Minhas Duas Mulheres

A television reporter, married to a lawyer, falls for another sharp lady, a lovely musician. Before he knows it, he has two wives...and both are pregnant! By 1984, Dudley Moore's film choices (mostly comedies) were starting to congeal, and with each new release came a sigh of resignation that he was never going to be Arthur again. Blake Edwards (who directed in Moore in "10") allows his star too much time to work his way into comedic fitful states, and continually dotes on Moore as the diminutive actor scurries from room to room. Still, this screenplay by Jonathan Reynolds has a witty edge (and Edwards, naturally, embraces its wild slapstick bent), resulting in some very bright, often very funny sequences. As the ladies in Dudley's life, Ann Reinking and Amy Irving are both terrific, helping Moore and Edwards turn out their best film in years. **1/2 from ****

Micki+Maude is one of the most satisfying comedies to come out of Hollywood in the 1980's. It is perhaps Blake Edward's last great film, it is also the film in wich Dudley Moore solidified his position as a like-able Romantic Light Comedian worthy of greats like Cary Grant and Jack Lemon. The plot in itself works thanks to a knockout idea, Dudley Moore + 2 wives = Bigamy x Pregnancy. Any theme like that alone would be funny. Handled by one of the all time great American directors, Blake Edwards and starring Cuddly Dudley, it soars. Amy Irving as Micki, and Anne Reinking as Maude are both very enjoyable and frothy charcters, essential to a romantic comedy. One imagines that if he wanted to Edwards could have made this a straight sequel to his hit 10, with Dud reprising his role as George Webber, with Julie Andrews as Micki and Bo Derk as Maude. But Amy Irving and Anne Reinking do just nicely. Michael Le Grand's themes and songs are nice, and the film amounts to a funny and fitting climax. Edwards employs in the fianl scenes lots of Laurel and Hardy imagery and Dud handles this well. Edwards should be proud because not only has he emulated the greatest work of Stan and Ollie with this film, he has created something that in turn will influence generations of Comedy directors. Why on earth this didn't win any Academy Awards i dont know. I can think of an Actor and a Director who thoroughly deserve them.

I've been punishing myself watching all Dudley Moore's movies from the 80's. His usual unsympathetic movie persona is here: A successful man in his field despite lacking professionalism that inevitably advances on his leading ladies while running and screaming through corridors in labored plots.

Blake Edwards tries to sugarcoat Moore's dubious moral compass in this farce. Moore is a caring husband/lover that desperately wants to be a family man but shamelessly cheats his love interests. This dissonance in values never goes away and kinda ruins the lighthearted tone of this comedy.

I loved Ann Reinking as the innocent perfect wife. The really good acting on her part that kept this movie entertaining. Amy Irving's is not exactly a counterpoint and could be more fleshed out. Moore does a competent job being more awake in the role than in his later movies.

The plot is nothing special and there's a unfortunate shadow of Arthur (1981) in the relationship between Rob and Leo mirroring Arthur and Hobson that is underdeveloped and seems tackled into the movie. Curiously, in Lovesick(1983) Moore's character also has an older figure that his character listen to and try to sort his problems.

Not a bad movie, but not good either.

Five years after the success of "10", Blake Edwards and Dudley Moore hit another bullseye with MICKI & MAUDE, a stylish and very funny romantic comedy about a newsmagazine reporter (Moore) married to a workaholic attorney named Micki (Ann Reinking) who longs to be a father and begins an affair with an attractive and funny cellist named Maude (Amy Irving) who he gets pregnant. He agrees to divorce Micki and marry Maude until Micki announces she is also pregnant. Since Micki's pregnancy is high risk, he doesn't want to stress her out so he marries Maude without divorcing Micki and that's when his life becomes complicated to no end. The three stars are absolutely wonderful in their roles. Moore won a Golden Globe for Best Actor in a Comedy. Richard Mulligan, George Gaynes, and Wallace Shawn offer strong support as Moore's boss and as the ladies' doctors. Though the film is a little on the long side, it remains thoroughly entertaining from beginning to end with one of Moore's best performances.

"Micki + Maude" is a warm, lovely little comedy, so sweet-natured and appealing that it's hard to resist. We identify completely with Dudley Moore, who honestly loves both his wives; his behavior never seems smug or calculating. He just can't choose between them, because he cares deeply for both of them. And because of that, the movie becomes emotionally involving. Warning: this isn't the kind of comedy that will make you laugh so much you won't be able to take a breath; it's the kind of comedy that will leave you, repeatedly, with a goofy grin on your face.