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IMDbPro

Um Homem Fora de Série

Título original: The Natural
  • 1984
  • 14
  • 2 h 18 min
AVALIAÇÃO DA IMDb
7,4/10
55 mil
SUA AVALIAÇÃO
Robert Redford in Um Homem Fora de Série (1984)
Home Video Trailer from Sony Pictures Home Entertainment
Reproduzir trailer1:04
3 vídeos
65 fotos
BeisebolDramaEsporte

Um estranho de meia-idade parece ter surgido do nada para se tornar um lendário jogador de beisebol com um talento quase sobrenatural.Um estranho de meia-idade parece ter surgido do nada para se tornar um lendário jogador de beisebol com um talento quase sobrenatural.Um estranho de meia-idade parece ter surgido do nada para se tornar um lendário jogador de beisebol com um talento quase sobrenatural.

  • Direção
    • Barry Levinson
  • Roteiristas
    • Bernard Malamud
    • Roger Towne
    • Phil Dusenberry
  • Artistas
    • Robert Redford
    • Robert Duvall
    • Glenn Close
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    55 mil
    SUA AVALIAÇÃO
    • Direção
      • Barry Levinson
    • Roteiristas
      • Bernard Malamud
      • Roger Towne
      • Phil Dusenberry
    • Artistas
      • Robert Redford
      • Robert Duvall
      • Glenn Close
    • 249Avaliações de usuários
    • 74Avaliações da crítica
    • 61Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 4 Oscars
      • 3 vitórias e 9 indicações no total

    Vídeos3

    The Natural
    Trailer 0:30
    The Natural
    The Natural: Director's Cut
    Trailer 1:04
    The Natural: Director's Cut
    The Natural: Director's Cut
    Trailer 1:04
    The Natural: Director's Cut
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Fotos65

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    + 58
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    Elenco principal72

    Editar
    Robert Redford
    Robert Redford
    • Roy Hobbs
    Robert Duvall
    Robert Duvall
    • Max Mercy
    Glenn Close
    Glenn Close
    • Iris Gaines
    Kim Basinger
    Kim Basinger
    • Memo Paris
    Wilford Brimley
    Wilford Brimley
    • Pop Fisher
    Barbara Hershey
    Barbara Hershey
    • Harriet Bird
    Robert Prosky
    Robert Prosky
    • The Judge
    Richard Farnsworth
    Richard Farnsworth
    • Red Blow
    Joe Don Baker
    Joe Don Baker
    • The Whammer
    John Finnegan
    John Finnegan
    • Sam Simpson
    Alan Fudge
    Alan Fudge
    • Ed Hobbs
    Paul Sullivan Jr.
    • Young Roy
    Rachel Hall
    • Young Iris
    Robert Rich III
    Robert Rich III
    • Ted Hobbs
    Michael Madsen
    Michael Madsen
    • Bump Bailey
    Jon Van Ness
    Jon Van Ness
    • John Olsen
    Mickey Treanor
    • Doc Dizzy
    George Wilkosz
    • Bobby Savoy
    • Direção
      • Barry Levinson
    • Roteiristas
      • Bernard Malamud
      • Roger Towne
      • Phil Dusenberry
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários249

    7,454.6K
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    Avaliações em destaque

    10mike-vaudin

    Best Baseball Film Ever

    Despite being an Englishman I played Fast Pitch Softball against USA Service teams over many years so understand Baseball. This is a sports movie constructed in a marvelously entertaining manner fulfilling my boyhood dreams. Redford might be old for the role but I found him both believable and committed to giving enjoyment. Great cast, lovely music, super performances, brilliant fairytale story and a real feel good experience.
    8MiriamEB

    A delightful fable pulled off believably and

    I really enjoyed watching this movie. It seems like the very embodiment of the Hollywood cliche - a noble hero overcoming difficulty to achieve his dream...but somehow, The Natural manages to pull it off in a very un-glamorized way. Take the hero - he's 35 years old! It just seems refreshing not to always have a dashing young fellow of twenty as the main character. And then - an ulcerated stomach? What kind of an obstacle is that? Not a Hollywood one, I'll tell you that. This hero is actually believable - and Robert Redford plays him handsomely. He makes Roy Hobbs a real person, and a gentleman. I recommend The Natural for any Robert Redford fan, baseball fan - and anyone who just wants to see a neat, entertaining movie with a main character you can really root for.
    soapfish

    A Film for the Ages

    I can't ever forget the first time(s) I saw The Natural. I was a member of the Directors Guild of America and there was a screening at the DGA. I love screenings of films about which I know nothing! And at the time I hadn't read the novel, really didn't know anything about it. I knew Barry Levinson and liked his work, and Randy Newman was, of course, a god. I just wasn't ready for it! Tears were streaming down my face from the beginning. The music would play and the waterworks would commence! It felt organic, not intellectual. It just "was". The only other film where I had that experience was, you guessed it, "Field of Dreams", another screening. When he asked his Dad if they could play a little catch, I lost it. The people I was with got up and slowly moved to other seats. But back to the Natch. I love it when a film subsumes reality, and every time I hear the theme at a "real" ball game, I smile. From time to time I'll put on the DVD to watch a scene, and I invariably end up watching the whole thing! If you haven't seen this film, you simply must!
    7movibuf1962

    "I know better."

