AVALIAÇÃO DA IMDb
6,8/10
54 mil
SUA AVALIAÇÃO
Durante uma longa guerra espacial, as vidas de dois inimigos feridos tornam-se dependentes de sua capacidade de perdoar e confiar.Durante uma longa guerra espacial, as vidas de dois inimigos feridos tornam-se dependentes de sua capacidade de perdoar e confiar.Durante uma longa guerra espacial, as vidas de dois inimigos feridos tornam-se dependentes de sua capacidade de perdoar e confiar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 8 indicações no total
Lou Michaels
- Wilson
- (as Lou Micheals)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Maybe I'm dating myself here, but this movie is more than just a movie for me -- it's a childhood memory. My dad (Who raised me on a steady diet of scifi) and I probably watched this movie eight times together before I turned nine, and so part of my love for it stems from the memory of those times together.
But "Enemy Mine" has a lot more going for it than just fond memories. Sure, the effects are pretty bad by *today's* standards (it was the 80's, 95% of Americans didn't even *have* personal computers yet, and by the standards of the day those effects were pretty darn impressive!) But the story of two people who were trained to be enemies slowly becoming not just friends, but brothers, rings true despite the passage of time. (As Jerry [Lou Gossett, Jr.] says, "Truth is truth.") Lou Gossett, Jr. and Dennis Quaid are delightful, as always. And the scenes of Davidge (Quaid) interacting with Jerry's "son" are priceless.
People tend to knock 80's movies, especially 80's scifi movies, as being frivolous, self-centered and silly (like the decade they came from). But "Enemy Mine" definitely doesn't deserve this fate. It is a well-acted, well-meaning movie with a message we could all benefit from listening to.
Skybright's Score: 7.5 out of 10
But "Enemy Mine" has a lot more going for it than just fond memories. Sure, the effects are pretty bad by *today's* standards (it was the 80's, 95% of Americans didn't even *have* personal computers yet, and by the standards of the day those effects were pretty darn impressive!) But the story of two people who were trained to be enemies slowly becoming not just friends, but brothers, rings true despite the passage of time. (As Jerry [Lou Gossett, Jr.] says, "Truth is truth.") Lou Gossett, Jr. and Dennis Quaid are delightful, as always. And the scenes of Davidge (Quaid) interacting with Jerry's "son" are priceless.
People tend to knock 80's movies, especially 80's scifi movies, as being frivolous, self-centered and silly (like the decade they came from). But "Enemy Mine" definitely doesn't deserve this fate. It is a well-acted, well-meaning movie with a message we could all benefit from listening to.
Skybright's Score: 7.5 out of 10
I hate being nostalgic about movies, but I do remember a time when imagination was evident in every part of a production, when film posters were dynamic, visceral and iconic, when films looked like they were shot on film and not an HD camera with a sunset tint, when scores were done by orchestras instead of synthesizers and death metal guitars and, most important of all, when the lack of CGI technology forced the filmmakers into achieving visual effects through more practical means. The 1980s were filled with such movies and, looking back, I am glad that I grew up in that decade. Children now are exposed to altogether soulless movies.
Set in the late 21st Century, Enemy Mine has humans reaching out into the depths of space after achieving world peace. But a rival species, the alien race of the Drax, don't take to kindly to humans poking about the galaxy and an interstellar war kicks off. A human pilot (Dennis Quaid) and a lone Drac (Louis Gossett Jnr.) crash land on a remote desert planet and learn, the hard way, to stick together if they want to survive. Despite their ultimate conflict they discover that they are not all that different from each other and neither yet both are to blame for the war.
Enemy Mine suffered from severe problems during production. Apparently the original director, Richard Longcraine (Wimbledon, Richard III), shot the entire film on location in Iceland before being replaced by Wolfgang Petersen who re-shot the whole film all over again but changed the story somewhat in the process. So, in reality, there are two completely different versions of Enemy Mine. One which was released into cinemas that has become a classic in its own right and another that only exists in the vaults of Twentieth Century Fox. I would love to see this alternate cut.
The fantastic photography and production design look very, very good for a film from 1985. Some of the effect shots and matte paintings are simply gorgeous and the cutting between desert locations and desert sets is almost seamless. This isn't like an episode of the original Star Trek series in which the cast simply take a half hour drive to a bit of desert outside of LA, the desert locations with the matte painting backgrounds look utterly authentic.
If you like the look and feel of films like The Dark Crystal and Labyrinth then you'll appreciate the fantasy of Enemy Mine. I know I am going to sound like an old coot but they just don't make films like this anymore. Everything these days seems to be geared towards the average ASBO teenage boy. In ten years time I honestly think that films will be no more than a test card that offends and stimulates no one.
I will consider myself lucky that films like this were once made and that they were a part of my formative years.
