Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Fernando Hilbeck
- Arnolfini
- (as Fernando Hillbeck)
Avaliações em destaque
When a fortified city is taken from its rightful ruler while he is away he hires mercenaries to help retake it. I promises that they can have twenty four hours to loot as the please but once they are victorious he betrays them; ordering them to disarm and leave any treasure they have found. Soon afterwards the departing mercenaries discover a statue of St Martin and take it as a sign that their leader, also called Martin will make them rich. Not long after this they meet the man who betrayed them and make off with wagons loaded with valuables... and Agnes, the young woman promised to his son Steven. The mercenaries rape her but soon it becomes clear that Martin wants her for himself; especially after she helps him seize a castle which the mercenaries use as their new home. Of course things are far from over and they will have to contend with attacks from opposing forces and an outbreak of the plague!
If you have seen other films from director Paul Verhoeven you will have an idea of what to expect; violence, sex and nudity. While this means it won't appeal to everybody it didn't feel overly gratuitous. The film captures the filth and unpleasantness of the era in a way that might feel familiar to people watching things like 'Game of Thrones' now but would have been unusual at a time when things were far more sanitised. Our protagonists are more morally ambiguous than one expect; Martin is far from heroic as he forces himself onto Agnes and later she shows a cunning side as she appears to fall in love with him but doesn't forget Steven... one feels she will do what it takes to survive in the least unpleasant way possible. Rutger Hauer impresses as Martin and Jennifer Jason Leigh does a solid job as Agnes. The supporting cast are pretty good too. The action scenes are suitably gritty with many characters getting killed in ways that aren't swift and painless. One or two of these deaths are also quite inventive thanks to Steven's scientific approach to warfare. Overall one for fans of the genre who don't like things overly sanitised.
If you have seen other films from director Paul Verhoeven you will have an idea of what to expect; violence, sex and nudity. While this means it won't appeal to everybody it didn't feel overly gratuitous. The film captures the filth and unpleasantness of the era in a way that might feel familiar to people watching things like 'Game of Thrones' now but would have been unusual at a time when things were far more sanitised. Our protagonists are more morally ambiguous than one expect; Martin is far from heroic as he forces himself onto Agnes and later she shows a cunning side as she appears to fall in love with him but doesn't forget Steven... one feels she will do what it takes to survive in the least unpleasant way possible. Rutger Hauer impresses as Martin and Jennifer Jason Leigh does a solid job as Agnes. The supporting cast are pretty good too. The action scenes are suitably gritty with many characters getting killed in ways that aren't swift and painless. One or two of these deaths are also quite inventive thanks to Steven's scientific approach to warfare. Overall one for fans of the genre who don't like things overly sanitised.
I decided to watch this film after a very heavy three day drinking session and to be honest was not expecting a great deal. However, at the end I deemed it to be the best two hours of my life. What a film!
The Cardinal (Ronald Lacey) was by far the most outrageous and stand out performance. I may be a bit biased from England but over the top acting from Lacey seems to be his forte and he certainly does not disappoint. Rutger puts in a typically strong performance as does Jason-Leigh and the supporting cast.
My favourite scene had to be Soldier Martin standing in front of the upturned carriage with the wheel representing the halo from the statue of Saint Martin. For me this was the icing on the cake.
The only question mark about this film is the contraption that Steven constructs to storm the castle. It definitely is a work of art and for those times would be considered quite an Engineering achievement. Not to mention the time in which it is built in such an effortless manner. However, PV seems to make this fit with the spirit of the film and after a few chuckles it is all forgiven.
Its certainly a film that will not stand up today with modern attitudes and morals but I fully recommend this film. Add it to your collection NOW!
The Cardinal (Ronald Lacey) was by far the most outrageous and stand out performance. I may be a bit biased from England but over the top acting from Lacey seems to be his forte and he certainly does not disappoint. Rutger puts in a typically strong performance as does Jason-Leigh and the supporting cast.
My favourite scene had to be Soldier Martin standing in front of the upturned carriage with the wheel representing the halo from the statue of Saint Martin. For me this was the icing on the cake.
The only question mark about this film is the contraption that Steven constructs to storm the castle. It definitely is a work of art and for those times would be considered quite an Engineering achievement. Not to mention the time in which it is built in such an effortless manner. However, PV seems to make this fit with the spirit of the film and after a few chuckles it is all forgiven.
