Blood Beat

When i used to live in a crappy room in a crappy flat in London, me and my girlfriend (now my wife) sat down to watch this video (which my mate picked up in a cheap cash exchange shop) one lazy Sunday afternoon. We both really enjoyed this minimal but captivating little tale, but i have no idea why and still find it hard pushed to find a reason to recommend it. Might make a good double-bill with the equally diverting NINJA 3: THE DOMINATION.

You could call Blood Beat a slasher film, but that would be too easy. It might have all the trappings of one (mostly one secluded location, a sword twirling villain, a decent body count), but it marches to the beat of its own wonky drummer.

I'm not saying Blood Beat is good, but nothing this unique and odd can be totally bad. I was riveted from start to finish, so it must have done something right. Mostly, I just couldn't believe my eyes. I found it all rather well shot and appealing looking and the addition of a Japanese samurai as a villain is certainly not something you see a lot of. There's also an incredibly odd sequence (in this movie? Shocker!) where a young woman's masturbation seems to beacon the killer to her location. It sorta felt like a similar moment in High Tension.

Blood Beat is a hard one to recommend, because everyone's threshold for strange, artsy trash is different, but it's worth giving a shot. You might enjoy it.

Where to begin with a movie like Blood Beat? I had never even heard of this until Vinegar Syndrome gave it a Blu-ray restoration a couple years back. It sounded odd enough that I decided to give it a chance. Odd is an understatement.

You are never given any explanations for anything that happens in this movie. It's not one of those experiences where the end credits begin to roll and you're angry because you feel like you wasted your time though. They never lead you on like you're going to get an explanation at any point, you're just along for the ride.

The film itself has slasher tendencies, but it's definitely not a full-on slasher flick. But for a slasher villain, the Japanese samurai is super cool and original. Not to mention that a girl keeps having orgasms every time it kills! Why? Who knows?! But it's a cool effect!

It also seems like the majority of the cast has phychic powers. How? Beats me! What does it all have to do with the mother's paintings? Don't ask me! But it adds an unusual supernatural angle to everything.

The film itself is actually shot rather well with some memorable cinematography. This combined with the editing, and in certain scenes the lighting, add to the trippiness of everything. Blood Beat almost plays out like a nightmare. There are many dream-like qualities to it.

I just finished the film as I'm writing this, and I'm so intrigued by this oddity that I feel compelled to research it a little further. This will be one I'll try to introduce to as many people as possible. Highly recommended to lovers of strange cinema, and those who know how to have fun with a "bad movie".

Bloodbeat is an odd tale about a brother and sister who come home for Christmas...only to end up fighting for their lives in a battle of light vs darkness.

The kids grew up hunting deer with their father, but their mother is a psychic artist, sorceress and prophetess, who paints what she forsees.

Thus, when her son brings home his new girlfriend for Christmas, to meet the family, she senses that something isn't right with her.

They make the mistake of bringing the girl deer hunting with them.

Where she ends up freaking out and running away...right into the path of a dying man.

Later that night, she has a dreams of finding a suit of samurai armour in a chest.

Now, every time she gets riled up- or has an orgasm- this rogue samurai comes to life...and attempts to hunt down and kill any and all of the deer hunters who happen to be in the vicinity.

After killing all of the neighbours...the ghost turns his sights on the family itself.

The mother- having been privy that something was awry- tries to intervene, and use her magic to stop the entity.

But it's vengeful spirit is just too powerful.

It's not until the two siblings combine their powers- which they have inherited from their mother- that they are able to stop this dark ronin once and for all.

The film doesn't do a very good job of explaining exactly who the ronin is, where it came from, why it was attached to the boy's girlfriend, or where the mother had "seen (the girl) before", despite those being central elements to the plot.

It all just kind of goes down...and then ends.

So you're left kind of confused in the end, other than, perhaps, to read into it, that the ronin is the devil, who, for some reason, has become attached to the girl, so as to attack this family that possesses powerful spiritual abilities.

But, really, that's all just reasoned speculation, based on a few subtle elements of the storyline.

It's not the worst supernatural Christmas slasher out there, but, they certainly could have done a better job developing the plot structure a little better...

4.5 out of 10.

A family's Christmas reunion gets off to a bad start when the son brings home his girlfriend, leading to an awkward feeling of deja-vu between her and the boy's psychic mother. Weird things begin happening, the weirdest of which happens to be the presence of a glowing samurai warrior who's murderous tendencies appear to be linked to the girlfriend's orgasms.

"Bloodbeat" is one of the more bizarre films you could ever see. What we have here is a slasher shot in Wisconsin by a French director with a ghostly samurai as the killer. It's actually pretty effective for the first two thirds of the running time, particularly a creepy home invasion and ensuing chase. Through some splendid editing, this sequence is interspersed with the girlfriend's writhing and upward-thrusting in bed. It's also undeniably cool seeing a samurai as the villain in a slasher. During the final third, however, the film veers off in an unsatisfying direction with over-the-top antics and ridiculous special effects. Disappointing, but not enough to ruin the film for me. Oh yeah, excessive overuse of violin chords too.