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IMDbPro

Mirch Masala

  • 1986
  • Not Rated
  • 2 h 8 min
AVALIAÇÃO DA IMDb
7,7/10
1,6 mil
SUA AVALIAÇÃO
Smita Patil in Mirch Masala (1986)
DramaSuspense

Adicionar um enredo no seu idiomaIn colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose hus... Ler tudoIn colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose husband is away in the city, to sleep with him. She slaps him and flees for safety to a spice... Ler tudoIn colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose husband is away in the city, to sleep with him. She slaps him and flees for safety to a spice factory where women grind chillies into fine powder. The aged factory guard, Abu Mian, lo... Ler tudo

  • Direção
    • Ketan Mehta
  • Roteiristas
    • Shafi Hakim
    • Hriday Lani
    • Ketan Mehta
  • Artistas
    • Smita Patil
    • Naseeruddin Shah
    • Om Puri
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Ketan Mehta
    • Roteiristas
      • Shafi Hakim
      • Hriday Lani
      • Ketan Mehta
    • Artistas
      • Smita Patil
      • Naseeruddin Shah
      • Om Puri
    • 14Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 1 indicação no total

    Fotos15

    Ver pôster
    Ver pôster
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    Ver pôster
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    + 10
    Ver pôster

    Elenco principal16

    Editar
    Smita Patil
    Smita Patil
    • Sonbai
    Naseeruddin Shah
    Naseeruddin Shah
    • Subedar
    Om Puri
    Om Puri
    • Chowkidar Abu Miya
    Ratna Pathak Shah
    Ratna Pathak Shah
    • Pepper Factory Worker
    • (as Ratna Pathak)
    Supriya Pathak
    Supriya Pathak
    • Pepper factory worker
    Suresh Oberoi
    Suresh Oberoi
    • Mukhiya
    Neena Kulkarni
    Neena Kulkarni
    • Pepper factory worker
    Ram Gopal Bajaj
    Ram Gopal Bajaj
    • Owner of the Pepper factory
    Benjamin Gilani
    Benjamin Gilani
    • Masterji
    Mohan Gokhale
    Mohan Gokhale
    • Villager
    Deepti Naval
    Deepti Naval
    • Saraswati, Mukhiya's wife
    Harish Patel
    Harish Patel
    • Pandit
    Dina Pathak
    Dina Pathak
    • Maanki, factory worker
    Paresh Rawal
    Paresh Rawal
    • Villager
    Raj Babbar
    Raj Babbar
    • Sonabai's Husband
    • (não creditado)
    Amole Gupte
    Amole Gupte
    • Villager
    • (não creditado)
    • Direção
      • Ketan Mehta
    • Roteiristas
      • Shafi Hakim
      • Hriday Lani
      • Ketan Mehta
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    7,71.6K
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    10

    Avaliações em destaque

    9bkvora

    A must watch

    A Very good narrative on Pre-Independent India where Oppression of Tax Collectors on Villagers is depicted very well.

    While I do not want to summarize the Story, I would like to highlight excellent Direction by Ketan Mehta & acting by Smita Patil, Suresh Oberoi & Om Puri. The vulnerability of the villagers is exposed & very few people stand up against the Naseeruddin Shah who is the Subedar.

    The astonishment of the villagers on seeing the Gramophone for the first time is also very impressive

    I managed to watch it online & was thoroughly impressed. It certainly deserves a 9/10
    10TagoreFan

    Superb Film, Smita in full power as the brilliant actor she was

    It is a deeply moving, crisply logical (even as the peppers dried in the sun would be), beautifully thought out film. The range of Son Bai's character from the early playfulness, the innocent chanchalta of a happy, hard working village wife, the tender moments with her husband, her loneliness when the husband is gone to his job in the railways, and her fiercely effective rage towards her greedy attacker: the Subedar. Yet, there is no Mother India like (a film alluded to, in a complimentary way, throughout parts of the film's plot line) high drama in her rage; it is very authentic, sincere, not filmy, and the silent alliance between Abu Mian and Son Bai, their clear understanding of what is at stake is depicted powerfully -- with very few spoken words, only Ketan Mehta's brilliant cinematography and Om Puri's and Smita's excellent chemistry. Others, including such stars as my most favorite Indian actress, Dina Pathak (whose mother roles are as profoundly moving as Daisy Irani's, though fewer, child roles), Deepti Naval, Supriya Pathak, and of course, Naseerudhin Shah (only he could have acted the Subedar in just that precise, perfect way to make all other elements of the film work so extremely well), also Ratna Pathak is very good, nearly everyone who acts in this film has done excellently well. One of the world's ten most important films, a timeless classic and firmly grounded in historical time.
    9Asphyxiod

