Criminally Insane 2

This film was made only because of the first films success. It features the same fat killer but she's a lot older now. Not nearly as fat either. It shows a lot of the first films highlights, basically living off the gore in the first film. Because, this film has little to no money to spend on special effects. Later, "J" w KandJHorror.com

There are some bad movies out there. Most of them are rather fun. "Criminally Insane 1" was one of those flicks. So bad that it was enjoyable and had re-watch value to it. "Criminally Insane 2" has to be one of the worst movies ever made and coming from me, that's saying a lot because I am not the type of person to say anything is the worst. But trust me, this was just completely awful and running just 1 hour is 1 hour too long.

The movie has a rather incoherent storyline, but who cares about story when all you want to see is a big fat woman running around killing people because she isn't being fed. Well, you don't see that in this movie, except for all of the flashback sequences that are from the first one. The new storyline could have been really funny with Ethel being sent to a halfway house and murdering everyone in there, but nothing happens until the last 20 minutes of the movie and at that point you are already falling asleep.

The camera work in this movie is just atrocious. This literally reminds me of something I shot with friends of mine back when I was 15. The sound quality is something else as you can't understand a word most of the characters are saying. To give an example of how bad it is, go into a New York Subway and try to understand what is being said over the loud speakers, that is what this movie sounds like. Not that it matters what they are talking about anyway because the actors are about as dry as a dead piece of wood.

Now I know that saying this is the worst movie out there is pretty harsh but words can't describe just how bad this movie is. If you don't believe me, see it for yourself. 1/10

Ah yes. Crazy fat Ethel is back...and she's still hungry. But did the world really need this sequel? Don't get me wrong, there's a soft spot in my heart for the original slice of movie cheese. How could you go wrong with a premise so...well...delicious. A fat woman dispenses with anyone who gets in the way of her and a refrigerator. And the movie will forever be on our guilty pleasure list of 70's drive-in sleaze that we must go back and view every couple of years.

But along comes this sequel, shot entirely on camcorder with no music, no real edits, and no real point. Crazy fat Ethel (now minus a few pounds) is released from the mental ward into a halfway house where she begins killing anyone who gets in the way of her eating. Old habits die hard, I guess.

However, all of that only takes up about ten minutes of screen time. The rest of the running time is padded with flashback footage from the original film. So we'll get new scenes of Ethel taking a nap, the camcorder zooms in to her face, and we cut to old scenes from part one. Repeated ad nauseum. So much footage from part one is used that, if you've never seen the original, you'll see it all here. And it looks like a masterpiece compared to the new footage.

We get ridiculously long scenes of a character eating an entire candy bar, Ethel eating an entire bowl of pudding, Ethel dancing around out back with a bloody knife, etc. And since it's filmed on camcorder, there's crummy picture and sound to back it all up. Seeing this with the original footage only made me appreciate the original that much more.

So, skip this and stick with the original.

During the cheap filmed in video beginning of Crazy Fat Ethel II, I wondered if it was the same film that was on the cover. Unfortunately, it was. The story itself is mindlessly simple. Ethel, a homicidal maniac with an eating disorder, is released into a halfway house because of hospital overcrowding. She is by far the most sane resident watching while one man puts dead flies into another's soup. Ethel is then teased by one of the halfway house employees with a chocolate bar after he hits on the cost cutting measure of feeding the residents dog food. Ethel retaliates by strangling him with a wire noose on the stairs and then....well, you get the idea. If this all sounds like fun, it isn't. This film was poorly made with cheap effects and even worse acting. The characters are so wooden when delivering their lines that they should be standing out in front of a cigar store. To make matters worse, half of the film consists of flashbacks to the first Ethel movie, Criminally Insane, which is little better. A VERY poor effort.

truly, this film amazes. how did this get made? who forked over the 2.50 for the video cassette to go in the camcorder? imagine a film made by your inbred relatives, the ones that find an evening at kentucky fried chicken to be the height of cuisine. then, make sure they're on drain-o when the camera light is on. scenes extend into the horizon. a man eats a candy bar for what seems to be hours. ethel experiences flashbacks to a higher-budgeted film. the film does, however, achieve a surreal, bbc science-fiction edge by intercutting between film and video. crazy fat ethel II is blessed, however, with one of those immediately fascinating titles. forgiveness comes easy to crazy fat ethel II. priscilla alden delivers a performance that is equal parts ham and thorazine-induced coma. the music for the "film" is fascinating...at first, i found it remarkable that nick phillips had managed to create such unique, throbbing gristle-esque vistas of sound...then i realized it's simply the ten-dollar mic trying desperately to capture every nuance of alden's vocal performance. when she bleats, "give me those pretzels, granny!" the film takes a colossal lunge toward greatness. in fact, i keep muttering it to myself, even though there's nary a pretzel or a grandmother in the house. one could extrapolate a fascinating political subtext in this film, as budget cuts in reagan's america force an obese, psychotic woman to kill again and again. can we see ethel janowski as our own bloated, selfish american ego? what? oh, you're right. it really is a piece of crap...but, mark my words, dub in it swedish, sell it as an art film about "the ugly american"...and you'd have a box-office bonanza.