Its certainly a film that will not stand up today with modern attitudes and morals but I fully recommend this film. Add it to your collection NOW!
This film is definitely off the beaten track. I enjoyed it a lot, and thought that there were some truly stand-out performances here, notably Rutger Hauer and Jennifer Jason Leigh. Some other actors and actresses that I didn't recognize were excellent. The tone is relentlessly bleak as befits the times. A couple of scenes put the times in perspective. One is where Agnes and Stephen talk and flirt beneath the hanging corpses without giving much thought to what we would consider today the horrid nature of such a sight. Another is towards the end, when one of the women has been captured (Polly, I think) and is being raped, and the lord (Stephen's father) simply walks past, barely noticing. I don't know if they are simply there for shock value, or if Verhoeven is making the point that one cannot judge mores, morals, and customs of past ages by the standards of today. (Something done quite a bit these days, most notably about slavery.)
Some of the criticisms in other comments are valid. True, none of the characters are very likeable. I was sort of hoping that they would all be dead by the end of the movie. But, again, I'm judging them by 21st century standards. Also, about the plague. I'm sure Verhoeven knows that plague is spread by rat fleas, so all of the machinations about the plague has to be from people's points of view in 1501-2.
This film is worth viewing, but don't expect gallantry, chivalry, or even decency. And no, it's really not a "date movie" Grade: A
Some of the criticisms in other comments are valid. True, none of the characters are very likeable. I was sort of hoping that they would all be dead by the end of the movie. But, again, I'm judging them by 21st century standards. Also, about the plague. I'm sure Verhoeven knows that plague is spread by rat fleas, so all of the machinations about the plague has to be from people's points of view in 1501-2.
This film is worth viewing, but don't expect gallantry, chivalry, or even decency. And no, it's really not a "date movie" Grade: A
In 1501, in the Western Europe, in a period when the black plague is jeopardizing the populations, an army of mercenary peasants leaded by Martin (Rutger Hauer) fights side-by-side with the noble Arnolfini (Fernando Hilbeck) to retrieve his castle, with the promise of a huge reward. However, the band is betrayed by Arnolfini, and decides to pay him back, assaulting and stealing a caravan under the command of Arnolfini and his son and student, Steven (Tom Burlinson). In one of the wagon is traveling the fiancée of Steven, Agnes (Jennifer Jason Leigh), who is accidentally kidnapped and later raped by the group. Agnes becomes Martin's mate, and the mercenaries decide to invade a castle, without knowing that the army of Arnolfini is chasing them.
"Flesh & Blood" is one of the best movies in the Middle Ages I have ever seen: it is a Machiavellian, violent, amoral and hypnotic adventure, indeed very brutal, with the peasants being poor and ignorant people, with dirty clothes, spoiled teeth, living in dirty and muddy villages. Therefore, a vision totally different from Hollywood movies, with fancy castles and villages with beautiful people. The direction of Paul Verhoven is efficient and perfect as usual, and the entire cast has magnificent and very natural performances, highlighting the amazing Rutger Hauer in the role of Martin, and Jennifer Jason Leigh who has one of her best performances, in the stunning role of a young woman that uses her body to fight for survival in a hostile environment. I have this movie on VHS, but I bought the DVD recently released in Brazil by the distributor Continental, and it was a worthwhile investment, since the widescreen image and the sound are excellent. My vote is nine.
Title (Brazil): "Conquista Sangrenta" ("Bloody Conquest")
"Flesh & Blood" is one of the best movies in the Middle Ages I have ever seen: it is a Machiavellian, violent, amoral and hypnotic adventure, indeed very brutal, with the peasants being poor and ignorant people, with dirty clothes, spoiled teeth, living in dirty and muddy villages. Therefore, a vision totally different from Hollywood movies, with fancy castles and villages with beautiful people. The direction of Paul Verhoven is efficient and perfect as usual, and the entire cast has magnificent and very natural performances, highlighting the amazing Rutger Hauer in the role of Martin, and Jennifer Jason Leigh who has one of her best performances, in the stunning role of a young woman that uses her body to fight for survival in a hostile environment. I have this movie on VHS, but I bought the DVD recently released in Brazil by the distributor Continental, and it was a worthwhile investment, since the widescreen image and the sound are excellent. My vote is nine.