Set in the late 21st Century, Enemy Mine has humans reaching out into the depths of space after achieving world peace. But a rival species, the alien race of the Drax, don't take to kindly to humans poking about the galaxy and an interstellar war kicks off. A human pilot (Dennis Quaid) and a lone Drac (Louis Gossett Jnr.) crash land on a remote desert planet and learn, the hard way, to stick together if they want to survive. Despite their ultimate conflict they discover that they are not all that different from each other and neither yet both are to blame for the war.
Enemy Mine suffered from severe problems during production. Apparently the original director, Richard Longcraine (Wimbledon, Richard III), shot the entire film on location in Iceland before being replaced by Wolfgang Petersen who re-shot the whole film all over again but changed the story somewhat in the process. So, in reality, there are two completely different versions of Enemy Mine. One which was released into cinemas that has become a classic in its own right and another that only exists in the vaults of Twentieth Century Fox. I would love to see this alternate cut.
The fantastic photography and production design look very, very good for a film from 1985. Some of the effect shots and matte paintings are simply gorgeous and the cutting between desert locations and desert sets is almost seamless. This isn't like an episode of the original Star Trek series in which the cast simply take a half hour drive to a bit of desert outside of LA, the desert locations with the matte painting backgrounds look utterly authentic.
If you like the look and feel of films like The Dark Crystal and Labyrinth then you'll appreciate the fantasy of Enemy Mine. I know I am going to sound like an old coot but they just don't make films like this anymore. Everything these days seems to be geared towards the average ASBO teenage boy. In ten years time I honestly think that films will be no more than a test card that offends and stimulates no one.
I will consider myself lucky that films like this were once made and that they were a part of my formative years.
"Enemy Mine" takes place in the future, when humankind no longer wages war among its own, but now does battle with an alien race called the Dracs. Dennis Quaid is Davidge, a fighter pilot who crashes on a remote planet while engaged in battle with a Drac (Louis Gossett, Jr.). The Drac has survived its own crash landing, and the two opponents are initially hostile and mistrustful towards one another. But they realize that they will have to rely on each other in order to continue surviving. Over time, they become friends.
An unfortunate box-office flop in its time, this charming, likeable film can be seen as an 80s sci-fi update of the 1968 classic "Hell in the Pacific". Its themes come through loud and clear: we should at least try to appreciate each other, and celebrate our differences, and not be quick to make judgments. The story can be seen as a metaphor for any sort of bigotry, and the path to understanding. Ultimately, it can't help but become a little too precious; still, it's solidly entertaining as it manipulates the emotions and delivers the thrills.
Quaid and Gossett play this superbly. Reunited two years after "Jaws 3-D", they share a great chemistry all the way down the line. They make their scenes alternately tense, touching, and also humorous. Yes, the film does have a light touch at times, especially when the Drac (whom Davidge nicknames "Jerry") is led to believe that Mickey Mouse is some great mind back on Earth!
Wolfgang Petersen does a commendable job with the direction, as he follows up his smashing North American debut feature, "The NeverEnding Story". But the two gentlemen who really need to take a bow are production designer / art director / matte artist Rolf Zehetbauer and makeup effects creator Chris Walas. Zehetbauer creates an amazing look for this production; filmed both in German studios and on location in the Canary Islands, it actually looks like it's taking place on another planet. And Walas' reptilian-like makeup is most impressive.
With soaring music by Maurice Jarre, a typically fun supporting performance by notable screen heavy Brion James, two cool creature species (one predator, one prey), and excellent widescreen photography, this makes for quite an engaging show. At least it did manage to find an audience later on video.
Seven out of 10.
An unfortunate box-office flop in its time, this charming, likeable film can be seen as an 80s sci-fi update of the 1968 classic "Hell in the Pacific". Its themes come through loud and clear: we should at least try to appreciate each other, and celebrate our differences, and not be quick to make judgments. The story can be seen as a metaphor for any sort of bigotry, and the path to understanding. Ultimately, it can't help but become a little too precious; still, it's solidly entertaining as it manipulates the emotions and delivers the thrills.
Quaid and Gossett play this superbly. Reunited two years after "Jaws 3-D", they share a great chemistry all the way down the line. They make their scenes alternately tense, touching, and also humorous. Yes, the film does have a light touch at times, especially when the Drac (whom Davidge nicknames "Jerry") is led to believe that Mickey Mouse is some great mind back on Earth!
Wolfgang Petersen does a commendable job with the direction, as he follows up his smashing North American debut feature, "The NeverEnding Story". But the two gentlemen who really need to take a bow are production designer / art director / matte artist Rolf Zehetbauer and makeup effects creator Chris Walas. Zehetbauer creates an amazing look for this production; filmed both in German studios and on location in the Canary Islands, it actually looks like it's taking place on another planet. And Walas' reptilian-like makeup is most impressive.
