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1984

Título original: Nineteen Eighty-Four
  • 1984
  • 16
  • 1 h 53 min
AVALIAÇÃO DA IMDb
7,0/10
85 mil
SUA AVALIAÇÃO
POPULARIDADE
2.631
705
John Hurt, Bob Flag, and Suzanna Hamilton in 1984 (1984)
Trailer
Reproduzir trailer3:00
1 vídeo
99+ fotos
Dystopian Sci-FiDramaSci-Fi

Uma sociedade com um futuro totalitário, um homem cujo trabalho diário é reescrever a história, tenta se revoltar apaixonando-se.Uma sociedade com um futuro totalitário, um homem cujo trabalho diário é reescrever a história, tenta se revoltar apaixonando-se.Uma sociedade com um futuro totalitário, um homem cujo trabalho diário é reescrever a história, tenta se revoltar apaixonando-se.

  • Direção
    • Michael Radford
  • Roteiristas
    • Michael Radford
    • George Orwell
  • Artistas
    • John Hurt
    • Richard Burton
    • Suzanna Hamilton
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    85 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.631
    705
    • Direção
      • Michael Radford
    • Roteiristas
      • Michael Radford
      • George Orwell
    • Artistas
      • John Hurt
      • Richard Burton
      • Suzanna Hamilton
    • 313Avaliações de usuários
    • 82Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 6 vitórias e 3 indicações no total

    Vídeos1

    1984
    Trailer 3:00
    1984

    Fotos151

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    Elenco principal47

    Editar
    John Hurt
    John Hurt
    • Winston Smith
    Richard Burton
    Richard Burton
    • O'Brien
    Suzanna Hamilton
    Suzanna Hamilton
    • Julia
    Cyril Cusack
    Cyril Cusack
    • Charrington
    Gregor Fisher
    Gregor Fisher
    • Parsons
    James Walker
    • Syme
    Andrew Wilde
    Andrew Wilde
    • Tillotson
    David Trevena
    • Tillotson's Friend
    David Cann
    • Martin
    Anthony Benson
    • Jones
    Peter Frye
    • Rutherford
    Roger Lloyd Pack
    Roger Lloyd Pack
    • Waiter
    Rupert Baderman
    • Winston Smith as a Boy
    Corinna Seddon
    • Winston's Mother
    Martha Parsey
    • Winston's Sister
    Merelina Kendall
    Merelina Kendall
    • Mrs. Parsons
    P.J. Nicholas
    • William Parsons
    Lynne Radford
    • Susan Parsons
    • Direção
      • Michael Radford
    • Roteiristas
      • Michael Radford
      • George Orwell
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários313

    7,084.5K
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    Avaliações em destaque

    7aggelos-76652

    A well made tip of the hat to those who read the book

    This is a very well made movie the acting and atmosphere especially. This film is also very loyal to the book. The thing is it felt like you have had to read the book in order to get much needed context. The book put much much effort in world building as well as Winston's thoughts. In large both are missing here (partially limited by a movies run time I suppose), so many of the scenes greatly lose impact or straight up leave many questions to the viewer who hasn't read the book.

    Also, to me at least the missing information made the story feel like it is moving in fast forward. So the pacing felt a bit weird to me.

    Personally I enjoyed the film because it put the world and story outside my head. Making me visually look at this twisted world and also experience it from a perspective that's not mine. Which was really interesting.

    For these reasons I would recommend all people who read the book watch this movie but definitely not to people who haven't read the book.
    alainenglish

    Accurate and powerful rendering of a timely piece of work

    From the opening shot of "Nineteen Eighty Four" the viewer is plunged right into the hellhole of Oceania and the ultimate totalitarian nightmare. Whilst the year 1984 may be long past us, the essential themes of George Orwell's best known work still remain as timely and as relevant as ever.

    Winston Smith (John Hurt) is a drone worker in the Bureau of Information, and his job is to edit the news in accordance with the needs of the governing Party (which is in continual, seemingly endless war with Eurasia and other opposing states). He must also refer to the dictionary of Newsspeak, which is the government's language for the distribution of information.

    He lives in a world where there is no escape from the authority of the government who regiment the every thought and deed of their subjects. The Party is steadily working on a way to outlaw the concept of the family and the idea of conception. This is done to eradicate Thoughtcrime and guarantee the worker's total devotion to the Party and its leader, Big Brother.

    Winston abides by this (recording his increasingly ambiguous thoughts about society in a hidden, handwritten diary) until he encounters Julia (Suzanna Hamilton), a strange young women with rebellious ideas, to whom he develops a powerful attraction. But their passionate, forbidden relationship cannot escape the all-seeing eyes of Big Brother.....

    Screenwriter Jonathan Gems has a done a terrific job with the script. He successfully translates Orwell's ideas to the screen with great clarity. Micheal Radford directs with subtlety around the greasy sets and crumbling locations (the picture was filmed in and around the very area in which Orwell set his novel).

    The performances from the chief principals are very strong. John Hurt is excellent as Winston, bringing a subtle and considerate approach to the character. Particularly disturbing is his final scenes, as he becomes gaunt and disfigured through government torture. Suzanna Hamilton is gentle and quirky as Julia and "Rab C Nesbitt" actor Gregor Fisher appears as Winston's ill-fated friend, Parsons.

    Veteran actor Richard Burton lends a cold charisma to government enforcer O'Brien and he too excels in the film's final moments, as he coolly and sadistically tortures Winston, subjecting him to severe physical pain to subdue him, casually pulling a tooth out of his rotting mouth, then exposing him to the horrors of Room 101, all the while exhorting obedience to the Party and love to Big Brother.

