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ok it may be laughable,and cheesy,but still thrilling in my opinion. the last 20 minutes or so is really good. the score seems so out of place it's not even funny. it looks more like a 70's movie than a 80's movie. but it's still pretty good. i give scream for help **1/2 out of ****

Let's see, we got veteran UK filmmaker, Michael Winner, at the helm. A soundtrack by Led Zeppelin's John Paul Jones featuring Jimmy Page and Jon Anderson from Yes, and a script from noted Hollywood fear-meister Tom Holland. What could go wrong? Pretty much everything and gloriously so! I love watching this film because I can never tell if it was made to be a melodramatic satire or just a melodramatic failure. I'm leaning toward failed art. The bad acting is spread across the board but led by the entirely incapable Rachael Kelly, sporting around the screen in a variety of unflattering '80s era outfits. Ms. Kelly never once allows the viewer to lose themselves in the proceedings with her near constant histrionics. No wonder her step-father is trying to kill her! The absurd soundtrack is so over-the-top and out of place that I'm convinced that the producers threw out Jones' original score and substituted cheesy stock tracks instead. There is nothing but camp and unintentional guffawing to be had here...and that's ok. Sometimes you need a movie to riff on with your buddies like MST3K, and Scream for Help (which never received a proper release in the US) is there to help. Nice to see a new blu-ray edition on the market.

If anyone is familiar with filmmaker Michael Winner's work, then "Scream for Help" shouldn't come as a surprise. Made smack in the middle of "Death Wish II" & "Death Wish 3". Those easily offended should steer clear. But then again, this ruthlessly trashy picture does catch you off guard numerous times. You could play a drinking game. Get the shot glasses ready, whenever you hear the word "kill". This is a lot. Yeah, as you can see, it's not one to take too seriously, even though it feels like the entire cast is giving their dramatic all.

Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.

The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.

One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!

Why does everyone bash this movie so much? What's wrong with the acting? What's wrong with the music? I thought it was nicely done, and became one of my favorite thrillers over the years. A teen girl suspects that her step dad is trying to off her mom so he can inherit her millions. The girl turns into a Nancy Drew type and starts tailing him over a period of days to see if she can get some dirt on him. She discovers he's having an affair and becomes the girl who knew too much as the step dad begins to go after her. It all leads to an awesome climax set in the family home, as the step dad and his lowlife cohorts hold the mother and daughter hostage. But the young schemer devises a way to thwart her captors and really turns the final half hour into an exciting finish. Beware though, the film is very graphic, both sexually and violently, but it's kept at a reasonable level (like two shots of Lorre topless, only one shot of Clark's gigantor boobs). As far as all the cast bashing goes, I really don't understand it. To begin with, Kelly is a beautiful, gifted actress whose career really should've taken off with this. Ok, so I had a crush on her, but still she carries the film perfectly. Brooks is sauve enough to pull off the step dad role and when he turns sinister in the end, he's great. Sisto nails his grungy, dirtbag character nicely, and Lorre is a gorgeous manipulator/femme fatale. Your only problem will be obtaining the film, which is very obscure and difficult to track down at video stores. But if you should find it, it should have no problem holding your attention, even if you (for whatever reason) laugh at it like these others have. Though I wont blame you for rolling your eyes at the sappy end credits song.

From the hit & run on Janie and on you you this is 100% pure cheese. I loved it though. This was a different step in the slasher filled horror movies of the 80s. "Scream" for help. Hmmp. Overall the acting is terrible by everyone. Story is alright. Rachel Kelly is a hottie. She is scream for help. Sort of a 80s version of Neve Campbell. Rentable.(6/10)