    This is another one that I recently re-watched on cable. I must upgrade my collection to include the DVD. Of course, there are reviews which will attack its sentimentality; get over it!! It amazes me that so many film goers can't view a movie with a positive and sophisticated charm without rolling their eyes or sticking their finger down their throat. (As if we don't have enough coarse, angry, 'edgy' films in release already.) I don't mind Redford's Joe Hardy-like ability one bit, because success- for all of his skill and talent- still doesn't come to him easily. He must suffer a physical tragedy, be elusive with his greedy contemporaries, and finally deal with the past, which he spends the entire movie trying to hide. The one nitpick I have with the whole film was the painfully obvious soft-focus photography used to disguise Redford's age. It isn't so bad in the first reel when he's supposed to be a teenager (and the camera shoots him in silhouette and at length), but later, when he's supposed to be between 36 and, say 40, he just *isn't*. Glenn Close is radiant as his love from childhood, and shines in a memorable scene when they are first reunited at one of his games. After he goes into a foreshadowed slump, it is the arrival of Close (angelically back lit, and whose presence he senses even before seeing her) that brings him back to winning. Singularly gorgeous.
    pricerc

    For Father and Son

    My son and I have watched this movie twice together. I can't think of any other movie we have watched twice--together. I'm 60 and my son is 26. There is the element of magic, of fairy-tale, of other-worldliness; there is the element of the naturalness, the character of Robert Redford; there is the element of baseball, the great sport-love of millions of boys in North America--and me back in the 1950s when I was growing up and dreamed of going to the majors; there's a touch of the sexual with Kim Basinger and Barbara Hershey----one could go on listing the pluses that this movie brings to the viewers. But I think what makes the movie in the end is the magic of Roy Hobbs as he hits a baseball further and harder than anyone ever has or(probably) ever will. Hobbs is the quintessence of the baseball hero and for sports lovers that's their religion. Hobbs is like Jesus come down to earth in the form of a baseball player, yet with sins of omission and commission. So, he's human and a superhero all at once.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The bat that bat boy Bobby Savoy gives Roy is called the "Savoy Special". The Savoy Special was a brand of beer in the 1930s, and was made by the United States Brewing Company. This bat is now in the collection at the National Baseball Hall of Fame and Museum in Cooperstown, New York, displayed along with Roy Hobb's jacket in an exhibit titled "Baseball and the Movies".
    • Erros de gravação
      In the game where Hobbs breaks the Wrigley Field clock, his homer ends the game, as everyone in the stands begins to leave and Hobbs gets mobbed by the press. But since the Knights were the visitors, the Cubs get to bat last.

      The movie depicts the 1939 season. Prior to the 1950 season the home team had the option to bat first or last so it was possible for the visiting team to bat in the bottom of an inning.
    • Citações

      Iris Gaines: You know, I believe we have two lives.

      Roy Hobbs: How... what do you mean?

      Iris Gaines: The life we learn with and the life we live with after that.

    • Versões alternativas
      There is an edited version which was released in several European countries (e.g. United Kingdom, West Germany). This version edits many dialogue and playing scenes to tighten up the pacing. It runs approx. 14 minutes shorter than the US theatrical version.
    • Conexões
      Featured in At the Movies: Indiana Jones and the Temple of Doom/The Natural (1984)
    • Trilhas sonoras
      The Star Spangled Banner
      Lyrics by Francis Scott Key

      Music by John Stafford Smith

      Performed by Kate Smith

      Courtesy of RCA Records

    Principais escolhas

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    Perguntas frequentes

    • How long is The Natural?Fornecido pela Alexa
    • Is "The Whammer" based on Babe Ruth?
    • Why does Harriet shoot Roy and try to kill him?
    • Is the story based upon real people and events?

    Detalhes

    Editar
    • Data de lançamento
      • 29 de março de 1985 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • El mejor
    • Locações de filme
      • All-High Stadium - 50 Mercer Avenue, Buffalo, Nova Iorque, EUA(Wrigley Field scenes; Roy and Iris walking outside a brick building)
    • Empresas de produção
      • Tri-Star Pictures
      • Delphi II Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 28.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 47.951.979
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 5.088.381
      • 13 de mai. de 1984
    • Faturamento bruto mundial
      • US$ 47.951.979
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 18 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
      • Dolby Atmos
    • Proporção
      • 1.85 : 1

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