Comando para Matar

I love Arnie and Commando sees him in top 80s action star form. He is made for these roles and really excels in them. Commando is full of classic one-liners, solid action, and a surprisingly great original score by the late James Horner. This film is tons of fun and a classic 80s action film.

Solidly entertaining, over the top, comic book style spectacle giving superstar Arnold Schwarzenegger the perfect opportunity to play action hero with more levity than usual. Screenwriter Steven E. de Souza injects lots of wit and memorable one liners into the mix while director Mark L. Lester serves up the assorted action scenes with great relish. Granted, it's absolutely pure nonsense, but irresistible on that level.

Arnold plays John Matrix, retired soldier who's forced back into action when a vengeance minded former dictator (Dan Hedaya) wants him to murder a sitting president and kidnaps Matrix's daughter Jenny (Alyssa Milano) in order to make him do it. Fortunately, Matrix manages to slip away from the bad guys, and acquires some unlikely help in the form of feisty stewardess Cindy (Rae Dawn Chong), while the clock is ticking the entire time.

"Commando" is appreciably unpretentious stuff that knows what it has to do and does it in style. We get to see Arnold, among other things, rip a phone booth out of a wall, dangle a man over the edge of a cliff with one hand, swing from the roof of a mall using balloons, tear a seat out of a car, eat a Green Beret for breakfast (he's VERY hungry, don't you know?), go on an early morning shopping trip at the local surplus store, lug an enormous log around, get a face full of ice cream, drop from a plane into a swamp, and feed a deer. Now, who can read that and pass this up? "Commando" is tons of fun provided the prospective viewer is ready to suspend every bit of their disbelief. The movie just rockets forward with no filler to slow it down, taking place within a limited amount of time, and keeping up an amazing energy level.

Arnold, for the first time here, got to show that he did indeed have a sense of humour about what he did, and is very easy to watch, with a great supporting cast - also including Vernon Wells, as one of the most priceless villains to ever grace the action genre, James Olson, David Patrick Kelly, and Bill Duke, with bit appearances by the likes of Bob Minor, Chelsea Field, Branscombe Richmond, and Bill Paxton. James Horner's music score is awfully familiar, but it does help drive the movie forward, and there are some beautiful moments of extreme violence - including scalping by saw blade and an arm chopped off - to give the presentation some real punch.

Check your brain at the door and you can have a really good time with this one, or in other words, let off some steam.

Eight out of 10.

'Commando (1985)' is slightly camp, a bit cheesy and ever so slightly sub-par and it knows it. This action flick aims solely for that 'turn-your-brain-off' guilty pleasure crowd and hits its mark dead-on. It's hard to watch without a smile on your face. Though it is silly - even stupid at times - and incredibly over-the-top, it is also ostentatious, or just toeing that line, which means you can laugh with the picture rather than at it. You do get the undeniable sense that a cringe-worthy one-liner combined with an outlandish, infinite-ammo action-sequence is just kind of awesome. 6/10.

It was like yesterday (well, sort of!) when I watched "Commando" at a movie theater! And that was 3 decades ago. I checked it again today because of some reason and I am amazed because of how less silly it looks to me now.

It's a classic. No doubt about that. And it's pure fun. Violent-ish of course but with great tongue-in-cheek humor delivered by one of the most charismatic actors ever.

If you have missed it before go watch it (with a pinch of salt

of course)! A fun way to pass one hour and a half!

• Remember when I promised to kill you last?

• I lied!

Arnold Schwarzenegger is the embodiment of 80s-90s muscle-man action cinema, an era we can now look back on with nostalgia, mostly for its unabashed mixture of macho ultra violence and out-of-control kitsch. It's interesting to note that the Austrian Titan's first great commercial disappointment - Last Action Hero - was a parody of the genre he dominated. How do you parody parody itself? The man's best films, the first two Terminator films and Predator, rise above that, but most of his work is inches from being one big spoof.

While you can't parody the genre outright, you can take it to its extreme, and I'm not sure what Commando is or who it was meant for, but that's what it does. Schwarzenegger's John Matrix (a typical Austrian name, that) lives a life of mono parental bliss with daughter Jennie (or, as he calls Alyssa Milano, "Tchainee") until she is kidnapped and he is forced to throw all his retired killing machine skills into saving her.

We can run through the ingredients, it's actually worth it for once: - Body fascination. The film never hesitates to glory on Schwarzenegger's body, and while he isn't showing off with impossible feats (carrying a tree or busy phone booth) he just sits there, bare-chested, for the camera. - Homo-erotic subtext. If it's that in-your-face, it can't really be subtext. Beside the fact that this is probably an affront to gays everywhere, the tension between Ahnuld and main villain Bennett would be interesting if it weren't for... well... Bennett himself. I'd describe the world's most ill-conceived blockbuster villain for you, but I'd rather not ruin the surprise. Just youtube "Last Fight Scene - Matrix vs Bennett". - Gratuitous violence. Not much blood here, but every bullet that grazes the floor creates its own explosion. And the stunt-work reaches miraculous levels of retardation. - "Clever" One-liners. If that's your thing, you're in for a real treat. - Outrageous music: oh boy, you can't imagine... - Sexy but severely underused damsel in distress. Underused? We wish. Sexy, not quite.

It's hard to even rate this film. It makes for a delirious group viewing experience, but then again, nobody could ever honestly call it a good a film. And unlike True Lies, another very silly film, this hasn't aged gracefully at all, hence much of its "charm" is down to nostalgia. It's the only way to forgive the film's confounding technical ineptitude (the number of goofs and continuity disasters sets a record).

You have to see it to believe it. Then again, maybe not. Just check out the wildest bits and watch Predator instead.

Thank you YouTube!