A Volta dos Mortos Vivos

"The Return of the Living Dead" has held a special place in my heart for a very long time. This satirical take on Romero's classic (if you don't know which one, you shouldn't be reading this) is one of the greatest horror films ever made and is also one of the most respected. The direction by Dan O'Bannon, writer of "Alien" (also one of the greatest), is superb and Jules Brenner's cinematography is stunning for a film not shot in a widescreen aspect ratio (it was shot 1.37:1 full frame to save money). The scene with the rising of the zombies is best described as hauntingly beautiful yet chilling. The cast gives great performances and the special effects are astounding, as is Matt Clifford's rousing score. The nasty going-ons is highlighted by a powerful metal soundtrack featuring The Cramps and Billy Idol.

The plot concerns some nasty chemical that has the ability to bring the dead back to life. When a barrel of the stuff is accidentally opened, all hell breaks loose: the cast is forced to do battle with scores of zombies (this time hungry for brains). Twists and turns abound as the cast is trapped at Ground Zero-the epicenter of the plague, if you will. All of the characters are likely even though they are mostly sleazy and corrupt. Linnea Quigley is great as Trash as is Clu Gulager as the corrupt warehouse owner. The zombies themselves are fun to watch; be warned, however, that they are not the usual slow, shuffling stiffs we've all come to love.

All in all, "The Return of the Living Dead" is an amazing thrill ride that will remain in your mind long after it's over. Do yourself a favor and seek out this cult classic. You won't regret it!

To this day, I can't believe Dan O'Bannon got away with using "The Living Dead" in his title. George Romero should have sued, and probably did. Nevertheless, this is a classic horror comedy straight out of the 1980s, with gruesome brain-devouring zombies running riot in a small town. Actually, due to the movie's modest budget, the zombies run around a small number series of sets, consisting of a warehouse, both inside and outside, a bridge and a mortuary, inside and outside. There also are a couple of shots dealing with Army personnel. An Abbott and Costello-type pair unleashes a government-developed gas that revives the dead. Even dead parts. A warehouse exec, a mortuary owner and several daffy young people end up in a fight for their lives, while a series of EMTs and police arriving on the scene are quickly dispatched by the ravenous zombies. The hammy acting is strictly from hunger, the dialog largely improvised, and the clumsy blocking and static photography (mostly medium shots) are like something from a 1932 talkie. But the zombie attacks are ferocious and go way beyond anything Romero attempted in "Night." Also, zombies getting on the ambulance and police radios to order up more help in their sepulchral voices is beyond hilarious. You also have the ravishing Scream Queen of her day, Leanna Quigley, spending most of screen time nekkid. It also is a riot to see familiar grocery store hawker James Karen in a prominent role here. Plus, much has been said over the years about the individual hired to play the rotting basement zombie, and he is indeed absolutely marvelous. Good for a laugh, and great for trotting out every Halloween.

A real classic of the zombie business. Directed by Dan O'Bannon who got writer credits for such classics as Alien, Aliens, Dark Star, Lifeforce and Screamers (he is still in business). The Return of the Living Dead is one of the earliest movie (if not the first) I remember who glued zombie-horror and a decent level of gore together with a fine shot of comedy elements.

A must-see if you like zombies + comedy. Alone the scenes with the goth-punks having a party on the graveyard till the dead rise is iconic stuff. But unlike some of the recently produced zombie-comedies this one got still a good level of horror and gore and its main focus is not on comedy only.

ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.

ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.

The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.

ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.

"Return of the Living Dead" is an often hilarious, often frightening, often disgusting, and always entertaining horror comedy. The cast is great, the dialogue is snappy and very quotable, and the special effects still hold up very well, nearly 20 years after the film's release. Fans of the horror genre, 1980s buffs, or just folks who enjoy something different occasionally will most likely get a kick out of it.

10/10