    Perhaps, the finest Indian movie ever made

    Year 2003. Quentin Tarantino directed Kill Bill Vol.1 which had a climax scene of sword action between Uma Thurman & Lucy Liu. There is a beautiful sequence of shots wherein the two duelist are photographed in close-ups & simultaneously, a long shot where, the two actors are placed on the right corner of the screen while, a pivoted water tap moving up and down is placed on the left part of the screen. Year 1985. Ketan Mehta, India's acclaimed director and in his best cinematic achievement, had directed a similar shot wherein one of cinema's most memorable & immortal villain character played by Naseeruddin Shah counts-down from 10 to 1 alarming the lead actress to come out of her hideout simultaneously photographed with a Water Tap on the Extreme Left of the 70 mm screen, creating a magnificent scene.

    And since then, there has been no such cinematography ever induced in any other Indian Movies. For those foreign audience, be noted, that this Movie is not a conventional Hindi movie loaded with songs. This Movie is a serious cinema of high degree of art.

    Only 4 words can make a review of this movie: "Watch it on Priority" !
    10Crispin-Bates

    An inspiring socialist-feminist tale

    Set somewhere in Rajputana / northern Madhya Pradesh in central India between the two World Wars, this movie depicts the sordid daily humiliation and exploitation heaped upon villagers by an over-mighty landlord (Zamindar). When his attention focusses on the women, they unite and fight back, to the shame of their feeble husbands. Starring Naseeruddin Shah - a leading dramatic actor - in one of his more devlish roles. An historical epic as well as a manifesto for the liberation of the oppressed in rural India.
    6brchthethird

    Indian women rise against their colonial oppressors

    MIRCH MASALA is a film that I watched for my World Cinema class this semester and it certainly is a good one. It tells the story of a woman, Sonbai (Smita Patil), who is sought after by a subedar (tax collector). She continually resists his advances and ends up hiding in a spice factory as the subedar doesn't intend to take her rejection of him. Thematically, the film deals with resistance to (colonial) oppression, with the subedar serving as the symbol of British colonialism and Sonbai representing the ordinary Indian citizen. And since the story largely focuses on women, it could be thought of as a feminist film to a certain degree. What the film does well is develop its characters in terms of personality and motivation. The most attention is paid to the tax collector, but with the intention of having you hate him. There was a particularly well-done scene in which he overreacts to someone who accidentally breaks one of his phonograph records. In this one scene you get a sense of this man as someone who looks down on his fellow countrymen who aren't in service to the British, as well as someone who is quick to anger when something happens that he doesn't like. There is also his singular motive to sexually claim Sonbai, a married woman, and which provides the main narrative thrust (no pun intended). Generally speaking, I thought that the themes were handled well, if a little broadly and "on the nose" at times. What didn't always work for me was a lot of the acting, which seemed kind of stagey. I also didn't care for the sound mix on the DVD. I understand that a lot of films from the 1980's and before (especially foreign films) were post-synced, but there didn't seem to be a good balance between various sound elements. Also, for all of the build-up to the finale, I thought it went by a little too quickly. Overall, MIRCH MASALA has a good, socially conscious message, but it hasn't aged too well in my opinion.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Smita Patil had completed her entire work in this movie, but the movie was released after her demise.
    • Conexões
      Referenced in Homestarrunner.com: Everything Else, Volume 3 (2007)

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    • How long is Mirch Masala?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de fevereiro de 1987 (Índia)
    • País de origem
      • Índia
    • Idioma
      • Hindi
    • Também conhecido como
      • A Touch of Spice
    • Empresas de produção
      • Channel Four Films
      • National Film Development Corporation of India (NFDC)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 8 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono

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