Os Gritos do Silêncio

I saw this film a while back and just saw it again on TV. If you are interested in seeing a great, tense drama this is a good start. Honest and unapologetic directing from Roland Joffe and fine performances from Sam Waterston & John Malkovich (plus nicely played small parts by Craig T. Nelson & Spalding Gray.) Above all of them, however, is Haing S. Ngor as Dith Pran, the Cambodian journalist assisting the New York Times reporter played by Waterston during the conflicts in Cambodia around the time of the Vietnam war. This was Ngor's first film and had no previous acting experience. Quite a performance from Ngor, earning a well deserved Academy Award. Interesting note, Ngor himself led a very similar life to his character. Wonderfully touching film, you should see it.

Thoughtful and thought-provoking war-drama based on the memoirs of N.Y. Times correspondent named Sidney (Sam Waterston) and his relationship to journalist assistant and guide named Pran (Haing S Ngor ) . Extraordinary feature debut for Ngor who won Best Supporting Actor Academy Award . Haing S. Ngor a real-life doctor who had never acted before and who lived through the deeds depicted at the movie , he became the first Southeast Asian , and the first Buddhist , to win an Oscar ; furthermore also first film for John Malkovich who gives an awesome portrayal as an intrepid photographer . Ngor's own experiences (in real life he lived Cambodian war ) echoed those of his character and usually played Vietnam roles (Tortures of war, Heaven and Earth , In love and war , Vietnam Texas , Eastern condor) until his violent death by an Asian band . This exciting story depicts the war chaos , Cambodian turmoil and primal bloodletting , but most of the movie is a shattering re-creation of hell on Earth . Marvellous cinematography by Chris Menges who also deservedly won Academy Award and filmed in Phuket , Railway Hotel , Hua Hin, Thailand and Royal York Hotel , Toronto, Ontario, Canada . Screeching and sensitive musical score by Mike Oldfield that accompanies perfectly to the film . Roland Joffe's direction shows a generally sure-hand with a bit of melodrama at the end . Alain Resnais's seminal documentary ¨Nuit et Brouillard (1955)¨ was a touch-point for both director Roland Joffé and prestigious producer David Puttnam when they were preparing this magnificent movie .

This excellent movie contains a relentless criticism to Pol Pot regime , but also US and an exact description about historic events . In power , the Khmer Rouge carried out a radical program that included isolating the country from foreign influence, closing schools, hospitals and factories, abolishing banking, finance and currency, outlawing all religions, confiscating all private property and relocating people from urban areas to collective farms where forced labor was widespread. The purpose of this policy was to turn Cambodians into "Old People" through agricultural labor. These actions resulted in massive deaths through executions, work exhaustion, illness, and starvation. In Phnom Penh and other cities, the Khmer Rouge told residents that they would be moved only about "two or three kilometers" outside the city and would return in "two or three days." Some witnesses say they were told that the evacuation was because of the "threat of American bombing" and that they did not have to lock their houses since the Khmer Rouge would "take care of everything" until they returned.Money was abolished, books were burned, teachers, merchants, and almost the entire intellectual elite of the country were murdered, to make the agricultural communism, as Pol Pot envisioned it, a reality. The planned relocation to the countryside resulted in the complete halt of almost all economic activity: even schools and hospitals were closed, as well as banks, and industrial and service companies.During their four years in power, the Khmer Rouge overworked and starved the population, at the same time executing selected groups who had the potential to undermine the new state (including intellectuals or even those that had stereotypical signs of learning, such as glasses) and killing many others for even breaching minor rules . The Khmer Rouge forced people to work for 12 hours non-stop, without adequate rest or food. They did not believe in western medicine but instead favoured traditional peasant medicine; many died as a result. Family relationships not sanctioned by the state were also banned, and family members could be put to death for communicating with each other. In any case, family members were often relocated to different parts of the country with all postal and telephone services abolished. They committed crimes against humanity , the Khmer Rouge government arrested, tortured and eventually executed anyone suspected of belonging to several categories of supposed "enemies". Today, examples of the torture methods used by the Khmer Rouge can be seen at the Tuol Sleng Genocide Museum. The museum occupies the former grounds of a high school turned prison camp that was operated by Khang Khek Ieu, more commonly known as "Comrade Duch". Some 17,000 people passed through this centre before they were taken to sites (also known as The Killing Fields), outside Phnom Penh where most were executed (mainly by pickaxes to save bullets) and buried in mass graves . Of the thousands who entered the Tuol Sleng Centre (also known as S-21), only twelve are known to have survived.

This touching film is (the true story) about journalist Sydney Schanberg and his Cambodian interpreter Dith Pran. Caught up in the chaos of the American bombings and the Khmer Rouge, Pran eventually has to struggle just to stay alive.

This movie deserved every Oscar it won for its year (1984). The cinematography is excellent. First, Cambodia is photographed as almost a paradise. Then, we see the horror of warfare, also stunningly photographed. It looked so realistic, that for a moment, I felt like it wasn't a movie, but a documentary.

The acting is top notch as well, especially from Dr. Haing S. Ngor and John Malkovich (in his screen debut).

Everyone needs to see this movie at least once. Although it might be a little disturbing, the violence is not gratuitous. It only adds to the story and emphasizes the tragedy. Despite the tragic elements, however, the movie is inspirational. One of the best films to come out of the 80s!

I can't put my finger on exactly what it is about this film that gets to me so much, but it is THE most haunting, emotional film experience... and I've only ever seen it on video.

Excellent performances from Waterston, Ngor and Malkovich. A brilliant score by Mike Oldfield. Scenes of high emotion, tension, drama, horror and even one or two pieces of light relief (well, it has got Australia's Graham Kennedy of comedy fame).

The stand-out scenes for mine are those in the French Embassy; I can never watch the final scene from this sequence with a dry eye.

An excellent film and the soundtrack is not a bad investment either.

Rating: **** Out of ****

Hard to say, but I believe when it comes to the war genre, The Killing Fields manages to edge out even Saving Private Ryan, and without a doubt, there's no better war film out there that's done a better job of capturing the realistic details and emotional loss of the time period (that being, the 70's in Cambodia/Vietnam).

Thus, I've always considered it a little odd that no one I know has even heard of this film. When lists of the greatest war films are decided, I don't believe I've ever seen this film crack any list. And the reason is simple: The Killing Fields is often ignored because it doesn't come from a soldier's point of view, and neither does it feature any adrenaline-pumping battle sequences. The fact that a strong portion of the film (about 2/5's) comes entirely from a Cambodian man's viewpoint might throw off a few viewers here and there. And yet, the film does just as fine a job as any anti-war film in creating a frightenining, chaotic world.

The performances all around superb without exception. Haing S. Ngor, who was tragically killed a few years ago, delivers a riveting, emotionally wrenching turn as the guide who is trapped in Cambodia and forced to fight for his life. He deservingly won the Oscar, though it's a shame he was snubbed for the best actor award. Inarguably, he's the film's central character and he also has more screen time than top-billed Sam Waterston. Despite my complaint on that matter, Waterston is also excellent as the journalist with a guilty conscience.

The Killing Fields is a suspenseful and exhilarating experience, a journey through an apocalyptic landscape that features one shocking image after another. Watch, and you'll see why the film is so acclaimed.