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IMDbPro

Infielmente Tua

Título original: Unfaithfully Yours
  • 1984
  • PG
  • 1 h 36 min
AVALIAÇÃO DA IMDb
6,0/10
3,3 mil
SUA AVALIAÇÃO
Infielmente Tua (1984)
Assistir a Trailer [EN]
Reproduzir trailer1:36
1 vídeo
37 fotos
ComedyMusicRomance

Adicionar um enredo no seu idiomaA composer who suspects his wife of cheating plots to kill her and frame her lover.A composer who suspects his wife of cheating plots to kill her and frame her lover.A composer who suspects his wife of cheating plots to kill her and frame her lover.

  • Direção
    • Howard Zieff
  • Roteiristas
    • Preston Sturges
    • Valerie Curtin
    • Barry Levinson
  • Artistas
    • Dudley Moore
    • Nastassja Kinski
    • Armand Assante
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    3,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Howard Zieff
    • Roteiristas
      • Preston Sturges
      • Valerie Curtin
      • Barry Levinson
    • Artistas
      • Dudley Moore
      • Nastassja Kinski
      • Armand Assante
    • 24Avaliações de usuários
    • 12Avaliações da crítica
    • 51Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer [EN]
    Trailer 1:36
    Trailer [EN]

    Fotos37

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    + 31
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    Elenco principal48

    Editar
    Dudley Moore
    Dudley Moore
    • Claude Eastman
    Nastassja Kinski
    Nastassja Kinski
    • Daniella Eastman
    Armand Assante
    Armand Assante
    • Maxmillian Stein
    Albert Brooks
    Albert Brooks
    • Norman Robbins
    Cassie Yates
    Cassie Yates
    • Carla Robbins
    Richard Libertini
    Richard Libertini
    • Giuseppe
    Richard B. Shull
    Richard B. Shull
    • Jess Keller
    Jan Tríska
    Jan Tríska
    • Jerzy Czyrek
    Jane Hallaren
    Jane Hallaren
    • Janet
    Bernard Behrens
    Bernard Behrens
    • Bill Lawrence
    Leonard Mann
    Leonard Mann
    • Screen Lover
    Estelle Omens
    • Celia
    Penny Peyser
    Penny Peyser
    • Jewelry Salesgirl
    Nicholas Mele
    Nicholas Mele
    • Waiter
    Benjamin Rayson
    • Judge
    Art LaFleur
    Art LaFleur
    • Desk Sergeant
    • (as Art La Fleur)
    Magda Gyenes
    • Hungarian Singer
    Fred Franklyn
    Fred Franklyn
    • Elevator Operator
    • (as Frederic Franklyn)
    • Direção
      • Howard Zieff
    • Roteiristas
      • Preston Sturges
      • Valerie Curtin
      • Barry Levinson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários24

    6,03.2K
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    Avaliações em destaque

    7dhaufrect

    Predictably Funny

    Although this film is predictably funny, it maintains a sense of light comedy that justifies its viewing. Dudley Moore is his uniform self in his role as a conductor husband filled with jealousy. Natassja Kinski is his beautiful wife. Both are entertaining and charming in this cinema that is worth the evening of fun.
    6Didier-Becu

    YOUR WIFE ISN'T ALWAYS CHEATING YOU

    Don't ask me why but I absolutely wanna see all films with Nastassja Kinski and with this in mind I know I have to see some bad ones as well. Is this one a stinker? Not really but it's just one of those eightiescomedies in where a goldfish is funnier than Dudley Moore himself. Still wearing his playboyattitude (never could get that!) from "Ten", Moore plays the role of Claude Eastman who happen to be one of the most respected musicconductors. He just has married his new Italian wife Daniella (never understood why she wasn't Russian as madame Kinski speaks with a very Russian accent) and due to a stupid householdkeeper Giuseppe (Richard Libertini, the sole man with whom you can laugh even if he plays a complete idiot) his wife is followed by a detective as Claude told him to keep an eye on her.... This comedy could have been made in the 60's as this is pure Boeing Boeing-style, you know one situation leads to another situation that is based on false suspicions and so.... Naaah you saw it million times before, you saw it million times better but you never saw it with Nastassja Kinski
    petermaxie

    A last gasp of classical Romantic Gypsy violin music; Moore's swan song

    This film marks the culmination of the most prolific, popularly loved form of music that the human race ever conceived. That is, the Romantic style. You may find, for example, a CD of pianist Horowitz produced a couple of decades ago entitled "The Last Romantic" - and you might understand the sentiment behind such a title. It is a dying breed of music. Rather, it is dead. Left are museum pieces rehashed by earnest musicians who love the style, or at least the memory of it, but performed/recorded for audiences/listeners who for the most part don't understand it. For to understand it, one must absolutely not be pragmatic. And as we've all been told time and again of late, if you're not pragmatic (if you haven't gone to college, for example, in order to obtain a degree/career) you don't have a life. Few these days, not even crack dealers, are willing to trade monetary responsibility for an enhancement of their souls.

