Louco de Amor

Adapted from Sam Shepard's play, this movie retains many play-like elements such as a relatively fixed setting (a roadside 50's motel in the Southwest) and extensive, intriguing dialogues. A woman "May" is hounded by a man "Eddie" (played by Sam Shepard). She tries to hide from him in the out-of-the-way motel, but he finds her. The film explores the history of their relationship, mainly from their childhoods, that has led them to this point. It's very easy to feel sympathy for the characters and to understand that their dysfunctional present relationship is a result of past events out of their control. We mainly watch them fight, make up, fight, make up and so on. One image that stands out in my mind, is of Eddie hauling May over his shoulder kicking and screaming, taking her somewhere she doesn't want to go.

The soundtrack is also perfect soulful country with vocals by a lesser known artist "Sandy Rogers". She has this country doll voice that almost yodels at some points in the album! This is the kind of movie that will stay lodged in some part of your brain/soul. In other words, go see it!

Interesting, laid back version of the Shepherd play. On stage, with Ed Harris in the lead, it was all frenetic energy and danger. Here the piece is more moody and dreamlike. At times that works tremendously well, and it is visually beautiful. The play has been opened up in a way that feels natural and not forced. And the use of narration is very interesting and productively unsettling, since the memories we see do not quite match the words we hear.

On the other hand, the slower pace makes the writing feel more melodramatic and almost old- fashioned in its twists. And Shepherd is nowhere near as interesting as Harris was on stage. We never feel that he is really dangerous. He comes off more as a love-struck kid than obsessed man. And it ends with a whimper, not a kick. Still, there are plenty of less interesting theater to film adaptations out there.

May (Kim Basinger) is waiting for her boyfriend (Sam Shepard) in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.

When a film is an expansion on a play, such as this is, you have to be true to the source while also going beyond. Altman succeeds, casting Harry Dean Stanton as a one-man Greek chorus and bringing a fuller vision to the story than could be shown within one room.

Roger Ebert said that Altman "has succeeded on two levels that seem opposed to each other. He has made a melodrama, almost a soap opera, in which the characters achieve a kind of nobility." These are kin words and not without merit.

After reading Fool For Love in a Drama class of mine, I was looking forward to seeing how Sam Shepard's wonderful play would be translated to the screen. Much to my dismay, it was nowhere near as entertaining as the play. The film seemed to drag, the music was inappropriate for the tone of the movie, and all the raw energy of the play seemed to have been sucked out of this film version. It's a shame to see this come out this way even with Shepard's involvement, playing the role of Eddie. Do yourselves a favor...see the play next time it's being performed in your area or simply read the book instead.

Robert Altman directed this adaptation of a play by Sam Shepard, who wrote the screenplay and stars as a drifter who drives his pickup truck, complete with horse and trailer, to a small hotel in New Mexico. It seems he has a tempestuous romantic history with the hotel's proprietor (Kim Basinger), and the audience fills in the blanks as the film progresses, taking a distinctly sharp turn in the last third. Also with Randy Quaid and Harry Dean Stanton. The first half of the film nearly lost me for good, with not a lot happening and the performances pitched to the back row. But things get better during the home stretch, even if bits do strain credulity. From the Cannon Group, stepping outside of their usual budget action flicks.