Diferenças Irreconciliáveis

"Irreconcilable Differences" is a very good seriocomedy about a Hollywood couple who are sued for divorce by their 9 year-old daughter. Ryan O'Neal, Shelley Long, and Drew Barrymore are well cast as the family torn apart by career, jealousy, and a little girl caught in the middle who just can't take it anymore with her parents' constant fighting. So as a result, she takes them to court, and the three members of the family tell their story (shown in flashback). Directed by Charles Shyer from a screenplay by Shyer and Nancy Meyers, "Irreconcilable Differences" shows us what its like to be in the Hollywood film industry which is fascinatingly detailed here. One hilarious scene is the part when acclaimed film director O'Neal is shooting a movie which appears to be a musical remake of "Gone With The Wind". A very young Sharon Stone stars as the actress playing the character modeled after Scarlett O'Hara. I was cracking up during that scene because it's naturally funny. But there are touching moments too, especially the early scenes when the O'Neal and Long characters first meet. Plus the scenes after they have their daughter are sweet and tender. "Irreconcilable Differences" is an underrated movie that deserved more attention than it received when released in 1984. It's a well-acted, well-written film.

*** (out of four)

The movie starts with a lawyer telling his client what it means to divorce. Then we find out his client is a precocious little girl.

In the courtroom, the girl's parents begin telling their story, which we see though flashbacks. Albert is hitchhiking across the country, and Lucy is taking her boyfriend's car to him, and refuses to stop but instead splashes mud all over Albert. Later Albert is freezing and wet and Lucy feels sorry for him ...

The movie is mostly a comedy as Albert and Lucy get to know each other and have a number of misadventures. But Albert, who has a new job as a film professor at UCLA, really wants to direct, and as he makes the contacts that will allow this to happen, he and Lucy see Hollywood life and hope that won't happen to them. Unfortunately ...

I liked the movie best when it was a lighthearted comedy. But something had to happen to make Casey want to 'divorce' her parents. Some of it was funny, and some hard to watch. Eventually, whenever the movie would take a dramatic turn, it would recover. And the ending was happy, in a way.

Shelley Long and Ryan O'Neal did a great job, and Long went through a number of character changes. Lucy started out adorable and perky but later became disillusioned and bitter. Then she became a confident ... witch (or something that rhymes, anyway).

Drew Barrymore was wonderful for a child. I saw a lot of good acting performances, and it would be hard to list them all. Sharon Stone was good as Blake Chandler, a bubblehead who for some odd reason became a star with Albert's help. Blake later showed more dimension to her character, displaying a warm side at one point and later a spoiled side as she expected star treatment. Another good performance came from the actress playing the housekeeper/nanny who apparently spent the most time with Casey. Not a lot of lines, but the character's professionalism and warmth came through.

It was a worthwhile movie.

Someone above said she's not real in this. I thought she was very real. Her closing comments to the court are priceless and truthful. Also funny and dramatic is star Shelley Long, who is sunk with bad hairstyles and colors throughout the film. Did she tee off the film's stylist? Ryan's excellent and looks hot. Sharon Stone's the funniest I've ever seen her. My favorite line: "Dammit, Dottie this Tab is warm! Really mother, for $600 a week I expect you to know the difference between hot and cold!" This film's comments on the Hollywood scene are great because Charles Shyer & Nancy Meyers have lived it. Underrated. DVD, please. p.s. Closing song is dated and maudlin, badly performed by Sinatra. Written by Peter Allen & Carole Bayer Sager. "You & Me (We Wanted It All)".

Drew pretty much steals the show as the deadpan "reasoner"

character: a child coping in the midst of two selfish,

immature adults. I'd compare her to Tatum O'Neal in Paper

Moon or Mary Badham in To Kill a Mockingbird for the way

she anchors the audience's perspective as the madness (competently related here by Ryan and Shelley) spins around her.

The real comedy lies in the "screwball" plot twist to which the film's title refers (we learn, early in the plot, that it is little Drew's character, not the parents, who is suing for divorce), and especially the story's underlying satire of the entertainment industry. Highlights include how Albert/Ryan's plummeting career as a director parodies those of Cimino (dust, smoke and flies a la Heaven's Gate) and Bogdanovich (starring untalented girlfriend in multi-million-dollar flops). An Andy Warhol style painting of Shelly Long as Marilyn in the background of one scene is just too funny, an example of how understated the true humor can be in this otherwise broadly-played farce.

Some points are disturbing, though: it's made a joke that Ryan is having an anxiety attack instead of a heart attack (try having one), or that his visitation rights are threatened if he doesn't make child support payments (an interesting social comment). Considering the real-life ups and downs of Ryan O'Neal's and Shelly Long's careers, however, I'd say the film's a roaring success.

Ryan O'Neal and Shelley Long are perfectly matched in this movie about a couple in a marriage that falls apart due to family vs. career. An eight year old Drew Barrymore is very impressive as a child who attempts to divorce her parents because they neglect her. Thrown in for good measure is an intrepid look at the movie business and an early vixen like performance from Sharon Stone as the home wrecker.

This film is very balanced in its look at all the subjects involved. A very under rated movie that contains some acute observations about life's priorities (or lack of them).