Conspiração ao Poder

This is a very solid dramatic movie based on events in Italy during World War II. Hopkins plays the son-in-law of Mussolini who was also high in the Fascist party. He was a golden boy whose star rises quickly and then big trouble as he tries to get Mussolini to break ties with Hitler and the Nazis. I don't want to spoil this for anyone who hasn't seen it so don't want to get into the plot too deeply... but Hopkins is excellent, he'll make you cry and sweat. It is good drama (you'll be on the edge of your seat during the last half), good acting and a part of that time periods history that I didn't know much about prior to seeing this movie. It is a bit long, but definitely worth your time.

I saw this on a commercial TV movie channel, in two parts. The intervening adverts, seemingly endless, inevitably chopped up the film so much that it spoiled the experience for me.

With an incredible cast - Bob Hoskins surprisingly effective as the surly Mussolini, Anthony Hopkins as Count Galeazzo Cianno and Susan Sarandon as Cianno's wife and daughter of Mussolini, this should have been an incredible epic that everybody would now have seen.

I'm no expert on Italian history and this history lesson was interesting but not compelling enough, for me - not for 4 hours, at least. The 4:3 screen ratio cried out for huge TV widescreen and it remained a rather dingy looking TV movie from start to end. There were some good set pieces, particularly toward the end but I have an overwhelming recollection of long discussions in state rooms.

It may be worthwhile buying the DVD to eliminate the pesky ad breaks and to re-watch, as there is so much going on and one is slightly overawed by the great cast that it would benefit from a repeat. If one had the extra incentive of wanting to know more about the subject, then that is more of a reason but for most and bearing in mind the current price, I wouldn't say that it is worth it. Though, if you have the requisite TV package and it comes on again, then, yes, go for it.

Can anyone tell me the name and location of the beautiful house which appeared in this film? It is probably near Rome, but I have never seen it in anything else and it is so spectacular that I am really intrigued as to its whereabouts and a bit about its history. I have also enjoyed the first part of the four part showing of this film and despite comments on the acting, I find it interesting for the historical and social comment on the times. I found the Hitler character unrealistic, but thought Bob Hoskins put in a good performance. I would be grateful for any information on the background to this film. I thought it captured the period and style of the era very well, and the characters were in the main sympathetic - which was not an emotion I expected to feel. Susan Sarandon was also strong as she always is, and I thought Anthony Hopkins, looking so much younger, came across as trying to prevent further disaster for his country. I particularly enjoyed discovering the background to Il Duce's daughter and her husband as this was a part of the conflict I knew nothing about. It inspired me to find out more.

Interesting film, made for tv in Europe originally. The DVD version is significantly longer than the video version. Many scenes are extended as well as new scenes. Nice historical soap opera with much tragedy. Hopkins as usual is great as is Sarandon and Hoskins. The dubbing is kinda obvious, but so what, it works.

I've watched 30 minutes of this movie skipping the interminable opening credits and stopped the whole thing. My goodness! Was Hitler one of the descendant of an English Lord?Was he a student at Oxford? Does the director of this flop has ever watched the many newsreels showing the Fuhrer speaking and shouting?

From this on it was obvious that the whole production would be a masterpiece of historical errors or flaws.

There is today a tendency in the world's movie industry to treat history as a secondary subject where you can do whatever you want as long as you make money and where accuracy to historical facts and characters is considered as something unimportant.

Americans were at one time the masters of such behavior especially if the historical facts did not concern their own country, now the disease has spread all over the world but perhaps in Germany which up to now has had the courage to produce movies showing without indulgence the horrors which took place on its soil between 1930 and 1945.

That we Europeans be not able to consider with honesty our faults, our mistakes or worse, is a very dangerous symptom of ethical failure on our part.