AVALIAÇÃO DA IMDb
6,7/10
13 mil
SUA AVALIAÇÃO
Uma adolescente texana corta o cabelo curto e se torna uma mártir fora da lei com seu irmão e amigos.Uma adolescente texana corta o cabelo curto e se torna uma mártir fora da lei com seu irmão e amigos.Uma adolescente texana corta o cabelo curto e se torna uma mártir fora da lei com seu irmão e amigos.
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- Direção
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I sort of look at this film as a cult classic. I see it as sort of a 1980s Rebel Without A Cause. Helen Slater is another actress who has really never been given just credit. She made her film debut the year before in Supergirl and it was a film everyone made fun of. I don't think thats fair to her, because she is a fine actress and proves it here. Unlike James Dean's character, she does "have the right to be angry" and fights back against a corrupt system. Some people may say this film condones vigilante activities, but I think this is a film with a positive message. I also loved Pat Benetar's song "We Will Be Invincible", it should have gotten an Oscar.
The British historian E. J. Hobsbawm developed the idea of the "social bandit," the peasant youth who becomes an outlaw after his honorable resistance to some outrage by the landlord ends with a landlord henchman dead. He calls to others who share his anger at injustice to follow him to the hills where they will lead the outlaw life, stealing only from those whose wealth comes from oppressing the poor, respecting the peasants and righting wrongs on their behalf, and seeking to restore a former condition when the great and powerful behaved decently and treated the poor equitably. (This equitable treatment is also close to what E.P. Thompson called "the moral economy of the poor:" the Honest Loaf, the Fair Day's Wage for a Fair Day's Work--a slogan of early labor unions--etc.)
The social bandit *isn't* a revolutionary--he has no vision of a transformed society, because his horizons are too narrow. He wants the Good Old Days back. He doesn't have a social or political theory; he wants simple decency and justice. He isn't Joan of Arc, fighting to restore a legitimate King, he's much closer to Robin Hood, resisting the oppression of a King who's forfeited the loyalty of the people by not acting as a good King should.
Billie Jean is a social bandit. The events that launch her "career," the actions she performs, and above all her simple watchword "Fair is Fair" clearly put her in the category that includes the Brazilian Lampiao, the Sicilian Salvatore Giuliano, and others. Hardly surprising, since this teenage cult script was written by a formerly blacklisted old Lefty in his seventies, Walter Bernstein, who surely had read Hobsbawm and Thompson and found, I think, a very ingenious way to illustrate their ideas in a 1980's US setting.
The social bandit *isn't* a revolutionary--he has no vision of a transformed society, because his horizons are too narrow. He wants the Good Old Days back. He doesn't have a social or political theory; he wants simple decency and justice. He isn't Joan of Arc, fighting to restore a legitimate King, he's much closer to Robin Hood, resisting the oppression of a King who's forfeited the loyalty of the people by not acting as a good King should.
Billie Jean is a social bandit. The events that launch her "career," the actions she performs, and above all her simple watchword "Fair is Fair" clearly put her in the category that includes the Brazilian Lampiao, the Sicilian Salvatore Giuliano, and others. Hardly surprising, since this teenage cult script was written by a formerly blacklisted old Lefty in his seventies, Walter Bernstein, who surely had read Hobsbawm and Thompson and found, I think, a very ingenious way to illustrate their ideas in a 1980's US setting.
I can't believe I've never watched this show before when I was younger. I just saw it on cable. I won't say it has the best plot, story, characters or anything, but there's just this mysterious element that draws us to Billie Jean. All those kids in the film were incredible. My father was watching with me he smiled when he saw that little boy who sent the tape to the police. How cute!
This film does reflect some truths. Some adults simply think that fairness is not for kids. Children are not entitled to justice. But few do stand up against this false belief. That is why Billie Jean is a heroine.
To add, Helen Slater is just so beautiful.
This film does reflect some truths. Some adults simply think that fairness is not for kids. Children are not entitled to justice. But few do stand up against this false belief. That is why Billie Jean is a heroine.
To add, Helen Slater is just so beautiful.