    The strong relevance of the concepts of "Nineteen Eighty Four" should not be underestimated. Whilst the term "Big Brother" is now synonymous with the ridiculous "reality" TV shows of the same name, others like the Two Minutes Hate (in which the workers are coerced, through a two-minute broadcast, into hating the enemies of the state); the idea of a government waging a perpetual war to advocate "peace" (especially relevant in the aftermath of September 11) as well as the editing of news and the abuse of language in order to suit the needs of government and disguise its true agendas are ideas that are chillingly present in today's society.

    All of this is powerful and thought-provoking stuff, and helps to make "Nineteen Eighty Four" an accurate and powerful rendering of a still very timely piece of work.
    9eadaoin7

    Comments on Comments

    I really have only one thing to comment on. Most of the other reviewers have stated just about everything about this wonderfully gritty, dark, foreboding movie that still remains an eerie parallel to our lives today, especially in the last 2 years...

    But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.

    May that be truly said of us, and all of us...

    OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.
    6davidallenxyz

    Simply doesn't have the impact of the book

    Orwell's 1984 is a stunning novel. Radford's 1984 is a rather average film.

    There are a few successes.

    Visually, it manages to capture a run-down nation that has barely progressed for decades, with well chosen locations, and cinematography that succeeds in being washed-out without resorting to darkness (modern filmmakers take note).

    Later scenes between Hurt and Burton are taut and powerful. Even though you get the feeling that Burton had done very little to learn his lines, his presence and delivery more than compensate - he is well cast as O'Brien.

    But Hurt is not a great Winston Smith. Smith is a dreamer, but Hurt doesn't capture that. His relationship with Suzanna Hamilton's Julia doesn't convince as a result.

    The pacing of the first two acts is slow. And I do wonder whether someone who hasn't already read the book would find it had to engage with the film at all. It's just a bit flat.
    quixoboy

    One of the great screen adaptations

    Merely a few days after finishing my read of George Orwell's fantastic 1948 novel "Nineteen Eighty-Four", I was immediately keen on looking to rent the modern film version, "1984" - filmed, appropriately enough, not only during the actual YEAR of 1984, but also during the exact same short span of months that the story took place in. This, to me, is a prime example of perfect, and unbelievably well-timed, brilliance. A picture based on such complex, prophetic, and well-known material could have turned out to be a complete disaster (which it certainly had potential for, judging from the horrendous-looking DVD cover); thankfully, however, I was not disappointed.

    "1984" is probably one of the most, if not THE most, masterful transitions from book to movie I have ever seen. Easily, its most impressive aspect was its phenomenal accuracy, attention to detail, etc. In other words, this film was FAITHFUL, in every sense of the word, to its source material. One can't give such a statement about films these days.

    Amazing casting, terrific musical score, and mind-blowing sets, cinematography, and direction, "1984" is surely a unique treasure, and one that still retains the same timeless messages even decades since its release.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      In poor health during most of the filming, Richard Burton had great difficulty remembering his lines and sometimes had to film a scene dozens of times before he could get it right. The scene in O'Brien's apartment where he is talking to Winston about Goldstein's book took a record of forty-one takes for Burton to say his speech without fumbling his lines.
    • Erros de gravação
      Winston reads a newspaper article titled "INSOC IN RELATION TO CHESS BROTHER WINS." The party name should be spelled "INGSOC."
    • Citações

      Winston Smith: [reads from Goldstein's book] "In accordance to the principles of Doublethink, it does not matter if the war is not real, or when it is, that victory is not possible. The war is not meant to be won. It is meant to be continuous. The essential act of modern warfare is the destruction of the produce of human labor. A hierarchical society is only possible on the basis of poverty and ignorance. In principle, the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects. And its object is not victory over Eurasia or Eastasia, but to keep the very structure of society intact." Julia? Are you awake? There is truth, and there is untruth. To be in a minority of one doesn't make you mad.

    • Cenas durante ou pós-créditos
      The movie begins with the title, "Who controls the past controls the future. Who controls the present controls the past."
    • Versões alternativas
      From director of photography Roger Deakins: "Be careful which '1984' you watch as some do not have the 'Bleach Bypass' effect built in. As the effect was done on all the prints, the IP and subsequent INs do not reflect the intended look of the film."
    • Conexões
      Featured in Eurythmics: Sexcrime (Nineteen Eighty-Four) (1984)
    • Trilhas sonoras
      Oceania,'Tis For Thee
      Music by Dominic Muldowney

      Lyrics by Jonathan Gems

      Sung by the London Voices, directed by Terry Edwards

      Soprano soloist: Sally Mates

      Contralto soloist: Linda Hirst

      Conducted by Dominic Muldowney

    Principais escolhas

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    Perguntas frequentes24

    • How long is 1984?Fornecido pela Alexa
    • What are the Party members chanting at the end of the Two Minutes Hate? Some sources have subtitles saying "big!".
    • What is a Proletariat?
    • What is the significance of the "Oranges and Lemons" poem?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de novembro de 1985 (Brasil)
    • Países de origem
      • Reino Unido
      • Alemanha Ocidental
      • Países Baixos
    • Idioma
      • Inglês
    • Também conhecido como
      • Neunzehnhundertvierundachtzig
    • Locações de filme
      • Battersea Power Station, 21 Circus Road West, Nine Elms, London, Greater London, Inglaterra, Reino Unido(on location)
    • Empresas de produção
      • Virgin
      • Umbrella-Rosenblum Films Production
      • Virgin Benelux
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 3.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 8.430.492
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 29.897
      • 16 de dez. de 1984
    • Faturamento bruto mundial
      • US$ 8.431.544
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 53 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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