With soaring music by Maurice Jarre, a typically fun supporting performance by notable screen heavy Brion James, two cool creature species (one predator, one prey), and excellent widescreen photography, this makes for quite an engaging show. At least it did manage to find an audience later on video.
Seven out of 10.
I always forget that Dennis Quaid was in this. Possibly because he seems to have been born to play gruff, middle-aged characters and I sometimes forget he was ever young! Just like a lot of people seemed to have forgotten about 'Enemy Mine.' I know that a sci-fi film without wall-to-wall light-sabre action doesn't always appeal to the masses, but I'm hoping there are enough people out there who still appreciate this - quite uplifting - character-driven piece.
In the far future us humans are having one hell of a war with an alien species about who owns what in the cosmos. Casualties run deep on both sides and our plucky young space pilot, played by Quaid, ends up shooting down a rival alien on an uninhabited planet, only to find himself stranded there, too.
What follows is effectively a two-man show, Quaid portraying the 'good guy' and Louis Gossett Jr heavily made-up in full reptilian garb as the alien. However, seeing as there's no way off this rock, the two of them are going to have to do their best to work together in order to survive. Both actors play their part in elevating this film from just a run-of-the-mill sci-fi B-movie into something much deeper. You'll get to know the two people and learn that our enemies aren't always the bad guys.
Besides the delight in seeing great (alien) make-up and practical effects, there's a decent enough amount of humour which comes in the form of 'banter' between our two culturally-opposed leads. This humour never feels forced and comes from the natural misunderstandings that arise between them and lightens the tone enough for you to enjoy the film without feeling it's making light of their situation.
There are a few plot points I won't go into in case you haven't seen this, but if you don't mind a less action-packed film which relies on character over set-pieces, definitely don't let this one pass you by.
In the far future us humans are having one hell of a war with an alien species about who owns what in the cosmos. Casualties run deep on both sides and our plucky young space pilot, played by Quaid, ends up shooting down a rival alien on an uninhabited planet, only to find himself stranded there, too.
What follows is effectively a two-man show, Quaid portraying the 'good guy' and Louis Gossett Jr heavily made-up in full reptilian garb as the alien. However, seeing as there's no way off this rock, the two of them are going to have to do their best to work together in order to survive. Both actors play their part in elevating this film from just a run-of-the-mill sci-fi B-movie into something much deeper. You'll get to know the two people and learn that our enemies aren't always the bad guys.
Besides the delight in seeing great (alien) make-up and practical effects, there's a decent enough amount of humour which comes in the form of 'banter' between our two culturally-opposed leads. This humour never feels forced and comes from the natural misunderstandings that arise between them and lightens the tone enough for you to enjoy the film without feeling it's making light of their situation.
There are a few plot points I won't go into in case you haven't seen this, but if you don't mind a less action-packed film which relies on character over set-pieces, definitely don't let this one pass you by.
Relatively recent sci-fi blockbusters like The Matrix and Independence Day can't compare to a quality film like Enemy Mine. The movie is an exciting story of two marooned enemy space soldiers. They are indoctrinated with hate for each other's species, yet forced to live together to survive. Sound familiar?
The two soldiers learn to overcome their brainwashing about each other and learn to respect and love each other like brothers. What can be wrong with that? True moral story-telling ala the tv series "Star Trek".
The story keeps your interest with good special effects and space adventure on another world. The acting is very, very good. As many others have already noted, an overlooked and underrated film. Only the most jaded or immature could not find this an enjoyable movie. Highly recommend seeing it!
The two soldiers learn to overcome their brainwashing about each other and learn to respect and love each other like brothers. What can be wrong with that? True moral story-telling ala the tv series "Star Trek".
The story keeps your interest with good special effects and space adventure on another world. The acting is very, very good. As many others have already noted, an overlooked and underrated film. Only the most jaded or immature could not find this an enjoyable movie. Highly recommend seeing it!
Você sabia?
- CuriosidadesLouis Gossett Jr. said in a television interview that he had talked while gargling saliva as a kid as one of those kid things. He told Wolfgang Petersen that he thought that it would add a good touch to his character. Gossett performed the odd vocalizations all by himself (no mouth prosthetics or post-production effects), and often does "the Drac voice" at convention appearances.
- Erros de gravaçãoZammis speaks as if English is a second language. Being a member of an alien species, it's possible that he might appear to have an "accent" because of differences in his physical vocal structures. But his vocabulary and syntax should be the same as that of Willis Davidge, his only teacher.
- Versões alternativasThe UK cinema version had been shortened by the distributors before release following negative reviews in the US and was then cut by 27 secs by the BBFC for a PG certificate with edits made to the severed ear sequence. The cuts were restored to the 1987 15-rated video release and the full US version was released on DVD in 2002.
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Enemigo mío
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.303.411
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.594.702
- 22 de dez. de 1985
- Faturamento bruto mundial
- US$ 12.303.411
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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