O Declínio dos Anos Dourados

I purchased this film just by chance as it seemed interesting. I had to view this title twice to get the picture so to speak. I have never heard of this production before so did not know what to expect. After viewing with a decent bottle of wine, I found the film thoroughly enjoyable with the all star cast. I was sorry to learn that this film was James Mason's last. A good performance by all the cast especially by the stunningly beautiful Judi Bowker (Olivia) who I can just remember as a sickly teenager in the TV series Black Beauty. So, was the DVD worth buying?? Answer is yes. I will even visit the location which is Knebworth house which was unknown to me.

Frankly, much of this movie is all but indecipherable to the American ear, with much muttering done in what we deign to call a heavy English accent. However, if you keep your fingers over the remote volume control and the rewind button, you can stay with the story. Whether you do or not is up to you, but DON'T leave before you enjoy one of the greatest scenes in all moviedom.

There comes a time during the shooting when John Gielgud, as an anti-hunting pamphleteer, marches boldly into the line of fire and disrupts the hunt. James Mason, as the Lord of the manor, takes him aside. The conversation they have is delightful, amazing, perfectly written, perfectly acted. It is a joy. (Mason, "Ahhh, special terms.") It is the only portion of this film I have on tape!

If you enjoy movies for the magic moments they contain, as Yogi Berra once said, "Don't miss it if you can."

The Shooting Party is set in 1913, which is not very long ago, and yet is another world. This was the last year of the old world, and the start of the modern world. The opening narration by James Mason sets the theme: that the world of the haves and have-nots is doomed, and that the future holds great change.

This was Mason's last film, and his was a part very well suited to him. He is the great patriarch, head of the family, and benign chief of the great estate. He is not a soppy fool, but he is kind and means well to all. He invites many aristocrats to his estate for a few days of shooting, and these arrive, with their servants.

In the house, then, are representatives of much of the world at that time: the upper classes, some British, some foreign, and the lower classes, some servants, some local rustics who will be the beaters for the shoot. The film then shows us how they are all behaving.

Both the upper and the lower classes are stuck in their ways, though if anything, it is the upper class which questions whether this is the way things should be. When the shooting pauses for tea, the posh folk sit elegantly but uncomfortably in a clean white marquee, and drink from china, while the beaters look far happier drinking from mugs from a communal urn and chatting amongst themselves.

The foreign aristocrats are haughty, and annoy the British by referring to the beaters as "peasants". The British aristocrats are not happy. Two young idealists are in the agony of a forbidden love, others have sham marriages or petty rivalries.

The world is one full of love, but much of it frustrated. A boy has a pet duck, which he fears will be shot. Mason has a liking for a local poacher whom he hires as a beater, despite the contempt which the hunt master has for the man. By the end of the film, you feel great liking and sympathy for many of the characters.

To get the most from this film, some knowledge of history and British culture is required, but there is much to like in this film without these. The acting and dialogue are good, the setting atmospheric, and what is being said about the people of the time is so very fair. This film does not hammer home any of its points, but shows both the good and the bad in the characters, and lets the viewer decide.

All through the film, our present-day knowledge of the slaughter to come in the churned mud of the Somme, Ypres, Paschendale and the Dardenelles stays with us, affecting the way we perceive every nuance. The film makers were clearly aware of this, and take full advantage of it.

The ending is one of the most moving I know from any film. Simple, yet very effective.

This film is set on a great English estate during the last days before the outbreak of World War I. A superb cast including James Mason (in his last role), Robert Hardy, Edward Fox and Gordon Jackson combine their talents to produce a wonderful, if gloomy, peek at the comfortable world of Queen Victoria and King Edward VII that was about to come tumbling down. The plot foreshadows the social and moral upheavals that will be faced but does so with a grace and subtlety that makes this a film worth seeing.

While the whole film is beautifully accomplished on all levels, acting, directing, sense of time and place, the scene between James Mason and John Gielgud, which takes place during a shoot, reveals acting that has gone beyond acting. It is one of the most exquisite scenes in the history of the cinema. Mason and Gielgud are perfect.