AVALIAÇÃO DA IMDb
5,7/10
1,3 mil
SUA AVALIAÇÃO
Em Los Angeles, uma jovem tenta descobrir o que levou ao assassinato brutal de seu antigo amor e quem o matou.Em Los Angeles, uma jovem tenta descobrir o que levou ao assassinato brutal de seu antigo amor e quem o matou.Em Los Angeles, uma jovem tenta descobrir o que levou ao assassinato brutal de seu antigo amor e quem o matou.
John Stewart
- Tough Guy #1
- (as John Michael Stewart)
Víctor Pérez
- Tough Guy #2
- (as Victor Perez)
Mark Brandon
- Ben
- (as a different name)
Ruth Winger
- Betty's Mother
- (narração)
Avaliações em destaque
I had the misfortune of being in the test audience prior to this movie being released while I was visiting Los Angeles. The producers and the director was there listening to the audience reaction and it couldn't have been worse. The scenes where the characters were trying to bring home a dramatic point were being met with raucous laughter in the crowd. And one look on the faces of the those involved in the production was enough to see that this film was a loser. Normally I like Debra Winger but the dialogue and supporting cast especially the guy playing "Mike" was woefully bad. Stay away from this one.
My experience with this film differs from some of those who seem to be objecting to both the plot and the cast.
I thought the idea of a 20's something woman who immerses herself in a quasi-relationship with a person on the fringe of society to be interesting. Winger turns in a terrific performance. Part of the human experience or journey is that one encounters difficult moments in one's life - including anticipating relationships one wants desperately to work out.
Betty is in the unfortunate position of having to view Mike from afar as the latter is caught in a nightmarish world of drugs and deceit. I found Mike's drug partner in crime very compelling. One had a real sense of dread and doom as he tried to "make-up" for an irredeemable mistake. Paul Winfield is spot on as the record producer who has also suffered a loss.
All in all, what we have here is a subtle film which is compelling and which a typical focus group would probably pass over. One good example of why film producers and directors should stay away from them and let their artistic visions guide their actions.
I thought the idea of a 20's something woman who immerses herself in a quasi-relationship with a person on the fringe of society to be interesting. Winger turns in a terrific performance. Part of the human experience or journey is that one encounters difficult moments in one's life - including anticipating relationships one wants desperately to work out.
Betty is in the unfortunate position of having to view Mike from afar as the latter is caught in a nightmarish world of drugs and deceit. I found Mike's drug partner in crime very compelling. One had a real sense of dread and doom as he tried to "make-up" for an irredeemable mistake. Paul Winfield is spot on as the record producer who has also suffered a loss.
All in all, what we have here is a subtle film which is compelling and which a typical focus group would probably pass over. One good example of why film producers and directors should stay away from them and let their artistic visions guide their actions.
This is one of the most harrowing pictures I have ever seen. It is a very good and very underrated film. All of the actors do a great job in their roles and Darrell Larson gives an outstanding portrayal of a young man who inadvertently signed his own death warrant.
I only wish that this film was nominated for an Academy Award for best picture, best actress and best supporting actor.!!
If you have not seen this film, be sure and check it out--nerve wracking, nail-biting, and an edge of your seat film--you don't know what to expect from minute to minute.
One of the best films of any year!!
I only wish that this film was nominated for an Academy Award for best picture, best actress and best supporting actor.!!
If you have not seen this film, be sure and check it out--nerve wracking, nail-biting, and an edge of your seat film--you don't know what to expect from minute to minute.
One of the best films of any year!!
Last night, Debra Winger spoke about this film at UCLA. The campus theatre that shows films to the general public was renamed the James Bridges Theatre in honor of the writer and director of Mike's Murder. Debra said that Bridges was an actor's director. The scene in the film where Debra's character checks her phone messages and we hear a voice say it's mom-that was Debra's real life mother Ruth-Debra didn't know she would hear that voice until the moment the scene was shot!
That example really highlights the strength of the film, the acting. All of the performances are first-rate. I was touched by Debra's quiet strength in the face of some sad and even bizarre discoveries by her character about her dead lover. A very underrated film!
That example really highlights the strength of the film, the acting. All of the performances are first-rate. I was touched by Debra's quiet strength in the face of some sad and even bizarre discoveries by her character about her dead lover. A very underrated film!
There's a lot of good things to say about this obscure mystery from the 80s. The best thing is Debra Winger, who never looked better. She is beautiful and sexy, earthy and smoldering, yet she possesses an approachable, naive quality.
The story is intriguing, with a different way of looking at the drug underworld in Los Angeles. This is not about cops, gangsters and car chases. It's about an innocent woman who accidentally becomes involved in a drug-related murder. It's really all about Winger's character, although Paul Winfield stands out in a small role as a gay music producer.
The mood is low-key and dreamlike with a subtle erotic undertone. It also has a nice score that stays with you. Give it a chance.
The story is intriguing, with a different way of looking at the drug underworld in Los Angeles. This is not about cops, gangsters and car chases. It's about an innocent woman who accidentally becomes involved in a drug-related murder. It's really all about Winger's character, although Paul Winfield stands out in a small role as a gay music producer.
The mood is low-key and dreamlike with a subtle erotic undertone. It also has a nice score that stays with you. Give it a chance.
Você sabia?
- CuriosidadesAfter the film's test screening tested really poorly, Joe Jackson's score was ultimately replaced by John Barry before its new release date in 1984. However in a very strange occurrence, Jackson's rejected score, and the songs he wrote and were left in the final film, was released by A&M Records around 1983. This would mark a very rare occurrence in that a film that was delayed without a release date would have a soundtrack released beforehand, let alone a rejected score.
- Erros de gravaçãoMike's cigarette changing of position in between shots during the car scene. First the cigarette is unlit in his mouth but during close-ups on his face the cigarette disappears, and when the camera changes to another position he's holding a half lit cigarette.
- ConexõesFeatured in At the Movies: Hard to Hold/Tank/Moscow on the Hudson/Mike's Murder (1984)
- Trilhas sonorasWithout You
Written by Pete Ham (uncredited) and Tom Evans (uncredited)
Performed by Chaz Jankel
Courtesy of A&M Records, Inc.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Mike's Murder?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Mike's Murder
- Locações de filme
- West Los Angeles, Califórnia, EUA(Multiple locations: Sam's bus ride; Pancho's Mexican restaurant scenes, specifically 1550 S Wellesley Ave. Since demolished.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.059.966
- Fim de semana de estreia nos EUA e Canadá
- US$ 234.438
- 11 de mar. de 1984
- Faturamento bruto mundial
- US$ 1.059.966
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente