Ghoulies

As an infant, Jonathan Graves is absconded from his father, Malcolm (Michael Des Barres), the leader of a black magic cult, when Malcolm almost sacrifices Jonathan in a ritual. 25 years later, Jonathan (Peter Liapis) learns that his father has passed away and he has inherited his estate, including a large home that is now in disrepair. He moves there with Rebecca (Lisa Pelikan), and soon after begins acting strangely, instinctively following his father's footsteps.

If you're a fan of campy, cheesy horror films, as I am, Ghoulies is a must see. Everyone else should probably avoid this film. This is a Charles Band production. Charles Band means Empire/Full Moon, and Empire/Full Moon is almost a guarantee of some campiness/cheesiness. Not many of Band's films, however, approach the sublime ridiculousness of Ghoulies. We're almost in Troma territory here, but Ghoulies is played much more seriously than the typical Troma production, and in this case, it works to increase the entertainment value.

Since Ghoulies was made in 1984, it features most of the mid-80s horror film clichés. Shortly after moving in, Graves throws a party, so we get big hair, tight miniskirts, skinny ties, recreational drug use, and so on. We also get our eventual fodder for our body count, although in this case, it is worth noting that writer/director Luca Bercovici introduces a "twist" near the end that significantly decreases the body count.

Liapis is the focus of the film, though, and without him, Ghoulies might be more boring than campy. His absurd overacting, often in solo scenes, takes up a majority of screen time. Still, just the brief presence of two demonic minions, Grizzel and Greedigut, would alone make Ghoulies a must see, especially given how everyone continues their attempt to play the film seriously when they appear. And I haven't even mentioned the other ridiculous minions, which are obviously puppets and "dead props" (Band seems to love puppets), and were the beginning of a horror industry attempt to cash in on the success of Gremlins (also seen later in such films as the Critters series and Munchies). We also get zombies, a Star Wars-like battle of wizards, sunglasses as a major plot device, an evil doll, an attack with a 5 foot long tongue, and some probably unintentional homoerotic subtext. Who could pass all of that up? The film gets a 7 out of 10 from me--an 8 out of 10 would have been in order, except for the inexplicable absence of gratuitous nudity.

Note that while Ghoulies is tagged "comedy/horror", it's very unlikely that it was intended to be a comedy in any way. Even if Band applied the label to the film prior to release, it was probably because even he realized how ludicrous the film turned out. At any rate, it would be misguided to watch it expecting intentional humor.

I thought this movie was entertaining. Especially, if you like beautiful girls in sexy heels and tight dresses. It truly captures 80's fashion and hair styles and I love the 80's. The Ghoulies themselves looked incredibly life-like with grossed-out slobber and nasty sharp teeth. However, I thought the battle between good and evil could have been played out over a longer period of time. This monk comes from nowhere and saves the day in a matter of minutes. The evil guy's son was also drawn to the dark-side too quickly. He moves into his new mansion and begins practicing the dark arts in the same evening during the first party. How uncool. He yells at his guests and quits school the very next day. He should have at least heard voices for a few days first.

This movie made a nice sum of 35 million at the box office, yet many consider it a poor movie at best. So how did it make this much money? With a good ad campaign, that's how. This movie was the first small creature attack movie to come out after the very successful Gremlins the previous year. Critters, which most consider the better film, came out a year later and made a lot less than this one. Then there was the famous scene of the creature coming out of the toilet. It made it look like a Gremlin type movie...funny with a bit of charm to it. It fooled my parents and we saw this dog in the theater when I was ten. We knew it wasn't quite what it was advertised as though as soon as it started as it has a scene where a guy rips out a woman's heart. It isn't all bad though as there are some scenes here and there that are good, but overall this one is just bad as it is not just about little creatures, but a bunch of other satanic stuff as well as this guy throws a party and does rituals and accidentally raises this one evil guy. Sounds better than it is though as there are no stars in this one and none of the actors in this one can act. You do though get to see the little person who played ET.

Ghoulies was a crazy adventure which I would only admit to watching after I'd had a load of alcohol to drink. It's rubbish...but it's good rubbish nonetheless.

I won't pretend that I've ever understood the plot. But who needs a plot when you've got crazy little creatures running around causing havoc?

The movie is very 1980's and suited that era very well. Most of the people I've spoke to have had good things to say about it. It is one of those films where you leave your brain at the door before watching it. It was quite funny but scary in parts (there's this evil clown doll which gave me the creeps).

All in all, I would recommend Ghoulies to those who don't take life too seriously. If you liked Gremlins, you'll like Ghoulies.

"Ghoulies" is said to be a "Gremlins" (1984) knock off, but many say that it was only a coincidence. "Ghoulies" was being filmed when the latter was still in production. Past interviews states its director Luca Bercovici and Charles Band's Empire Pictures were standing by this.

Bercovici's original idea was a much darker theme with the occult. At the end, "Ghoulies" morphed into a horror comedy, a signature staple seen later with Band-produced films. "Ghoulies" marketed by disfunct Empire Pictures as a horror or black comedy became a standard like Full Moon's "Puppet Master" franchise, 90s Band products.

This film's story is revolves around "Jonathan" (Peter Liapis) who inherited a mansion with a discovered connection to his occultist dead father, "Malcolm" (Michael Des Barres). Then a party of his girlfriend, "Rebecca" (Lisa Pelikan) and friends gather at the mansion for some good old fun with little creatures (recently resurrected) and a lot of gag shots. Pelikan isn't a stranger to exploitation cinema who starred in "Jennifer" (1978), a "Carrie" (1976) knock off.

Presently "Ghoulies" fan circles has given much popularity for its 80s cult status and practical special effects. Even its cast capped 80s era with Des Barres (a rock star turned actor) but the fact is it was Band's controversial ad campaign. A "ghoulie" creature popping out of a toilet graced the film posters with the tagline: "They'll get you in the end!"

Upon its 1984's release, many complained about lobby posters traumatizing onlookers. "Ghoulies" was plagued with legal disputes from its title (Warner Bros. Attempted to sue) to copyright (Bercovici vs Band).

Band can be seen as the home media mogul of schlock and other guilty pleasures made a fortune with this production. His genius can be compared to Roger Corman since many stars from Demi Moore to Helen Hunt plus directors like Bercovici got their first start with Band's productions.