Title (Brazil): "Conquista Sangrenta" ("Bloody Conquest")
This movie was definitely not for the kids. Let me get that out of the way. Very violent, very dark, very adult. I expected as much, but rarely do movies go so uninhibited when attempting subject matter such as this one.
The movie itself is deep on a couple levels, shallow on others. This movie concentrates almost entirely on personal interplay between the 3 main characters, Martin, Agnes, and Steven. The interaction is quite good and one can almost visualize the plots within plots stirring in their brains.
However, the plot suffers for it. It's really a basic movie, more of a period piece than a complete story. There are large gaps and leaps in logic, as well as believability. But this movie was never about plot. The plot was a backdrop for the interactions of the characters.
As a backdrop, it does very well indeed. Costumes are all pretty close to the mark for period landsknechts (German mercenaries), though not as gaudy as one sees in the history books. Probably because they were hardly ever clean or whole in real life (mercenaries would replace torn or worn out clothing with pieces taken from fallen opponents). The score is well done and unobtrusive, and the locations suitably bleak. Overall, the feel of the movie is authentic, plague-ridden medieval complete with life-is-cheap attitudes. I would caution, however, that this movie is not a whole picture of medieval times, but rather a look into the lives of a violent subculture (though some general attitudes are pointed out, as one reviewer posted, a conversation takes place near a hanged man with barely a thought).
Overall, how you rate this movie depends on what you get out of it. Is it a good "ride"? I'd say yes. The plot was thin, but hey, it was in the Mummy as well... and we don't go see those kind of movies for plot. The movie is immersive and very different than typical Hollywood faire. One of the better medieval movies I've seen.
But if rape, brutality, superstition and disease are not your cup of tea, there may be too much here for you to glimpse the interactions underneath, and you'll probably dislike it.
The movie itself is deep on a couple levels, shallow on others. This movie concentrates almost entirely on personal interplay between the 3 main characters, Martin, Agnes, and Steven. The interaction is quite good and one can almost visualize the plots within plots stirring in their brains.
However, the plot suffers for it. It's really a basic movie, more of a period piece than a complete story. There are large gaps and leaps in logic, as well as believability. But this movie was never about plot. The plot was a backdrop for the interactions of the characters.
As a backdrop, it does very well indeed. Costumes are all pretty close to the mark for period landsknechts (German mercenaries), though not as gaudy as one sees in the history books. Probably because they were hardly ever clean or whole in real life (mercenaries would replace torn or worn out clothing with pieces taken from fallen opponents). The score is well done and unobtrusive, and the locations suitably bleak. Overall, the feel of the movie is authentic, plague-ridden medieval complete with life-is-cheap attitudes. I would caution, however, that this movie is not a whole picture of medieval times, but rather a look into the lives of a violent subculture (though some general attitudes are pointed out, as one reviewer posted, a conversation takes place near a hanged man with barely a thought).
Overall, how you rate this movie depends on what you get out of it. Is it a good "ride"? I'd say yes. The plot was thin, but hey, it was in the Mummy as well... and we don't go see those kind of movies for plot. The movie is immersive and very different than typical Hollywood faire. One of the better medieval movies I've seen.
But if rape, brutality, superstition and disease are not your cup of tea, there may be too much here for you to glimpse the interactions underneath, and you'll probably dislike it.
Você sabia?
- CuriosidadesThe movie was director Paul Verhoeven's reaction to the many movies that, in his view, overly romanticized the Middle Ages. He wanted to show it as a period where brutality, disease, poverty, and hardship were common, and a natural death was a rare thing.
- Erros de gravaçãoAfter drinking from the contaminated well, several characters immediately fall ill from plague. Plague by any vector has an incubation period of at least one day.
- Versões alternativasUK cinema and video versions were cut by 38 secs by the BBFC with edits to the rape of Agnes. The cuts were waived for the 2005 MGM DVD.
- ConexõesFeatured in Slotavond van de Nederlandse Filmdagen (1985)
- Trilhas sonorasThroughout the Years
Composed by Charles Williams
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Conquista sangrienta
- Locações de filme
- Belmonte, Cuenca, Castilla-La Mancha, Espanha(The Castle was also used in "El Cid")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 278
- Tempo de duração
- 2 h 6 min(126 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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