O Cavaleiro Solitário

Pale Rider is my all time favourite movie.From the opening scene with it's atmospheric audio sounds that bring the scenery alive to the Shane-like ending Pale Rider plays out as a very competent and well structured story.It is a thought provoking movie,leaving one wondering is this 'Preacher' really the physical entity he appears to be?Echoes of his past resonate throughout the film as to his past,and,perhaps,his fate.The plot is not original but is superior to the likes of Shane and HPD in that the cinematography lends itself to favour the subtle supernatural theme.Hazy filters in the forest scene where Megan buries her dog work to create a 'spiritual' effect for example,yet it is merely a 'suggestive' effect,and not everyone will pick up on it.The 'Preachers' arrival at the cabin just as Megan reads from the scriptures could be seen as purely coincidental, or is a higher power at work?The story builds to the inevitable showdown and again subtle ploys are used to suggest that the 'Preacher' is not all that he seems to be,though this time a finely crafted script is the medium to put the feeling across.The script is dry but is emotive and one gets a feel for the characters,not common in westerns.The ending is left somewhat open and has compelled me to write a 'sequel' which I've called Megans Odyssey.Sydney Penny's portrayal of the vulnerable yet strong willed Megan added the winning formula to this movie,creating both a romantic sub-plot and a sense of family values,another rare quality in westerns.A 10 out of 10 gem.

"Pale Rider" is Producer/Director/Star Clint Eastwood's unofficial remake of George Stevens' "Shane" (1953). I've never heard that he's acknowledged it as such but the two stories are more than a little similar. The film also presents Eastwood in another variation of his "man with no name" character, similar to the one he portrayed in "High Plains Drifter" (1973).

The story begins with a raid on a small mining community by rival miners trying to drive the residents off of their claims and take them over. Among the miners are Hull Barret (Michael Moriarity), his intended Sarah Wheller (Carrie Snodgrass) and her budding teenage daughter Megan (Sydney Penny). When Megan's dog is killed during the raid, she prays for someone to help her against the oppressors.

Out of the mist comes a mysterious stranger (Eastwood), whom the scriptural passage Megan is reading describes him as "death riding a pale horse". The stranger saves Barret from a beating at the hands of the town bullies and comes home with him wherein he reveals himself to be a preacher. We learn that mining magnate Coy La Hood (Richard Dysart) and his son Josh (Christopher Penn) are behind all of the troubles.

When LaHood's men including McGill (Charles Hallahan and the gigantic Club (Richard Kiel) are unable to handle this preacher, he sends for gunslinging Marshal Stockburn (John Russell) and his six deputies. Meanwhile, one of the miners, Spider Conway (Doug McGrath) goes into town alone after striking it rich and is goaded into a gunfight with Stockburn & Co. Conway is brutally gunned down in front of his two young sons after which Stockburn tells the boys to tell the preacher to meet him on the street the following morning.

The preacher then goes to retrieve a strong box containing his hardware and into which he tosses his preacher's collar. He and Barret then start for town where............

Eastwood's character as in "High Plains Drifter" appears to embody elements of the supernatural. We see the scars of several bullet holes in his back and at one point is recognized by Stockburn as someone he had killed years before. The teen-aged Megan throws herself at the preacher (she's only 14 in the story) but he wisely (for the sake of the censors) let's her down easy while having an eye for her mother.

The comparison between this film and "Shane" is inevitable. In "Shane we have the squatters versus the cattlemen; here its between the powerful miner and the "tin panners". There's the solitary gunfighter who helps out the underdogs, the vicious hired gun, the loner who gets gunned down in the street, the bad guy who turns good and the hero who rides off into the sunset all common to both films.

Though not Eastwood's best western it is nevertheless good enough to wish that he had made more of them.

Shot on location in Sun Valley, Idaho, and to some esteem to "Shane," "Pale Rider" succeeded with sweeping landscapes and magnificent cinematography, to be an interesting Western that helps to bring back something from Eastwood's mystique…

In 1850 California, a small group squatters and their families find themselves terrorized by Coy LaHood (Richard Dysart), who are standing win the way of his progress… Desperate, LaHood begins using violence in an unsuccessful attempt to run the peaceful yet determined homesteaders from their land… Leading the homesteaders is a decent man Hull Barret (Michael Moriarty), who dreams of a better life for himself, his girlfriend Sarah Wheeler (Carrie Snodgress) and her lovely daughter from a previous marriage, 14-year-old Meagan (Sydney Penny).

Into the lives of these strong-willed people rides a mysterious man—tall and lean with something strange in his eyes —known only as "The Preacher" (Clint Eastwood). He says little, divulges nothing of his past, but for a man wearing a clerical collar he seems an expert at handling weapons… He pulls the miners together and gives them the confidence to defy LaHood even in the face of mounting violence...

