Um Caso Muito Sério

Jon Cryer plays Charles a teenager more into photography than dating per say or things more "normal" teenagers are interested in. Until one day a beautiful very young Demi Moore happens to set in front of his lens for a picture and our hero falls in love and develops a big crush upon first site.

What actually interested me at first to check this film out was flipping channels I thought the young Demi Moore was Jennifer Connelly at first. I still kept watching the film out of curiosity and immediately liked it though. Pre social media and what not. It's a very cute coming of age film. I really liked Charles and actually Demi's character of Laura as well. Charles kind of reminded of myself in a lot of ways.

Its rare nowadays to see likeable movie characters.

Maybe I've begun to appreciate movies from the 70, 80, and 90's. It's probably they seem more emotionally realistic. In a time today high school aged children are often depicted as mature with all the answers. It wasn't true then and it isn't now. It's nice to see a movie where the intricacies of a relationship overwhelm someone that doesn't have the life experience to understand. Truly it takes a very long time and an ability to forgive and subordinate to each other at times.

John Cryer really nails his role and Demi is terrific. Even though Cryer's character in some respects is far more mature than his peers, he still has the excitement and awkwardness of a first love. You never forget your first love.

It's not that it's an 80s film that makes it so bad, even though I dislike nearly everything about that decade. I mean, it has John Cryer and Demi Moore in it. They were leaders at that time. Both of these actors had quite extensive movie lists from the decade of the eighties. For some reason. Demi, especially, was awful. Her fake singing voice was OK, but her character seemed to be based on Madonna's character in that movie about Susan.

Her style was like a leftover from the eighties, nothing fresh and nothing cute. Just kind of messy.

Just when I thought it couldn't get worse, the last ten minutes of the movie came on...GOOD GRIEF, what a terrible movie!

I've been trying to get my paws on this one for years now but they don't ever give it on TV .ill have to get the DVD whenever i got the cash.this has everything i love about movies-it is a child from the eighties,its got jon cryer-an icon of teen pictures of the decade-it is a sweet love story,the one you-well,i-wish could happen in real life.demi moore would never be sweeter. well,maybe in One Crazy Summer. at the time i watched it-hell,even now as i write-i had gone thru my first crush on an older woman(in my case,my ninth grade math teacher-she was 23 and i fifteen)and i felt i was the only one who though of that kind of relationships,so when i saw a Hollywood movie dealing with it in such a great way i fell for it all the way.it will remain one of my all time favorites until the day i die,a throwback to an era full of possibilities,however practically unattainable.

John Cryer plays a young photographer who's older brother is intent on making him a man when Cryer's affections lay elsewhere.

Shot around San Francisco's more popular areas (there are no apartments on the aging SF docks, and never were) with some fictional locations, the film, to me, feels like a budget version of Ferris Bueller's Day Off. Cryer even feels and looks a little like Mathew Broderick, only the film with Broderick came out two years after this one.

The truth is it's a nice little film with some token nudity for the young male audience, and in spite of that it has charm, notably with the taxi add sequence.

For the geeky young photographers, gamers, science club and chess club types, this film is for us. It's designed to encourage the young shy types with solo shy oriented hobbies and pass to, as a fellow SF Studios intern once told me, "don't ever deny yourself to anyone..." I wish I had followed that advice thirty years ago, ah, but the Saudis and Turks had different plans, but I digress.

Anyway, it's a good hearted film that some of the more conservative might find ever so slightly offensive, but again the film means well.

Check it out on a weekend night if you have nothing better to do. If nothing else it'll remind you of how San Francisco used to be at one time.