Hundra - A Mulher Guerreira

In a mythological land, a female tribe is slaughtered by marauding male barbarians leaving the warrior Hundra as the lone survivor. She sets out to find a suitable male to mate with to re-start a new tribe. Soon, she winds up in a walled city run by a group of chauvinistic men.

Hundra has the one original angle of being a feminist slant on the sword and sorcery cycle of films from the mid-80's. The genre had been usually typified by scantily clad barbarian women with little in the way of political correctness. So Hundra stands out a little from the crowd, although Red Sonja from a few years later was coming from a similar place. That said, it isn't above having the heroine ride her horse naked into the ocean for an unorthodox bath! In fairness, it's hardly the most gratuitous nudity and the film overall is noticeably less dependent on erotic moments than most others from this type of flick. Laurene Landon is spirited in the title role. She clearly does a lot of her own stunts and gives a very physical performance.

It's not a great film though sadly. The main problem is that its pace lags in the middle too much. After a great start the action slows down once the heroine arrives at the city. This means that it feels like the running time could have been reduced by ten to fifteen minutes. But, that said, there are good fight scenes that bookend the film. And the production values overall seem pretty good with some decent locations and a stirring Ennio Morricone score to add some additional class. In the final analysis, Hundra is no classic and is weak in its middle section but it does have some good things about it.

I think people over analyse the film. Laurene Landon was the original action woman of the 80's. She played a wrestler in All the Marlbes and did several more strong woman roles after that.

People have also said they don't know why the Amazon tribe was attached at the start. Were they watching the film? The female narrator makes it clear that the men feared the women living a life on their own and either wanted to enslave them or kill them.

As for the nudity part. It's obvious is it not? The women were meant to be shown as worthless slaves, pieces of meat for the men to use as they pleased.

The one point I'd make is that ALL the men in the film are for the most part shown to be utter pigs and violent to woman. No one seems to have noted that, instead it's "Oh look a naked woman" I don't think I've seen a film where so many groin kicks were administered by one woman! I think it's a film worthy of a remake. There has been a lack of Amazon style films over the last few years. It seems a shame when there are so many good looking muscled women actors (like Cory Everson) out there.

Beautiful blonde warrior woman Hundra (Laurene Landon) would rather have a good horse between her legs than a man, but after a savage attack on her tribe by a horde of hairy barbarians she is forced to seek out a mate to ensure the continuation of her people.

Matt Cimber's Hundra supposedly turns the tables on the male-dominated fantasy genre with a barbarian woman who is more than a match for any man; it soon becomes apparent, however, that the feminist angle is just for show, the film exploiting its female star's physical appeal—and that of the other women in the film—just as much as any other B-movie trash. Bad news for the women's liberation movement, but good news for fans of sexy ladies in small loincloths.

Landon's wooden delivery of her lines makes it abundantly clear that she was not hired for her acting ability, but rather for her sex appeal and athleticism. Hundra might swing her sword as skillfully as any Cimmerian, but she does so in a skimpy outfit that frequently gives glimpses of her shapely behind; when she's not fighting, she likes to go for a naked ride through the surf on her horse.

Cheap titillation aside, Cimber's movie is at its most entertaining whenever there is fighting, the blood flowing freely as Hundra hacks and stabs at her opponents; however, there is a prolonged absence of action once our heroine enters a city where the local high priest, whose temple doubles as a knocking shop for barbarians, vows to add her to his stock of subservient women. While avoiding capture, Hundra falls in love, gets pregnant, gives birth to a daughter, and teaches a slave girl how to fight, all of which is fairly dull to watch.

Things eventually pick up for a rousing finalé (aided immensely by Ennio Morricone's epic score) in which Hundra rallies the women to revolt against their captors, but despite more bloodletting and the hilarious demise of the high priest (a woman suffocates him by straddling his face), Hundra remains a fairly mediocre affair overall.

Oddly enough, then I have actually never heard about the 1983 fantasy adventure movie "Hundra", before now in 2023 as I had the opportunity to sit down and watch it. I happened to come across the movie by random chance, and I have to say that the movie's cover immediately drew my attention, as it had that particular 1980s fantasy art on it.

