Minha Vida é um Desastre

BETTER OFF DEAD is an impressively energetic debut feature for writer/director Savage Steve Holland. First time director Holland is conspicuously the new kid on the block as he saturates his film with so many ideas, a clear giveaway that he is yet to trust himself enough to release the reigns enough to let his movies breath. The results are spectacularly manic but it really works. Amidst the zany comedy and plentiful sight gags (the cereal boxes with all the giveaways cut out, for example), Holland throws in some amusing cel animation, a stop-motion fantasy sequence, and a cameo from Barney Rubble. Yet despite all the mania, the film's comedy has a level of discipline and restraint that ensures all the jokes land and humorous plot points established early on are satisfyingly resolved.

One of my favourite characters in the film is super-enthusiastic maths teacher Mr Kerber, played by late-great character actor Vincent Schiavelli. Telling maths formula jokes to his spellbound class, Schiavelli spins comedy gold using that discomfortingly warm tone that made him such a sought-after talent. His is one of several casting choices that are pitch perfect: John Cusak as the self-involved teen who wants to end it all when his vapid girlfriend (Amanda Wyss) dumps him for someone more popular; Laura Waterbury as the odious loud-mouthed neighbour and gas guzzling mother of shy bullish nerd Ricky Smith (perfectly played by Dan Schneider); Kim Derby as the timid clueless stay-at-home mom who makes slime-ridden meals that seem somehow sentient and slide off the plate by themselves (her "Frawnch" dinner party host is unforgettable); Curtis Armstrong ostensibly reprising his role from REVENGE OF THE NERDS gets the lion's share of one-liners and he delivers them with so much aplomb; Chuck Mitchell reprising his PORKY'S role is perfect as bad-tempered burger baron Rocko; Diane Franklin as the hapless frustrated French exchange student who is both a fairy godmother and the surprise love interest; monster child Scooter Stevens who wields newspapers as weapons and to whom two dollars means the world; and the super talented David Ogden Stiers as the priggish father attempting to bridge the generation gap with his checked-out son.

BETTER OFF DEAD is not for everyone and the film is most likely best enjoyed by those who lived through the 80s and understand its cultural peccadilloes, but if you have watched your fair share of 80s comedies like SCREWBALLS, 16 CANDLES, BACHELOR PARTY, PORKY'S, NATIONAL LAMPOON'S VACATION, REAL GENIUS, ZAPPED, or POLICE ACADEMY, you might wanna give BETTER OF DEAD a chance. Who knows, after seeing how everybody wants some, you may just want some too!

John Cusack's girlfriend has just dumped him for the biggest jerk in school, and John deals with the depression, anger, and frustration in humorous ways. Slowly, he finds himself bonding with French exchange student Diane Franklin, a beautiful and clever young woman, that helps to build up Cusack's self-image so he can win his girlfriend back.

Better Off Dead follows a familiar basic storyline. Main likeable character is dealt a bad hand in life, pulls themselves up by their bootstraps, and ends up triumphing over the people who pushed them down. This formula led to such films as "Animal House", "Revenge of the Nerds", and "Porky's". Not that these films are bad, they are just similar in basic plot.

Better Off Dead however, adds a bizarre surreal quality unaccomplished by these other films. Perhaps this is due to the claymation hamburger sequence, or the unlikely skiing competition at the end of the film.

Or perhaps it's due to the parade of familiar faces from other 80's films. John Cusack's best friend is none other than Curtis Armstrong, best known as "Booger" in the Revenge of the Nerds movies. Next door neighbor and consummate slob Dan Schneider is recognizable as "Dennis" from the TV show "Head of the Class". Cusack's boss at the fast food joint is played by Chuck Wallace, the title character from "Porky's". And with a bit part, yet one the funniest in the whole film, Yano Anaya reprises his "Grover Dill" persona from "A Christmas Story" in the form of a vengeful paperboy. I WANT MY TWO DOLLARS!!!!

Also has some of the funniest lines in 80's teen comedy, such as Franklin's accidental misuse of the word "testicles", and the comment made by an onlooker when Cusack tumbles into a trash truck.

Definitely better than the majority of 1980's teen comedies.

Better Off Dead is a childhood favorite that I still enjoy as an adult. Yes, the filmmaking is a little amateurish, but that's part of the charm. This movie has so many quotable quotes ("I want my two dollars!" "Gee, I'm really sorry your mom blew up, Ricky.") and moments that make me smirk. I don't think they'd ever make a movie like this these days, so I'm glad they did in the 80s.

Better off Dead is definitely one of John Cusack's better 80's teen movies and far superior to the dull 'Say Anything'. The surreal situations and characters (the dreadful cook mother, the homicidal paper boy, Lane's best friend) are wonderful and recall the best work of the Coen brothers, while Cusack's hangdog performance is excellent, standing alongside 'the grifters' and grosse pointe blank as one of the best of his career. It stands as one of the most interesting and original teen movies to ever grace the genre and it is a great shame that writer/director Savage Steve Holland never hit these highs again, spending the remiander of his career languishing in TV hell.

I cannot praise this film enough.

**** out of five

Savage Steve Holland, who went on to create the insanely wonderful Saturday morning cartoon series Eek! the Cat, combined two 80s genres - John Hughes romantic comedies and gag-a-second movies like Airplane! to create one of the more unusual teen comedies of the 80s.

The movie stars John Cusack as a jilted teen pining for his ex while oblivious to the absurdly perfect girl across the street, the two girls falling into the classic 80s stereotypes of the cold blonde and the magical, quirky brunette.

Cusack is more emotionally unstable than a Hughes protagonist, spending much of the movie in inept attempts to kill himself.

He also has to deal with living in an insane world. His mom makes weird gloppy dishes that crawl away on their own power, a newspaper boy seems to be the beta version of the Terminator, Cusack's best friend snorts all his food. The movie is frequently hilarious, resulting in a minor classic.