The Chain

The sort of film that reminds us that a nice story and a great cast still make a great film.

The film centres around a group of Londoners who run across the social spectrum who are all moving home on the same day, some of whom are being ably assisted by a gang of removal-men fronted by Warren Mitchell.

Among others, notable appearances from Nigel Hawthorne, playing a socially obsessed miser, Leo Mckern as a plutocrat who's decided to go back to his roots, and of course Mitchell himself who is clearly the wisest person in the whole film.

The pace is excellent and the characters well realised - and for anyone who loves seeing London on film it's a treat too.

It's a charming and very humanitarian film that you'll enjoy immensely if you allow it to.

No negative comments by your other quite perceptive reviewers and rightly so. I agree with all of them as to this wonderful film's outstanding qualities and especially as to its being highly underrated. It's a kind of vignette movie like "Quartette" or "Tales of Manhattan" yet all the vignettes are thematically connected in time and process, each throwing light on the others and on the film as a whole. It's simply a classic in conception and brilliant execution. Bravo to all concerned.

The Chain is a film that I can only describe as a gem. It is set in London in the Thatcher era , and does not shirk in its light critical observation of a London at a time of polarised beliefs and values.

The film is not just a journey of London Boroughs , but a journey to the very inner motivations and ideals of the class-ridden characters portrayed in the film. The writer uses the Biblical seven deadly sins in which to drive the film along . Warren Mitchell is superb as Bamber , the leader of the removal crew. A philosopher who never loses his sight of humanity , somehow makes sense of the most complex insecure people and situations that surround him in the day. My favourite line is "I've got my bricklaying at two". This underlined the Black Economy that existed in London , during a period of economic uncertainty. A must see , for any film buff into social criticism of the eighties.

This is a modern retelling of Arthur Schnitzler's La Ronde, with property transactions standing in for Schnitzler's sexual ones. Rosenthal also effectively plugs in the seven deadly sins.

Whilst it may seem like a TV drama, this was made for cinema release so it's a bit depressing that the only version seemingly available at the moment is in 4:3.

I'd forgotten just how good a script it is. It has dated a little since its release, but the cleverness of it, and some of the performances make it deserving of preservation. Mitchell and Hill are spot on as usual and Nigel Hawthorne and Anna Massey are particularly hilarious.

It's not perfect though. The awful source music (i.e. What people are listening to on the radio/ghetto blaster) that's meant to be "what the kids are listening to" but has clearly been composed by Stanley Myers to save money, really dates it, and there are one or two truly shockingly bad performances from some of the younger actors. Billie Whitelaw is totally miscast, and a number of the lines (mainly from the character Paul) don't land, which is the fault of the director. For these reasons it loses a star from me.

Overall though, they don't write em like this any more.

'The Chain' is an excellent film from the pen of Jack Rosenthal (who later reworked it into the TV series 'Moving Story'), starring Warren Mitchell as Bamber, a student of philosophy and pronouncer of wisdom to those about to move home. On his shift are a rag bag of working types including the ever reliable Bernard Hill.

The premise of the film is simple - we watch several people moving up in the world and follow the chain of progress through the eyes of the removal men (Last Removals, as good a name as any). So as we watch the moves from Hackney to Tufnell Park to Wilesden to Hammersmith to Hampstead to Holland Park to Knightsbridge, seeing how the different families inside the flats and houses deal with life, we see both a range of people and ways of life, and a travelogue of 80s London.

Bamber of course is the wisest of all - encountering a pompous couple doing everything on the cheap (Nigel Hawthorne and Anna Massey), a young couple just starting their future (Denis Lawson and Rita Wolf), and a widowed lady longing for her Mediterranean home (Billie Whitelaw), amongst others. Not one seems as settled as he is.

Great writing and razor sharp characters give 'The Chain' the edge over similar dramas, and although it may now feel a bit of a period piece, it is still an excellent film - and a good companion to Rosenthal's feature length drama for TV about taxi drivers, 'The Knowledge'.