A Prometida

The lovely young student of Baron Charles Frankenstein tires of his strict tutelage and rebels, unaware she was indeed brought to life by the mad doctor--sewn together from corpses--and that a male counterpart to whom she was intended is roaming the countryside. Director Franc Roddam and screenwriter Lloyd Fonvielle's underrated rethinking of 1935's "The Bride of Frankenstein" hasn't much intrinsic spirit, though it does have lyrical scenes and interesting performances which qualify it as a fascinating misfire. As the Baron, rock star Sting poses sufficiently and glowers moodily, though he's all on one-note; Jennifer Beals is somewhat better as the Bride--with feminist leanings--and a number of her scenes (such as her first run-in with a cat and her dialogue with a derelict traveler) are quite beguiling. Critically-lambasted film has beauty, but little mystery--it's intriguing without truly being effective. Clancy Brown plays the initial (sympathetic) creation of Frankenstein, and his friendship with happy-go-lucky dwarf David Rappaport is marvelous, though this side-story really belongs to a separate picture (it holds the central action back, and keeps it from blossoming). "The Bride" is surprisingly ambitious and has rather grand moments, but a complete success it is not. **1/2 from ****

MORD39 RATING: ** out of ****

This movie is too wrongly maligned. It's at least enjoyable half of the time, since it functions as two different stories which merge together later on.

The best part of the movie regards the adventures of the Frankenstein Monster (well-played by Clancy Brown) and his friendly dwarf companion (the excellent David Rappaport) as they roam the exquisite countryside trying to discover their dreams. When this half of the movie is playing, you can't help but be moved.

Unfortunately, the other half consists of rock star Sting (it hurts me to say this, but I think he makes a good Frankenstein) and the gorgeous Jennifer Beals as his latest creation. They don't add anything to the whole mix, though,, and only get in the way and slow things down. This film could have been quite good indeed had these parts been removed, and the exploits of the monster and his pal been fleshed out.

I think my opinion is a popular one among critics and fans, but one thing is clear: this film is not as bad as some think, and it's in no way intended to be a re-make of 1935's BRIDE OF FRANKENSTEIN.

I love it when I find a movie in the bargain bin, watch it, and it turns out to be really good. Such is the case with The Bride. The cinematography is beautifully done, creating a rich atmosphere and setting for the story. Filmed in England and France, the locations add some real authenticity to the story; this is no Hollywood back lot. Some may criticize the acting skills of the leads or the degree of depth in the story line, but one thing is sure, the movie is consistent in story, direction, mood, and content from beginning to end, a well delivered package. I also enjoyed this spin on the Frankenstein monster; he's got personality and character. Instead of being only an object of horror as in other films, the viewer gets to know and identify with him as the movie progresses, coming to care for his success and well being. As another viewer stated previously, approach this movie as a Gothic novel instead of a horror story, and you're sure to find some enjoyment from it.

A beautiful movie! It was really quite lusciously filmed, where everything - the set designs, the costumes, outdoor locations, and luscious depiction of an early 18th century Transylvania setting – are absolutely top-notch, and give the film an almost magical sort of quality. This is "must see" film making.

The movie basically deals with the lives and fates of two living creations of Dr. Frankenstein (played by Sting): one, Viktor, (whom you might think of as "Frankenstein's Monster") is a big scary guy. The other, Eva (played by Jennifer Beals), is a beautiful young woman. Both have been created from spare body parts, and then brought to life by Dr. Frankenstein in the laboratory. There is a storm and a fire, the tower in which the laboratory is housed is destroyed, and Viktor escapes to fend for himself out in the countryside of Transylvania. Eva is taken care of by Dr. Frankenstein who, along with others in the castle, helps to educate the helpless young woman.

That, essentially, is the setting for the movie, and it is told in a surprisingly effective "dual tales" sort of technique. In one story, we watch as Viktor goes out on his own, and meets up with Rinaldo, a sly but very lovable midget (played by David Rappaport). Rinaldo convinces Viktor that the two of them would make a good living by going off to join the circus, and so off they go, getting involved in a couple of amusing scrapes along the way. Eventually they do indeed end up with the circus, where both are mercilessly exploited by the circus entrepreneurs Magar and Bela (played by Alexei Sayles and Phil Daniels).

Meanwhile, back at the castle... We watch how Eva is carefully groomed and schooled in the finest European fashion, and meticulously transformed, Eliza Doolittle-style, into quite the proper upper class young lady.

The movie carefully, and with nicely-timed pacing, switches back and forth between these two stories, and these stories prove to be very enjoyable watching.

I didn't find it distracting whatsoever to see Sting playing Dr. Frankenstein. Sure, they could have found a different and arguably better actor to play the good (?) doctor, but at the time this movie was made (1985) Sting was "the Man" – you know, the dude with the star-power name who could pull in the teenagers. And probably the same could be said for Jennifer Beals, who was still riding high from her recent fame in 1983's Flashdance. They need to fill those seats in the theaters, folks! No, they aren't that bad: don't let that deter you from seeing the movie. (And if you are a Sting fan or a Jennifer Beals fan (and we know how painful THAT can be) then you will be even more delighted with this film).

Oh yes, I said in the summary bar above that this is also a thought-provoking story. Well, basically, both Viktor and Eva are subjected to varying degrees of exploitation by their "benefactors," and one can't help but feel that the movie is an allegory for how the strong exploit the weak. This was especially true back in the days of old, where man exploited man. Now, thankfully, we live in a modern and enlightened age, and it's just the opposite!

In this wonderful movie, Sting plays Dr. Frankenstein, who after already creating his first monster and finding him disappointing and annoying has decided to create the perfect woman. He's successful in his pursuit, but the first monster, Clancy Brown in a heartwarming role, is chased away after becoming a little to possessive of his new bride.

The monster runs off into the woods and befriends a little person, Rinaldo the Midget, played wonderfully by David Rappaport, on his way to join the circus. He invites the monster along, and gives him the name of Victor. It is from Rinaldo, who's patient and understanding in a way Dr. Frankenstein never was, that Victor learns how to get by in life, how to behave, how to share, and to go after your dreams.

Meanwhile, back at the castle, Dr. Frankenstein is trying to educate and enlighten his newest creation Eva, a lovely and talented Jennifer Beals. He aspires to create the perfect woman, as intelligent and independent as a man. He does not, however, consider the full implications of his aspirations.

As Eva grows and learns, she begins to ask questions. She has been lied to about who she is and where she comes from. Much to Dr. Frankenstein's annoyance, she has become strong-willed and independent, just like a man, but obviously not quite what he had considered. He had also not considered how arousing he would find her.

Victor and Rinaldo successfully join the circus after much persuading, but Rinaldo longs for his dream to visit Venice, and Victor discovers he longs for his dream of Eva, his intended.

As the movie progresses, there is an obvious connection between the two characters which they are aware of, but aren't in contact with each other.

As Dr. Frankenstein introduces Eva into society with a few little mishaps, Eva discovers a handsome young soldier played by a very young Cary Elwes. He pursues her as he would any woman he would like to bed, much to agitation of Dr. Frankenstein.

The movie moves towards its climax, bringing with it an intensity and a heartfelt conclusion that makes it overall a remarkable movie.

Sting manages to convey Dr. Frankenstein's increasing frustration with his independent, disobedient, yet lovely creation, a dark character who also enjoys his opium from time to time. The scenes with Victor and Rinaldo are wonderful. Jennifer Beals is perfectly bewitching, at first unknowing and naive, then becoming strong and intelligent as the movie progresses, yet still revealing an innocence to her character.

I think anyone would be charmed and entertained by this wonderful movie, and I highly recommend it to all.