Although both Sarah and her daughter become enamored of the pale preacher, he gently rejects their advances and makes them see that Hull is a less capable but far better man… There is a good scene when Spider Conway—went into town alone and running out of steam—invited LaHood to come out and have a drink with him… But instead Stockburn and his deputies came out asking him to dance…

Richard Dysart creates an all-too-believable villain, and Western veteran John Russell is well-cast as a middle-aged mercenary and his hired guns to face a legendary hero… It's an old score and it's time settle it

Eastwood takes us back to the Wild West in this beautifully filmed Western action adventure. The script is that of a typical Western flick: The villain is a bad guy in power (LaHood) terrorizing the helpless (in this case a group of 'squatters'). Desperate LaHood uses violent measures to drive them away until suddenly an enigmatic preacher shows up.

Eastwood definitely adds his signature touch. He humanizes the story and the characters which is what makes his films different from the usual Western flicks that were popular when the genre was at its peaks. The women aren't cast as showpieces or mere damsels in distress and the men aren't all evil or all good. Even a despicable person like LaHood shows a human side and Stockburn's expressions leak fear and vulnerability.

Then there are the strong good-guy characters: Hull, his girlfriend and her daughter. All three are drawn to the Preacher. Hull admires him and maybe even sees him as a role model as a result of which he gathers courage and learns to fend for himself and what he believes in. Sarah has fallen in love and she knows that they have no future but she begins to appreciate what she has. Megan has her first crush and even though The Preacher respectfully rejects her advances, she takes her first step towards adulthood and responsibility. The Preacher is mysterious, generous, quiet and a loner. He may be the good samaritan but he isn't without his share of faults and secrets.

The breathtaking landscape is captured beautifully with stunning cinematography. The editing is also solid as the pace is quite steady. The art direction and costumes are brilliant. Sound effect is decent and the score works well. The horses are awesome.

Eastwood is excellent as the mysterious brooding but likable Preacher. Of course he's used to playing such characters and he does them so remarkably. Michael Moriarty, Carrie Snodgress and Sydney Penny are equally great. Richard Dysart makes for an entertaining villain.

In my opinion, Eastwood's Weaterns have stood the test of time. I can enjoy them today just as I did years ago. 'Pale Rider' is no exception.

A drifter (Clint Eastwood) comes to a mining village in the Old West just in time to reckoning gunslingers and owners . He is a mysterious preacher who comes to the aid of gold prospectors and protects a humble embattled prospector (Michael Moriarty) and his woman (Carrie Snodgres) from a greedy mining company (ruled by LaHood , Richard Dysart, and his son Josh LaHood , Chris Penn) trying to encroach on their land . Meanwhile , the Good Stranger is idolized by their daughter named Megan (Sydney Penny). As the wealthy owner contracts a group of outlaws as hired gunfighters (led by John Russell who also acted as villain in Rio Bravo) to kill miners . The title ¨The Pale Rider¨ refers to the Four Horsemen of the Apocalypse from the Book of Revelation, chapter six , Megan is reading the exact verse when she and her mom first see Preacher ride up to their house.

Well crafted Western with interesting screenplay written by Michael Butler and Dennis Shryack . Although atmospheric , it's also sometimes slow-moving and winds up into a spectacular showdown . This stirring picture contains a powerful examination of morality and hypocrisy on people as well as an enjoyable message about faith and hope . Clint Eastwood is unforgettable in the title role coming to help a group of struggling miners and homesteaders . Clint Eastwood revealed in interviews that his character is in fact a ghost. Other clues to the Preacher's true nature are the ghastly bullet wound scars seen when he is dressing, and his sudden appearances and disappearances throughout the movie . During shooting, Clint Eastwood sustained what he describes as the worst injury he has ever had on set when a horse he was riding fell through thin ice and launched him forward as Clint suffered a dislocated shoulder . Good casting with several secondaries as Carrie Snodgress , Chris Penn , Doug McGrath , Richard Kiel , Charles Hallahan , Billy Drago and special mention to John Russell as a downright nasty. Exquisitely shot in Panavision by Bruce Surtees , son of classic cameraman Robert Surtees , with a magnificent cinematography on the wooded exteriors and snowy mountains backgrounds. Acceptable production design by veteran Edward Carfagno , though the train station built for production was used again late in 1988 for Back to the Future Part III . Thrilling as well as sensitive musical score by Lennie Niehaus . The film is made in somewhat similar style to ¨Shane¨ by George Stevens , and which so much cloning of ¨High plains drifter¨ also directed by Eastwood only this time the drifter appears to have been sent from hell rather than heaven to right from ordinary injustices . Star, producer , filmmaker Eastwood realizes an excellent film and perfectly directed . This classic Western as good as the notorious ¨Josey Wales¨ is splendid in every way . Later on , Eastwood produced and directed another successful Western ¨Unforgiven(1992)¨ also with some common theme.