Um Passo para o Futuro

I first saw this film in a theater on a date, and it was an excellent choice, with science fiction for the guys, romance for the ladies, a pleasant feel throughout, and nothing too racy or too gory. I'm really surprised at all the negative comments about this film, and how it should be remade. I thought it was quite good as it was, other than in a few minor details, and I can't imagine it being remade without destroying the special moods it created.

My favorite part is the aerial scene of the orange groves and eucalyptus trees in inland California as David and Allison are driving down a rural highway, seeking out David's old friends. After all the tension in the earlier part of the film, this peaceful interlude set to pleasant music while soaring over the rolling hills is a beautiful contrast, and it becomes the high part of the film. The soothing old '40s music that David switches to on the car radio adds to the ambiance, and it becomes easy to imagine that time has stood still in this part of the country, which of course fits perfectly with the main plot. This mood is extended by David pointing out old landmarks he remembers: a church, a big old tree, and an old gas station. Then old black-and-white photographs on the wall of the gas station of David and his father bring the point home that David was telling the truth all along. It's a poignant scene as David is proud of his dad's accomplishments late in life while he simultaneously laments his father's passing. Too often nowadays films are made with "yang-on-yang" nonstop tension, action, and violence without any pleasant, relaxing high points, so I think this film was very well balanced in that way.

There are a number of other very well-done tidbits throughout the film. For example, David's question to the doctor, "Is this sort of thing possible now?", when describing time travel is something that only a bona-fide time traveler would say, and I remember the audience chuckled in delight at that perfect bit of dialog. Another gem is when David bluntly asks the transvestite in his jail cell, "What the hell are you dressed like that for?" I've known down-to-earth, practically-minded, heterosexual sailors, and that's exactly how they react to our modern era's confusing gender bending. Another gem was David flatly declaring that the water his friend Jim sees in the distance is a mirage, and then Jim ribbing David about David's mistake as they trudge through miles of water.

I thought the romance worked extremely well. Note David's defensiveness about his love life when he's in the '40s, and how standoffish his '40s girlfriend is, and then contrast that to the magnanimous personality of Allison in the '80s, who coincidentally has the same curly red hair as his '40s girlfriend--evidently the look David likes. Allison becomes the ideal version of his '40s girlfriend, and understandably becomes David's new focus in life. They make a very nice couple, I think.

There are admittedly some weak points in the film. The 2001-type vortex travel scene has some unconvincing effects, but considering they're trying to show what the fourth dimension looks like, which presumably has nothing in common with our universe, it's hard to find fault in their visualization. The glowing hands and electric arcs flying out from the arcade games and power lines are a little weak, as are people's reactions to those, and the carrying of top secret papers, and the implausible landing on a ship in a vortex, but I regard those are minor points. The modern day reaction of Jim to his old friend seems unrealistic at first until you think about it, and the explanation given about Jim's psychological problems after the experiment makes perfect sense and adds a bit of unexpected realism. In real life you can't expect to look up old friends and have everything go back to the way it used to be. Such details in the film fit together quite well, I believe.

Whether or not this movie follows the historical facts and rumors of the original Philadelphia Experiment isn't particularly important to me. What I care about is whether the film stands on its own as a piece of art, and in my opinion it definitely does. This is a film I find myself thinking about from time to time, and I like to watch it every so often. To me it's a film worth owning.

This film is brilliant - I don't care what others think - It is your basic adventure time travel film. I think the plot is genius - When something disappears nobody thinks what's going on while it's invisible - This is what happens in the film as a ship is cloaked during world war 2 to prevent radar detection but the ship completely vanishes - while invisible 2 crew members jump overboard into one of the best time warps i've ever seen, into 1984 - I think the acting, effects and overall tension of the movie was way ahead of it's time and will remain my personal favourite film.

This movie seems at first like it's going to be the stuff of Mystery Science Theater 3000. It's basically something bad but amusing that you can make fun of. The supporting characters and extras, especially at the beginning, are just atrocious actors. But instead, the movie transforms into something pretty awesome! The end of the world feeling throughout is great, with a vast wormhole sucking up everything around it.

But then other times it's like Dukes of Hazard, with sliding off hoods of cars and vehicles exploding after getting no more than a fender bender. The movie is out of control, careening between amazingly excellent and complete crap. It's like some wise Hollywood producer said, "Needs more action" so they stuck in the most tired, cliched action sequences you can think of: car chases and gun fights. Neither belong in this film.

There's also some implausibilities. For example, David, a guy from the Navy in 1943, inexplicably runs from the Navy of today. Why would he run from the men he should trust the most? It makes no sense. Furthermore, the Navy of today is often shooting at him with real guns! Why would they be trying to kill a man who has done nothing wrong?

Anyway, it's an enjoyable film despite the inconsistencies.

People always seem to write this off as too soft and fuzzy, poorly executed, but it is one of the most charming and fun science fiction films I have ever seen. The effects are amazing and the direction is way more expressive than you would expect. As far as science fiction goes, this is no 'Alien' or 'Solaris' and it has logical loopholes you could drive a battleship through, but it is fast paced and lots of fun to watch. Be prepared to suspend your disbelief with steel girders and rent this.

Yes, the idea is spectacular. Yes, the execution is paltry. You'd think with all the technology available and the decent story, the producers could have given us an adult film. Michael Pare' is a limited actor at best. He has a face the camera loves but is really wooden in his expressions. The director did not push him, and if he did, he didn't push hard enough. If this film were made today, there are many quality people who could fill all the characters aptly. Although I personally like Nancy Allen's look, she could expand her acting as well. I know she can act, if only a director would get inside her head and bring out her ability.

As far as the story line goes, again, it could have been handled so much better, It has a cheap made-for-TV quality to it. I hope someone makes it over. Yes, a repeat performance of the Hollywood kind would be greatly appreciated.