Diferenças Irreconciliáveis

Someone above said she's not real in this. I thought she was very real. Her closing comments to the court are priceless and truthful. Also funny and dramatic is star Shelley Long, who is sunk with bad hairstyles and colors throughout the film. Did she tee off the film's stylist? Ryan's excellent and looks hot. Sharon Stone's the funniest I've ever seen her. My favorite line: "Dammit, Dottie this Tab is warm! Really mother, for $600 a week I expect you to know the difference between hot and cold!" This film's comments on the Hollywood scene are great because Charles Shyer & Nancy Meyers have lived it. Underrated. DVD, please. p.s. Closing song is dated and maudlin, badly performed by Sinatra. Written by Peter Allen & Carole Bayer Sager. "You & Me (We Wanted It All)".

"Irreconcilable Differences" is a very good seriocomedy about a Hollywood couple who are sued for divorce by their 9 year-old daughter. Ryan O'Neal, Shelley Long, and Drew Barrymore are well cast as the family torn apart by career, jealousy, and a little girl caught in the middle who just can't take it anymore with her parents' constant fighting. So as a result, she takes them to court, and the three members of the family tell their story (shown in flashback). Directed by Charles Shyer from a screenplay by Shyer and Nancy Meyers, "Irreconcilable Differences" shows us what its like to be in the Hollywood film industry which is fascinatingly detailed here. One hilarious scene is the part when acclaimed film director O'Neal is shooting a movie which appears to be a musical remake of "Gone With The Wind". A very young Sharon Stone stars as the actress playing the character modeled after Scarlett O'Hara. I was cracking up during that scene because it's naturally funny. But there are touching moments too, especially the early scenes when the O'Neal and Long characters first meet. Plus the scenes after they have their daughter are sweet and tender. "Irreconcilable Differences" is an underrated movie that deserved more attention than it received when released in 1984. It's a well-acted, well-written film.

*** (out of four)

I didn't know anything about this movie before watching it, except that Drew Barrymore divorces her parents. I think that could be why I found the movie so surprising. But the movie has so many elements that make it one of the strongest films of its type. It's completely engrossing, showing realistically how a marriage can go from highs to lows and that each party can be responsible. It also shows how selfish parents can be and how without realising it they can screw with a child (drew). After watching this film I came to IMDB to see if shelley long or ryan o'neal had won oscars for their performances and if the film won best picture, but apparently it was shunned and not many people have seen it....at least there's cable. It looked like a lot of effort went into making the movie, so it's a shame it's been overlooked.

Drew Barrymore is probably one of the youngest actresses to receive a Golden Globe nomination for her performance in this film. This role came after her ET fame, remember her as little Gertie. Pity the other stars in that Spielberg film never became the household name that surprisingly that Drew has accomplished. She has got quite a pedigree with the Barrymore legacy. Despite her personal problems, Drew really is a solid actress with a lifetime behind her. Anyway, I never saw this film until Sunday. I remember it being out but I have to say when I was 11 years old, I wanted to be Drew Barrymore (that was before I knew what happened to her). So I guess, I didn't watch it out of envy. I like the casting of Shelley Long who is probably one of the greatest female comediennes of our time who never gets enough work in my opinion to let her talents shine. She can do both drama and comedy equally well. She combines them both in this role as a desperate housewife turned writer. I like the way the film is set up with blame on both father and mother. Sharon Stone debuts in this film too. Ryan O'Neal is worth mentioning because I don't think he was acting in this film. It just hit too close to home. SO you want a good comedy from the eighties, this is pretty good. It's probably a classic compared to contemporary comedy that has become both vulgar and profane.

Drew pretty much steals the show as the deadpan "reasoner"

character: a child coping in the midst of two selfish,

immature adults. I'd compare her to Tatum O'Neal in Paper

Moon or Mary Badham in To Kill a Mockingbird for the way

she anchors the audience's perspective as the madness (competently related here by Ryan and Shelley) spins around her.

The real comedy lies in the "screwball" plot twist to which the film's title refers (we learn, early in the plot, that it is little Drew's character, not the parents, who is suing for divorce), and especially the story's underlying satire of the entertainment industry. Highlights include how Albert/Ryan's plummeting career as a director parodies those of Cimino (dust, smoke and flies a la Heaven's Gate) and Bogdanovich (starring untalented girlfriend in multi-million-dollar flops). An Andy Warhol style painting of Shelly Long as Marilyn in the background of one scene is just too funny, an example of how understated the true humor can be in this otherwise broadly-played farce.

Some points are disturbing, though: it's made a joke that Ryan is having an anxiety attack instead of a heart attack (try having one), or that his visitation rights are threatened if he doesn't make child support payments (an interesting social comment). Considering the real-life ups and downs of Ryan O'Neal's and Shelly Long's careers, however, I'd say the film's a roaring success.