A Fúria do Protetor

This movie is a lot better than people say it is. Sure, it's not a typical Jackie Chan movie, but it's good anyway. It has lots of action and is better than most of the buddy cop movies of the 1980's. Don't expect this to be like all of his other movies and you may like it. I did.

In the second attempt to introduce martial arts superstar Jackie Chan to the North American market (after "The Big Brawl" in 1980), ever likable Jackie is amusingly miscast as Billy Wong, an NYC cop who, after some hot dog heroics, is demoted to crowd control at a fashion show, where he's partnered with Danny Garoni (the engaging Danny Aiello). Unfortunately, they prove to be pretty useless and Laura Shapiro (Saun Ellis), daughter of a wealthy big shot, is kidnapped by goons working for dastardly Hong Kong mobster Mr. Ko (Roy Chiao). Billy and Danny manage to convince their commissioner to let them travel to HK to advise and assist local authorities in defeating Ko and rescuing Laura, but of course these two mavericks are pretty much just going to do whatever they want to do.

There are *some* fine moments here for Chan fans, but there simply may not be enough. The tone *is* rather gritty, but although there's not a lot of outright comedy, the movie does still have a sense of humour. Chan has some fine action and fight sequences, especially one around the halfway point where he's trying to pursue a henchman escaping by boat. The stunts near the end are impressively scary. Writer / director James Glickenhaus ("The Exterminator") does a very fine job in utilizing the various HK locations. Jackie does his best in the lead, with Aiello offering fine support and Chiao being just right as our glowering bad guy. Jackie does have a decent if not spectacular climactic fight with fellow martial artist Bill Wallace. All things considered, it's not hard to see why Chan himself and some of his fan base might not care for the movie, but there is an alternate cut now available on Blu-ray with additional scenes created by Jackie himself, to better suit his vision (he really had no control on this feature at the time).

In any event, it's worth noting the presence of a couple of familiar faces among the supporting cast, including Becky Ann Baker, John Spencer, Mike Starr, Big John Studd, and Trey Wilson.

It would take another 11 years before North America finally, really took notice of Jackie with the release of "Rumble in the Bronx".

Six out of 10.

Jackie Chan had no control of this movie (at least the American version). The director somehow thought that Jackie would come across better to audiences as a Dirty Harry cop! Didn't he realize that Chan is popular because of his stunts and kung-fu action? Apparently not, because in an interview years later, the director said he didn't regret his decision and kept claiming that Americans wouldn't accept Chan's Asian style.

Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.

By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!

(57%) Back in the mid 80's Mr Chan didn't much care for this movie as he felt it was made not fully utilising his talent, for which I can understand. Featured here there's none of his trademark comedic fights, or insanely dangerous stunts, instead we get a gritter, more typically 1980's R-rated American action flick with plenty of shoot-outs, fist fights and explosions. The level of strong language, along with quite a lot of nudity also sets this apart from the usual Chan flick, but I cannot say I didn't enjoy this. The action is solid with plenty of it, and for a medium budgeted 80's action flick this is better than average.

Jackie Chan's strength is in my opinion his talent in performing action comedy and fighting in creative settings. This movie puts Jackie Chan in an average cop-action movie that hardly takes advantage of Jackie Chan's strength. If someone else has played the role that Jackie Chan played in this movie, the movie could be a decent one. But Jackie Chan's presence in the movie gives expectation of something else than what this movie is. This is the problem of this movie: using Jackie Chan in an unsuitable role; or on the flip side, giving the role to someone unsuitable for this movie, Jackie Chan.