Tubarão Vermelho

It's a poorly edited film with lots of loose ends and plots that go nowhere. A hit-man character would be better off cut, if not for the scene where he strips an informer naked and throws her into the bathtub with an on hairdryer. There is some more hardcore horror with bit-off limbs and a decapitation where the man's body is inside the fish.

It's the popular view to think of the fish itself as being cheap looking. I disagree. It's pretty lifelike for an 80's rubber monster effect and a lot more enjoyable to me than the video game styled fish in 'The Phantom Menace'.

Marine biologists in Florida discover that a monstrous shark-like creature has been behind some recent deaths and seek to solve the problem.

Best known as 'Devil Fish' in America (this film has numerous titles) this rather cheap-looking Jaws take from Italy was directed by none other than Mario Bava Jr and believe me, it's far from his best work! Having said that, Devil Fish is mainly a movie for the schlock or trash horror lovers out there. After all our hero's balls do pop out of his shorts in one low-angle shot!! The film is a bit on the sloppy side as far as story and direction goes. The creature FX aren't bad at times (there's some fairly gory scenes to be had) but over all they are uneven. A decent enough cast and music score does help to redeem the film, even if the cast is dubbed something awful.

For those looking for a good Bava Jr film check out Macabrae (1980) or A Blade in the Dark (1983), but those that enjoy trashy Euro-horror might just like this one.

** out of ****

This movie brings up many question that may plague generations to come. Such as: Did a seven year old edit this movie? What makes the electrician so appealing to two woman? Why did the ultra-skinny dolphin lady seem attractive to Electrician and Beer-Drinking Euro-Tantrum Guy? Why did the US Coast Guard agree to let their helicopters be used in this drek? At least in the MST3K version, we learned that Devil Fish comes with a side of Satanic string beans and Deep-Lucifered potatoes, and that you shouldn't make fun of Blowie the dolphin! If you see this movie anywhere, run! Far, far away!

Moderate Italian killer-fish saga concerning a genetically created shark-squid thing munching on various extras and the marine biologists who go after it. Not enough excitement to keep things afloat plus some bad continuity (watch for the scene where a fleeing woman is tripped by the creature and her handy axe flies overboard, in the next shot it's a couple of inches away from her...) Not the horrible mess it's been made out to be, but simply boring.

My review was written in November 1986 after a screening at Liberty theater on Manhattan's 42nd Street.

"Monster Shark", previously titled "Red Ocean", is a poor science fiction/horror film from Europe. Since Universal is planning a fourth "Jaws" epic, there's apparently some life left in this lame material.

Yank actor Michael Sopkiw gets involved in a hunt for a giant underwater killer off the Florida oast when he's hired to rig up some electronic equipment for scientists studying the series of gory attacks on humans. Eventually they discover that the culprit is a 15,000,000-year-old ancestor of the shark, 40-feet long and hungry. Worse yet, the critter's individual cells are capable of reproduction, meaning that if it isn't found and destroyed soon the ocean will be filled with the beasties.

Cornball film relies once again for the usual conflict between gung ho scientists (led by William Berger) who want to save the creature for study, and practical types like the local sheriff (Gianni Garko) who want to kill it. Monster itself is a very fake-looking cross between shark and octopus, wisely shown in its entirety only briefly on screen. Cast is peppered with pretty women, but the acting is miserable, becoming downright funny during some exaggerate death scenes or shrieking bouts.

Surprisingly for such a routine picture, five well-known Continental helmers are credited in various capacities, wit the Italian contingent (Lamberto Bava, the film's director, as well as Luigi Cozzi and Sergio Martino) hiding behind pseudonyms, while their French confreres, Max Pecas and Gilbert Roussel, are less shy.