Writers Matt Cimber, John F. Goff and José Truchado put together a fair enough script and storyline for the movie. While "Hundra" certainly was watchable, it wasn't a grand fantasy adventure experience that I had been missing out on. Director Matt Cimber put together a movie that was entertaining enough for what it turned out to be, though there was a bit too much focus on the men dominating women in the movie.

I wasn't familiar with the cast ensemble in the movie, but they had an okay group of talents in the movie, I will say that much.

There was an okay amount of action and sword fighting in the movie to keep the movie afloat. And it was, for the most parts, fairly well choreographed and executed on the screen.

"Hundra" definitely looked and felt like a 1980s fantasy adventure, for better or worse. So if you enjoy that particular type of 1980s cheese, then you're in for quite a treat here.

My rating of "Hundra" lands on a five out of ten stars.

Sword-and-Sorcery epic with female lead taking on multiple adventures and fierce battles . Thrilling and stirring movie full of imagination and fantasy that introduces us a brave heroine , female counterpart to Conan , she leads a valiant tribe of women who dares to be free . This is a delightful action/adventure romp set in the Dark Ages , where savage and violent men enslave all women . There appears a valiant warrior woman , her name is Hundra (Laurene Landon) , a Red Sonja-alike , she was born in a tribe of fierce warrior women . Hundra is an archer and sword fighter , whose Amazon tribe was wiped by nasty Vikings in some scenes similarly shot to Conan film . Hundra is superior to any male , woman of beauty , a warrior of strength , a hunter of man . Hundra The Invincible finds her family slain and takes a vow of vendetta until one day she meets her match (Ramiro Oliveros) .

This exciting film packs noisy action , adventure, and rip-roaring fights . Dumb images , unintentionally hilarious and lots of amusement and entertainment . Made on a fairly middling scale with passable set design , glimmer photography and excellent musical score . This entertaining picture contains frenetic action , tension , bloody fights , and moving action scenes , including blood , gore and beheading . The film is full of freaks and bemusing situations ; it is quite entertaining because being a laborious and intriguing adventure tale with some unintentional humor . Sympathetic performance by Laurene Landon as Hundra the Invincible , a valiant woman who has been raised to despise the influence of men , she the finest warrior of her people . Laurene Landon executed almost all of her own stunts in the film , the only stunt she didn't carry out was a backwards fall from a high tower . Agreeable support cast full of Spanish actors such as Maria Casal , Luis Lorenzo and Spaghetti usual as Eduardo Fajardo , Fernando Bilbao and Frank Braña . Although all the dialogue and dubbing for this movie proceeded by nice actors was looped in post-production . Colorful and evocative cinematography by John Cabrera . Very derivative special effects , acceptable production design and matte paintings . Impressive musical score composed and conducted by the master Ennio Morricone . The picture was shot in La Pedriza , Manzanares , Madrid , Texas Hollywood-Fort Bravo, Almeria , Spain and ¨Condor¨ fortress , where was filmed several Spaghetti/Paella Western as ¨ Blind man, Massacre at Fort Holman¨, ¨A man called Noon¨ , ¨El Condor¨ and ¨Conan the Barbarian¨ .

The motion picture was middlingly directed by Matt Cimber . He has directed all kind of genres , in the mid 70s did three immensely enjoyable blaxploitation pictures : The Black Six (1973) , Lady Cocoa (1975) and the terrifically trashy The Candy Tangerine Man (1975) . Matt made a rare foray into the horror genre with the disturbing psychological shocker The Witch Who Came from the Sea (1976) . His next work was based on a Mario Puzo story, a World War II drama A Time to die (1982) starring Rex Harrison and Rod Taylor . Later that year Matt teamed up with Pia Zadora for two films : the underrated Butterfly (1982 ) , Orson Welles last film , and the fun Fake-out (1982) . The following year Matt joined forces with actress Laurene Landon for Hundra (1983) and Yellow Hair & the Pecos Kid (1984) , both of them being shot in Spain with similar cast and technicians . The film will appeal to adventure buffs with enough action to make it worth looking in on . In other words , it seem likely Conan enthusiasts and juvenile viewers will be delighted because thrills, action and adventures are regularly presented and edited to offer the enough impact . Rating : 5,5 ; it's an old-fashioned B film on an acceptable scale and basically enjoyable because of it.