I have seen this movie so many times it's ridiculous. I have never rented it, but I know all of the lines because it comes on so often. I forced my husband to watch it with me once, and now he has to watch it whenever it comes on. After seeing this movie once it becomes strangely addictive. It's not even that good. It's actually very cheesy, especially when the movie compares Billie Jean to Joan of Arc. But it's a perfect example of a great 80's movie. The music is good and very catchy. Plus, it features a young Christian Slater. And remember, "fair is fair!!"
In Texas, the hot teenager Billie Jean Davy (Helen Slater) lives with her brother Binx (Christian Slater) and her mother in a trailer. In a hot day, she rides with Binx on his scooter to swim in a lake. However, the bully Huble Pyatt (Barry Tubb) steals the scooter with his friends. Billie Jean goes to the police but Detective Ringwald (Peter Coyote) does not give much attention to her. When Binx tries to retrieve his scooter, Huble trashes the scooter and beats Binx up. Billie Jean goes with her brother Binx and her friend Ophelia (Martha Gehman) to the store of Huble's father Pyatt (Richard Bradford) with the repair bill and the old man lures Billie Jean and brings her to his office. Then he harass and tries to rape her. Meanwhile Binx finds a gun in the cash register and her accidentally shoots Pyatt. Billie Jean, Binx. Ophelia and their teenage neighbor Putter (Yeardley Smith) flee from Ophelia's car. They meet the teenager Lloyd (Keith Gordon), who is the estranged son of the D.A. Muldaur (Dean Stockwell), he proposes to be their "hostage" so that the runaway teenagers could get some money for their journey. When Billie Jean watches Otto Preminger 's "Saint Joan" at Lloyd's television, she cuts her hair short and makes a video with her explanation and demands, becoming and icon worshiped by the teenagers. Meanwhile Detective Ringwald finds the mess, he realizes that he should have listened to Billie Jean and tries to fix the situation.
"The Legend of Billie Jean" is a super-cult movie from the 80's and maybe Helen Slater's best film in her career. The plot entwines action and drama and it is delightful to watch. In the 80's, many viewers believed that Helen Slater and Christian Slater were siblings since they have the same last name. The story of a wronged teenager that cuts her hair in Joan of Arc's style and becomes an idol of the youth has not aged and is still wonderful to watch. My vote is eight.
Title (Brazil): "A Lenda de Billie Jean" ("The Legend of Billie Jean")
"The Legend of Billie Jean" is a super-cult movie from the 80's and maybe Helen Slater's best film in her career. The plot entwines action and drama and it is delightful to watch. In the 80's, many viewers believed that Helen Slater and Christian Slater were siblings since they have the same last name. The story of a wronged teenager that cuts her hair in Joan of Arc's style and becomes an idol of the youth has not aged and is still wonderful to watch. My vote is eight.
Title (Brazil): "A Lenda de Billie Jean" ("The Legend of Billie Jean")
Você sabia?
- CuriosidadesJanet Smalley, the actress who played Putter's mother, slapped Yeardley Smith for real. Smith remarks on the DVD commentary that her face was numb after that particular scene was shot.
- Erros de gravaçãoTwo slightly different groups of guys run into the dumpster in the mall garage when chasing Billie Jean.
- Citações
Boy: Did you rob that liquor store in Galveston?
Binx: Yep, that was us.
Billie Jean: We did not.
Guy: What about that school in Laredo? You burn it down?
Binx: No way, guy. We don't do schools.
- ConexõesFeatured in Pat Benatar: Invincible (1985)
- Trilhas sonorasInvincible (Theme from The Legend of Billie Jean)
Music and Lyrics by Holly Knight and Simon Climie
Performed by Pat Benatar
Produced by Mike Chapman
Courtesy of Chrysalis Records
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- How long is The Legend of Billie Jean?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La leyenda de Billie Jean
- Locações de filme
- 10539 South Padre Island Drive, Corpus Christi, Texas, EUA(Sonic Drive-In)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.099.497
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.466.884
- 21 de jul. de 1985
- Faturamento bruto mundial
- US$ 3.099.497
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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