Adicionar um enredo no seu idiomaAkira Ifukube has arranged music from his fantastic films into a three-movement symphony, presented here with scenes from the films the music was originally written for. The second half feat... Ler tudoAkira Ifukube has arranged music from his fantastic films into a three-movement symphony, presented here with scenes from the films the music was originally written for. The second half features Makoto Inoue's synthesizer arrangements of Ifukube's music. In this portion, all the ... Ler tudoAkira Ifukube has arranged music from his fantastic films into a three-movement symphony, presented here with scenes from the films the music was originally written for. The second half features Makoto Inoue's synthesizer arrangements of Ifukube's music. In this portion, all the music is by Ifukube, but it shows scenes from films Ifukube did not work on.
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However, I just saw this on Monsters HD, and the copyright date was 1997. Moreover, the closing credits appear to list the various movies included. It is all in Japansese, except the word "VS" in almost every title, and the copyrights- 1984 through 1995.
About halfway through the 90 minute running time, the movie appears to end, with a brief set of Japanese credits. The music then restarts, and a 3-D computer animated title appears, clearly not from 1984. There was no translation on any of the titles, aside from "Godzilla Fantasia" at the very start.
My guess is that the original film was 45 minutes, and that a sequel was done quite some time later with the same music. The video/film quality of the second half was MUCH better than the first, and only the first half had any B&W footage.
Godzilla Fantasia is upfront about being a clip show, and doesn't try to tell a story, either. It's really all about the music, more than what's shown on screen. The visuals are good and they're edited together well, but Godzilla Fantasia really made me appreciate how good all the Godzilla music is more than I'd appreciated it before. It's front and center here, and it all sounds great.
Akira Ifukube wasn't entirely unsung when it came to praise, but I feel he's an underrated core individual involved with this great film series, and I like how this release allows his work to truly shine and feel like more than just background stuff.
The music in this feature is rich in harmony - the orchestra did a fantastic job in their performances and Ifukube did a very clever arrangement of his music. There is a nicely done rearrangement of monster scenes as well.
A video of this movie may be very difficult to find nowadays. I recommend looking in Japanese-related CD and Godzilla merchandise websites if you want to look for this feature.
Grade A
The first edit is the weakest especially since the synthesizer sounds really pathetic compared to even the earliest Godzilla scores with their terrible recordings. The clips are decent but the sound effects are new.
The second edit is the official "fantasia" commissioned in 1984 for a full classical orchestra and conducted by Ikufube. This sounds incredible and represents some of the best recording of Ikufube's music. The visuals are selections from many films Ikufube scored including "Nippon Tanjo" a fantasy film starring Toshiro Mifune. Mostly we get to see the special effect work of Eji Tsuburaya which is just fine by me. Many clips are from the rarely seen "War in Space", a semi-sequel to the "Mysterians". Curiously there are a number of clips from the clunker "King Kong Escapes". I wonder why. The soundtrack is great and you could have a great time without watching the TV.
The third edit is comprised of selections from the various soundtracks for the second series along with clips from those films. The majority of the music is by Ikufube although a few selections from other composers are included. The clips are edited together in a hodgepodge so the music does not always sync up with the film it came from. It actually shows how effective Ikufube's scores were when a scene from the terrible "Godzilla vs Space Godzilla" gets a Ikufube selection replacing the original score by someone else. The scene immediately becomes better then it was in the actual movie.
All in all a very mixed bag for devoted Godzilla fans. The official "Godzilla Fantasia" gets a 10 in my book.
Você sabia?
- CuriosidadesThe audio of the first half of this video special, "Godzilla Fantasia," is edited from the 3-act "Symphonic Fantasia" concerto, composed by Akira Ifukube, conducted by Yasuhiko Shiozawa, and premiered/recorded at Tokyo Metropolitan Hibiya Public Hall on August 5, 1983. Akihiko Hirata dramatically opened the event as his character, Dr. Daisuke Serizawa, from the original Godzilla (1954), delivering his famous monologue ("A-bombs against A-bombs, H-bombs against H-bombs... as a scientist-- no, as a human being, adding another terrifying weapon to humanity's arsenal is something I can't allow.") before stepping out of character to normal lighting and a round of applause from the audience. Joining Hirata on stage (and each delivering a speech) were Toho producer Tomoyuki Tanaka; the man of honor, composer Ifukube (whom Tanaka presented with flowers); and finally, film director Ishirô Honda, after which the orchestra was assembled and the concerto began. At the end, conductor Shiozawa invited Maestro Ifukube to the stage, and twice more the maestro came to bow to the audience to a very long round of applause.
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- SF交響ファンタジー:ゴジラファンタジー
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