginally worse and being one of the worst sequels ever made. The original however is an immensely enjoyable film, with its very few flaws barely noticeable amidst the huge amount of good.

It is definitely the best-looking film in the series, it is stylishly shot and lit with a wonderful ominous atmosphere, complete with atmospheric sets, above average effects and some great make-up on the zombies. There is a killer 80s soundtrack that still sounds good and haunting rather than cheesy, and instead of the outdated quality it could have had the soundtrack makes one nostalgic for the 80s. As well as a hilarious and clever script that's never forced, doesn't get bogged down in too many explanations or too much exposition, and that is very quotable (which I don't think any of the sequels achieved and it was something that 4 and 5 could only dream of doing so), and a story that seemed tired in concept but felt very fresh in execution with so many funny moments and an equal number of highly disturbing and scary ones.

Return of the Living Dead is directed with adroit class and a clear fondness for the genre by Dan O' Bannon, and while some of the punk teens are annoyingly and one-dimensionally written and acted with not much spark (the sole problems with the film, and they are not that major), the leads are written very likeably and Clu Gulager, James Karen, Thom Mathews and Beverly Randolph are charming and lots of fun (all of them at least knowing what sort of film they're in), Gulager and Karen are particularly good. Don Calfa is also suitably shady. The film also cleverly and wisely makes the zombies the stars and uses them brilliantly, furthermore these zombies actually are very menacing, a real threat, do a lot more than just shuffle and plod around and are wonderfully tongue-in-cheek, exuding real personality. The twist is deliciously ironic, adding to the freshness when it easily could have been tired or anti-climactic.

All in all, immensely enjoyable and the best of the series by some margin, being the only one to be completely satisfying. 8/10 Bethany Cox

I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.