The Chain

The sort of film that reminds us that a nice story and a great cast still make a great film.

The film centres around a group of Londoners who run across the social spectrum who are all moving home on the same day, some of whom are being ably assisted by a gang of removal-men fronted by Warren Mitchell.

Among others, notable appearances from Nigel Hawthorne, playing a socially obsessed miser, Leo Mckern as a plutocrat who's decided to go back to his roots, and of course Mitchell himself who is clearly the wisest person in the whole film.

The pace is excellent and the characters well realised - and for anyone who loves seeing London on film it's a treat too.

It's a charming and very humanitarian film that you'll enjoy immensely if you allow it to.

The Chain is a film that I can only describe as a gem. It is set in London in the Thatcher era , and does not shirk in its light critical observation of a London at a time of polarised beliefs and values.

The film is not just a journey of London Boroughs , but a journey to the very inner motivations and ideals of the class-ridden characters portrayed in the film. The writer uses the Biblical seven deadly sins in which to drive the film along . Warren Mitchell is superb as Bamber , the leader of the removal crew. A philosopher who never loses his sight of humanity , somehow makes sense of the most complex insecure people and situations that surround him in the day. My favourite line is "I've got my bricklaying at two". This underlined the Black Economy that existed in London , during a period of economic uncertainty. A must see , for any film buff into social criticism of the eighties.

This is a modern retelling of Arthur Schnitzler's La Ronde, with property transactions standing in for Schnitzler's sexual ones. Rosenthal also effectively plugs in the seven deadly sins.

Whilst it may seem like a TV drama, this was made for cinema release so it's a bit depressing that the only version seemingly available at the moment is in 4:3.

I'd forgotten just how good a script it is. It has dated a little since its release, but the cleverness of it, and some of the performances make it deserving of preservation. Mitchell and Hill are spot on as usual and Nigel Hawthorne and Anna Massey are particularly hilarious.

It's not perfect though. The awful source music (i.e. What people are listening to on the radio/ghetto blaster) that's meant to be "what the kids are listening to" but has clearly been composed by Stanley Myers to save money, really dates it, and there are one or two truly shockingly bad performances from some of the younger actors. Billie Whitelaw is totally miscast, and a number of the lines (mainly from the character Paul) don't land, which is the fault of the director. For these reasons it loses a star from me.

Overall though, they don't write em like this any more.

This film was written by one of the greatest TV writers of the 20th century,Jack Rosenthal.However it seems to be almost completely forgotten,the last review being dated 2009.I had forgotten about it till I saw it recently on London Live.Difficult to understand why.It is a numerous look at the stresses and strains of moving house.It has a first rate cast with lots of well known faces.The best known being Warren Mitchell in charge of the removers.Though why he had to wear that dreadful wig is a mystery.Probably the funniest character is that played by Nigel Hawthorne as a link in the chain who pays for his desire to do things on the cheap.Maybe the fact that this film has been forgotten is due to the fact that this film came out in the year when cinema attendances hit rock bottom.

You may be mistaken for thinking this film has a religious heart. OK, it is a story of the seven deadly sins, but that's where the religion ends. In fact it is the story of humanity, expressed by describing a day in the life of a removals team. The chain of house-movers encompass all of the virtues and sins of the world. Not only do we see the upward transitions from affordable house to newly affordable homes, we see the fundamental impact a house-move has on the movers. We also see how similar the different classes, cultures and sexes are when faced with one of the most significant upheavals a human can endure: moving home.

Brilliant actors, brilliant screenplay, brilliant concept.

A superb movie that will have you belly-laughing.