Evils of the Night

The weakest element is the alien thing, the alien ships are stock footage from Battlestar Galactica and Project UFO and there are only three shots of these ships.

Pretty cast and lots of things that seem to be building to porno scenes that then stop give this the things you'd fast forward to to get to the sex scenes feel of most of what's left.

Cast of fun and cheesy guest roles are mostly wasted in nothing or slightly silly parts--though all of them seem to try. As to the few porn actors guesting here and the rest, well they are pretty but they really do mostly define "porn" acting at its bad norm.

Film has no sense of style or comedy but the taste in attractive female and male flesh must be praised for what it's worth.

Aliens hang out at a hospital that seems to have no one else in it but the aliens, who are just girls in left over Flash Gordon outfits and John Carradine in a silver jump suit, playing it sober.

Aldo Ray and Neville Brand seem to be having some sleazy fun as the sleazes and they trap some of our young pretty non actors and torture them in what briefly becomes a bit serious and suspenseful.

Lots of flesh, not much sense, a fair amount of boredom, very Little blood, no real alien creatures, perhaps a great porn film that wasn't... or parts of a horror film which does kill some characters you'd not expect to have die.

Not much though really, the director has no clear sense of how to make a film and certainly not how to make a genre blending one like this. Re release poster art removes the large cartoon nipples that adorned the original box and poster art, a really silly badly done poster, now stripped of its most outlandish element. Shows how times have changed.

"Evils of the Night" involves two extraterrestrial women (Tina Louise and Julie Newmar) who hire a couple of idiot rednecks to kidnap and kill 'teens for them, so that they can use the blood to prolong their race (or something like that). I saw this movie in a theater by a fortuitous accident when it was released in 1986: the print of the just-released "Nightmare on Elm Street" had failed to arrive, so the theater owners were showing "Evils..." in its place. My friends and I laughed the whole way through, and were delighted by the many familiar faces in the cast - we never thought we'd see Julie Newmar again! If, like myself, you enjoy following the careers of grade-B stars, you'll get a kick out of this obscure piece of low-budget gore/horror schlock.

Five of Hollywood's legends get a chance to embarrass themselves in this brainless science fiction film where some healthy teens are captured and used as lab rats for experiments. John Carradine is our head alien scientist and he's assisted by Julie Newmar and Tina Louise.

Gathering subjects and there are plenty around with buff boys and gorgeous girls at a lake nearby. Also nearby are a pair of garage mechanics, Aldo Ray and Neville Brand who are in the employ of the aliens to bring subjects.

This movie is about as bad as it gets unless you are into scantily clad teens and if you're gay really studly boys. Funny thing is that 30 years earlier I would have looked forward to a film with those five in the cast.

Hope their paychecks cleared.

Right from the opening, depicting something resembling a customized mobile home floating through space, you know this is something special. A low budget space ship lands in the middle of the woods - this contains alien scientists John Carradine, Julie Newmar, and Tina Louise. Using a hospital as a base of operations, they set out to fulfill their mission; to gather blood platelets from young Earth people and send the stuff back to their home planet. Platelets, it seems, are the key to eternal life. They hire two mechanics (Aldo Ray and Neville Brand) to handle the dirty work of capturing unwilling donors. And what luck - nearby there are a group of perfect specimens on a camping trip...

First of all, the cast is amazing. Carradine and Newmar - no strangers to this terrain - actually manage to pull their roles off with style and dignity. Aldo Ray was probably used to this kind of movie as well, having already appeared in such things as Mongrel and Biohazard - while Tina Louise was `Ginger' on Gilligan's Island. Neville Brand had a distinguished record in World War 2, and afterward found his way into a major Hollywood career, specializing in westerns during the fifties - and notably played Duke, the embittered POW in Stalag 17. In this, his last film, he plays the role of Ray's lackey - and actually appears to be enjoying himself, even while unpleasantly ogling and pawing his captured female victims. Also worth mentioning is the fact that the victims and potential victims are not just cardboard cut-outs, and you actually like them.

Is this movie any good? Well, let me put it this way - it's dumb and cheap and sleazy - but that's exactly what it's intended to be. It would have been a perfect feature on the late, great USA Up All Night, as it's very much in that "style". For the people who consider that a recommendation, dive right in.

A small contingent of aliens have landed near a resort area frequented by college students and have hired two auto mechanics to kidnap as many of these students as possible because they need their blood to stay alive. Unfortunately, these aliens have very little time before they must return to their home planet and the two mechanics named "Fred" (Aldo Ray) and "Kurt" (Neville Brand) are more than a little incompetent and seem to kill more college students than they bring in alive. Now rather than reveal any more of the story and risk spoiling the film for those who haven't seen it I will just say that this picture turned out to be pretty much what I expected--a campy, low-budget movie. However, when I saw that it featured Tina Louise (as "Cora") and Julie Newmar ("Dr. Zarma") I knew that I had to give this film a try. Surprisingly, the movie didn't actually depend on them as much as I thought it would. Instead, what kept this movie entertaining was the presence of three lovely young coeds named "Nancy" (Karrie Emerson), "Heather" (Bridget Holloman) and "Connie" (G. T. Taylor) in various stages of undress. Naturally, there were other actors and a very basic plot as well but neither of these issues really amounted to much. In any case, while this movie clearly won't win any Academy Awards and has any number of flaws, I still somewhat enjoyed it and as a result I rate it as only slightly below average.