Só Nos Resta Chorar

One of the best comedies ever done in the film history. Benigni and Troisi a couple that can hardly be repeated. Money doesnt necessarily make great films...and great films do not always need loads of money. This is a great example.

Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio's sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren't for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.

The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.

If you miss it you will have to repent!

Two actors at their best (Roberto Benigni before he became big-headed after the world wide fame and the late lamented Massimo Troisi) playing a strange story, where these two young modern men wake up in 1492 after spending a night out because their car broke down.

Settled in the italian reinassance, pretty well depicted despite the low budget used, the movie is substantially a collection of sketches based on the struggles that the two men must fight against the different lifestyle, with some secondary stories based on historical personages lived in that time (Savonarola, Columbus, Da Vinci). This is one of the most beloved italian movie of all the times, and everybody saw this movie can remember all of the most famous dialogues (Vitellozzo after the death of his brother, the "remember that you shall die!" speech, the scene at the customs, and many others) by hearth, as they were funny and innovative.

Directed with a very slow rhythm, that adds a quite poetic touch to the story, this movie must be considered as a small masterpiece, a comedy unique of its kind. Comparing this with one of the later italian comedy should be done to understand the meaning of the term "good taste".

Unluckily, anybody without a very fluent italian can't completely enjoy this movie, because a big part of the funny side of this movie follows from the two heavy accents of the two main actors, mainly the one of Troisi.

A real masterpiece by Benigni and Troisi. The plot is very simple and there are no special effects. However, what earns this book a place in history books is the outstanding acting performance of these two comedians. You can see from the beginning that most of the sketches are improvisations; their acting is so natural and clean. The reason why it did not gain international recognition is because it cannot possibly transmit the same emotions with with subtitles. Translation becomes nonsense in a movie that is so culturally-bound. I wish I could recommend it to everybody, but I must say that you really need to understand Italian plus some Neapolitan and Florentine dialect in order to appreciate it in its entirety. Besides, you also need to know a little bit about the culture and history of Italy. In Italy, this was, is and will always be an outstanding piece of art.

I like the Italians, most of all, but I do not like Massimo Troisi and Roberto Benigni, for me are the most annoying actors ever. Troisi, you do not understand what he says, in all the films he speaks in a kind of dialect that only he understands. In all the movies is the same, boring at the top. You got to have a great deal of steel patience and great love for cinema to watch this movie in its entirety. Troisi and Benigni, who are also directing, are not genius and are not funny at all.