    Likewise, Dudley Moore acted the lead in this film, and in doing so, he didn't create much of a life, in terms of this film being appreciated by the mainstream. But Moore was one of the funniest comedians that ever graced American film/sound stages. His improvised drunk bits rival Jackie Gleason's improvised drunks. Of course nowadays such drunk humor is politically incorrect, which marks yet one more creative form that has recently bitten the dust. Oh well, at least kids are safe from drunk drivers.

    But the greatest moment in this movie was the violin battle. You see, it's a prerequisite for talented, narcissistic classical/Romantic musicians, such as Dudley Moore (pianist), to hold a dark sense of humor. It's the kind of passive resistant, anti-successful state of mind that made Charlie Brown, Woody Allen, Bartleby, John Lennon and countless negative/alternative reasoning popular during the 60s-70s. And that alternative culture, or revolution, was merely a revamping of an earlier, more formidable anti-capitalism known as the period when occurred the French and American revolutions. In music, this was the time of Beethoven's rise to fame. This style he and others (even Mozart to some extent) propounded is known as the Romantic style. And the single greatest musical influence upon these western European proponents of the Romantic style was the music emanating from the streets: Gypsy music. It's also important to remember that such Gypsy music was itself influenced by a combination of east European folk music and the traditional music of the middle east, an area of the world from which all western civilization is derived, and thereby for which all of us should have reverence, or at least respect.

    Basically what we're talking about here, what was the greatest influence upon the invention and prosperity of the Romantic music style, is the harmonic minor scale, and the claiming of this scale upon the hearts of a vast majority of music lovers world wide 1750-1980. It is a scale that gave birth to Romantic styled chromaticism, the most prolific harmonic form ever. In its early stages, when Mozart and papa Haydn dabbled in it, women and other faint hearted individuals tittered. When Beethoven got hold of it, such women literally fainted in the aisles. That's how naturally such chromaticism is capable of affecting the emotions of people. It requires an open heart, however. Today such Gypsy styled music is a laugh; that's how jaded western civilization has become. The smallest of minds are bold enough to regard it as merely "Jewish music," which informs us that its demise is likely, at least partially, the result of anti-Semitism.

    Such Gypsy/Jewish etc. scale's greatest instrument, or agent provocateur: the violin. Hence, the extraordinarily emotional/comedic violin battle scene in this film, a rare tribute to this dying style of music. If there are any film makers, or any creative artists, who are interested in bringing back to vitality such Romantic/Gypsy/Jewish/harmonic minor scaled music, seeing this film might give them a good start in the right direction. It should also be stated that the Gypsy music that has recently surfaced in "World Music" and in university studies of Ethnomusicology, while more authentic, has, by way of pedantically narrowing the interpretations, caused the less authentic Romantic style to be ignored in its works.
    10avanti

    Very funny with fantastic music.

    This film is hilarious and what I consider to be the best film starring Dudley Moore. A man is convinced by scarce circumstantial evidence that his wife is unfaithful. Although still very much in love with his wife, he is "told" by an Italian employee that he must kill her. So begins a spiral where Claude (Moore) plans the murder of his wife. However, when he tries to put the plan into action, things go wrong.

    The music in this movie is fantastic. The movie also contains the funniest scene I have witnessed in any movie which I can only describe as the "violin war". It is brilliant.

    The actors and actresses chosen in the film fit their characters perfectly. The events in the film are easy to believe and thus make the plot more enjoyable. It also quietly sends a message to the audience... Don't be quick to condemn, your probably wrong.

    This film is a mix between comedy and drama that is enjoyable. Watch this film, I think you'll love it.
    5gridoon

    Scattered laughs.

    I haven't seen the Preston Sturges original, but I know the hero there conceived THREE alternative murderous plans. The fact that this (unfaithful) remake contains only one certainly doesn't suggest that the filmmakers were full of ideas. It's still a generally agreeable (if uneven) comedy, but the laughs, even for Moore fans, are scattered.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Dudley Moore, who plays an orchestra conductor, shadowed Bill Conti, who wrote the film's score, to actually learn the techniques used to conduct a symphony orchestra.
    • Citações

      Claude Eastman: Will you miss younger men?

      Daniella Eastman: The truth?

      Claude Eastman: No!

      Daniella Eastman: Younger men are like fast food restaurants. the food is fast, but it's not all that good. But, with you it's like dining in the most expensive restaurant in the world. Of course, the service may be a little slow...

      Claude Eastman: Yeah, well...

      [he tackles her over the couch]

    • Conexões
      Featured in Stairs (1986)
    • Trilhas sonoras
      Unfaithfully Yours (One Love)
      Composed and Performed by Stephen Bishop

      Produced by Greg Mathieson (as Greg Mathison)

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    Perguntas frequentes18

    • How long is Unfaithfully Yours?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de fevereiro de 1984 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Unfaithfully Yours
    • Locações de filme
      • Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 12.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 19.928.200
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.774.126
      • 12 de fev. de 1984
    • Faturamento bruto mundial
      • US$ 19.928.200
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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