Repo Man: A Onda Punk

I've seen this movie more times than I know. Fifty at least, since I was able to find a copy two years ago. And I still don't know what it all means. But I sure do love it anyways.

I suppose Repo Man was one of those essentials in the catalogue of must see punk movies. I think that's where I first heard of it, as a punk science fiction movie. That explains why it's such a crazy movie.

Emilio Esteves is down and out suburban punker Otto, wasting away in his little town with no way out. He just got fired from his crappy price tag job at some hoser supermarket. His girlfriend dumps him and hooks up with newly released convict, Duke, who, along with a punker named Archie make a hobby out of robbing stores. Plus, his friend Kevin is a total nerd. And his parents, perpetually brain dead from overexposure to the tv preachers, gave away the money they promised him, which would've helped him get out that dump.

Bud (played by super duper Harry Dean Stanton), a Repo Man, turns Otto on to the dangerous business of reposessing cars, which then becomes Otto's new occupation and introduction to some pretty crazy sh!t. Aside from dodging bullets by angry debtors and the fierce competition among the Repo Men to obtain a high stakes Chevy Malibu, Otto is also turned on to some UFO conspiracies as weird scientists go searching for extra terrestrials. That town Otto lives in is one crazy place. There's a lot going on, but it is so wierd, that it actually turns out to be good.

If you like punk culture movies, this is definitely one to try out. Plus, you get a slamming soundtrack with most of the songs performed by the Stooges and the Circle Jerks. The Jerks also appear as the lounge act in the bar, and the guy who plays Kevin, Zander Schloss, later joins the Jerks.

I first watched 'Repo Man' around 1985 or 1986 and it knocked me out. I've watched it many times since and it STILL knocks me out! Alex Cox has made quite a few strange movies since this, mostly excellent (check out 'Three Businessmen' sometime), a few not so good, but this is gonna be the movie he will always be remembered for. It's a black comedy, a science fiction movie, a buddy film, a punk rock movie, it's all kinda things. There has been nothing quite like it made before or since! Emilio Estevez has made some really bad movies in the 80s and 90s but he is excellent as disenfranchised surburban punk Otto, and the legendary Harry Dean Stanton ('Cool Hand Luke', 'The Rebel Rousers', 'Two-Lane Blacktop', 'Alien', 'Paris, Texas',etc.etc.) gives one of his most memorable performances as Bud, the repo man who tries to be his mentor. The supporting cast are all first rate, especially Tracey Walter (Miller) and Sy Richardson (Lite), two actors who never became household names but who still generate knowing smiles and nods from cult movie fans everywhere at the mere mention of their names. Also keep an eye out for an almost unrecognizable Miguel Sandoval ('Get Shorty', 'Blow'). Cox would use him in most of his subsequent movies, most notably his absurdist classic 'Three Businessmen'. 'Repo Man' also has a celebrated soundtrack by Iggy Pop, Black Flag, Suicidal Tendencies and others. The Circle Jerks also perform in a memorable sequence. This movie is a cult classic which looks as good now as it did back in the 1980s. I love it. Highly recommended!

It's hard to critique a movie that doesn't take itself very seriously. On one hand, it's absurd and squanders an attempt at suspense with its silliness, but on the other hand it's got a fantastic screenplay with some unforgettable one-liners.

A cult classic with plenty of dark humor that couldn't help but remind me of Heathers, and some cheesiness that reminds you it's from the '80s. Clichés are intentional and part of the fun, and the soundtrack fits right at home. It begs to laugh with you and will get your attention like a class clown.

A great party movie, it's fun with lots of creativity and a hint of intelligence.

This was a surprise for me, I really didn't expect 'Repo Man' to hit such a chord with me, and alas it succeeded in making me a fan. I was admittedly a little put off by the film's supposed punk outset but was glad to find that it didn't take itself seriously and often had its tongue planted firmly in the cheek.

What Alex Cox delivers here is a timeless classic that has seemingly influenced a lot of my favourite films to date, and of course was influenced itself by other personal favourites. So not only was it natural for me to love 'Repo Man', but it won me over on its own rights with its wonderfully satirical tone and hilarious yet interesting dystopian science fiction themes.

Although incredibly annoying at first, the film's characters eventually won me over and by the end of the film I had learned to love every one of them. This was thanks to the effective and focused characterisation dealt with by Cox, allowing his characters to grow from being dislikable idiots to harmless jesters. Indeed if it wasn't for the characters, 'Repo Man' wouldn't be as funny as it is and it wouldn't even be as interesting. In key with the writing, the cast also do a great job with the handling of their characters, all turning in solid and memorable performances.

If there is one complaint I have it is that the pacing sometimes goes a little out of balance and leads to the story to getting caught up in trivial scenes that either should have been cut or been made more progressive to the plot. Nevertheless, I absolutely loved this film (especially that brilliant ending!) and recommend it to fans of science fiction comedy or satires. Granted not everyone will enjoy at as much as I did, but it certainly deserves a watch.

"Repo Man" was one of the films that came out in 1984 that, in a way, revolutionized film story telling, as we knew it. We are given a hint about what's coming right on the opening sequence when the Chevy Malibu, driven by the spooky Frank Parnell, is stopped on a highway.

Alex Cox, the innovative director of "Repo Man", made a film that mixes a lot of movie genres with a satisfying result. That's why when it was discovered, it became a huge cult movie. It was one of the films that had midnight screenings for its many fans that flocked to have a great time and who identified themselves with the movie.

The best thing in the film is the interaction between Bud and Otto. Harry Dean Stanton has always play cool parts and this movie is no exception. Emilio Estevez gave, what might be, his best movie performance as the young punk that gets to meet a world he never knew existed. All the players gave their best to Mr. Cox and the result is a film that, in some ways, might baffle at first, but once the viewer gets into it, he will be hooked.

Iggy Pop's music is an excellent partner for the action. Alex Cox is an innovative director, as he proves with "Repo Man".