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IMDbPro

Montanhas Azuis

Título original: Tsisperi mtebi anu daujerebeli ambavi
  • 1983
  • 1 h 37 min
AVALIAÇÃO DA IMDb
8,6/10
2,4 mil
SUA AVALIAÇÃO
Montanhas Azuis (1983)
SátiraComédiaDrama

Adicionar um enredo no seu idiomaAn author - a passive young man - enters the Soviet-controlled bureaucracy of Georgia attempting to get his novel published only to be neglected and compartmentalized at every turn.An author - a passive young man - enters the Soviet-controlled bureaucracy of Georgia attempting to get his novel published only to be neglected and compartmentalized at every turn.An author - a passive young man - enters the Soviet-controlled bureaucracy of Georgia attempting to get his novel published only to be neglected and compartmentalized at every turn.

  • Direção
    • Eldar Shengelaia
  • Roteiristas
    • Rezo Cheishvili
    • Eldar Shengelaia
  • Artistas
    • Ramaz Giorgobiani
    • Vasil Kakhniashvili
    • Teimuraz Chirgadze
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,6/10
    2,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Eldar Shengelaia
    • Roteiristas
      • Rezo Cheishvili
      • Eldar Shengelaia
    • Artistas
      • Ramaz Giorgobiani
      • Vasil Kakhniashvili
      • Teimuraz Chirgadze
    • 11Avaliações de usuários
    • 5Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Fotos40

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    + 35
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    Elenco principal22

    Editar
    Ramaz Giorgobiani
    Ramaz Giorgobiani
    • Soso
    Vasil Kakhniashvili
    Vasil Kakhniashvili
    • Vaso
    Teimuraz Chirgadze
    Teimuraz Chirgadze
    • Director
    Ivane Sakvarelidze
    Ivane Sakvarelidze
    • Markscheider
    Sesilia Takaishvili
    Sesilia Takaishvili
    • Molare
    Grigol Natsvlishvili
    • Irodioni
    Vladimer Mezvrishvili
    Vladimer Mezvrishvili
    • Grisha
    • (as V. Mezvrishvili)
    Otar Guntsadze
    Otar Guntsadze
    • Mgebavi
    • (as O. Guntsadze)
    Darejan Sumbatashvili
    Darejan Sumbatashvili
    • Bella
    • (as D. Sumbatashvili)
    Zeinab Botsvadze
    Zeinab Botsvadze
    • Lali
    Nino Tutberidze
    • Mdivani
    Giorgi Chkhaidze
    Giorgi Chkhaidze
    • Shuqri
    • (as G. Chkhaidze)
    Mikheil Kikodze
    • Otari
    • (as Mikhail Kokodze)
    Guram Lortkipanidze
    Guram Lortkipanidze
    • Tengizi
    Guram Petriashvili
    Guram Petriashvili
    • Qmari
    Omar Shotashvili
    • Chachanidze
    • (as O. Shotashvili)
    Dodo Chichinadze
    Vasili Chkhaidze
    Vasili Chkhaidze
    • Direção
      • Eldar Shengelaia
    • Roteiristas
      • Rezo Cheishvili
      • Eldar Shengelaia
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários11

    8,62.4K
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    10

    Avaliações em destaque

    CaptEcco

    "THE TRIAL" as directed by Preston Sturges

    BLUE MOUNTAINS, OR AN IMPROBABLE STORY ("Why two titles?") is an absurdist tale in which a novelist takes his latest manuscript to his familiar publishing house, only to have it pushed aside, lost, damaged, stolen, or simply ignored again and again as the employees go about their meaningless, repetitive work. Things start out fairly normal and get gradually stranger as the story continues. As film satires go it's not quite as cunning as Bunuel's best work (which it seems it could have been influenced by) but it's still a funny, sharp and brutally honest jab at the crumbling Soviet government and bureaucratic ineptness in all its forms. Ramaz Giorgobiani's expressionless lead performance is an interesting and eventually necessary realist counterpoint to the often wild and intentionally bloated performances of the bureaucrats. The aforementioned Bunuel is an obvious cinematic connection, as is Fellini's ORCHESTRA REHEARSAL, but as I was watching it I kept thinking this is what might happen if Preston Sturges filmed a Kafka story. Well worth a look.
    6ASuiGeneris

    Eh.

    Yay for a baiting title. The Blue Mountains, or Unbelievable Story. Refers to one of the slightly chuckles inducing gag with the protagonist trying to get his script read that is never read. Another one is the Greenland painting that is surrounded by bureaucracy to get removed. Other thing is the irksome motoball league that is somehow always playing outside, supposedly the cause of the building falling apart from the vibrations.

    When it comes to humor, am I difficult to impress or is this not my type of humor? You tell me. I chuckled in my head maybe a few times, but other than that it was nothing impressive to warrant the ridiculously high ratings, currently 8.7 & 4.0, IMDB & LetterBoxd, respectively. Used repetition, running gags, in a proficient manner that made for an entertaining enough couple hours, but nothing to write home about!
    10Mihnea_aka_Pitbull

    Worth sitting on the same shelf with Beckett, Ionescu, and Kafka

    Twenty-two years after I saw it in cinema, Shengelaya's "Blue Mountains" still makes me laugh my ass off every time when I remember virtually ANY of its scenes. I can't forget the obsessive fight off the Honorable Vaso about the Groenland landscape threatening to crash upon his head, the eggs of the Venerable Irodion, or the perpetual answer of Shuqri Gomelauri: "No, I won't read - and YOU KNOW why I don't read!" :( The automatic idiosyncrasies of Zaza Zazaevitch ("Look at them! Playing football with motorcycles! I'm surprised they don't play it with buses!"), and the dementially absurd experiment with the bike's engine gunned inside the offices by Comrade Artem Tschatschanidze - the gorilla-like president of the moto-ball federation who, incidentally, also wrote a poetry manuscript - of love lyrics! The messy fables author who for no reason at all turns into a mining engineer, and his hysteric relationship with the dizzy Aunt Tamara. The daily ritual of the Beautiful Bella's husband and daughter coming to the office, after school, only to see her again courted by Soso... And, most of all, the irresistible absentee characters: Murmanidze, the one who never applied his signature, Kuparadze, the one who always gave a friendly call, and the elusive Guivi, always hidden and silent behind the locked door of his office where the two thugs knock every day: "Guivi, it's us!" - to no avail... Definitely, "The Blue Mountains" remains a masterpiece of the most absurd humor possibly. Imaginative and fresh, fast paced and precise - in a full contrast with the bureaucratic world it's depicting: dumb and stale, sluggish and chaotic. Worth sitting on the same shelf with Beckett's "En attendant Godot", Ionescu's "Rhinocéros" and "La Cantatrice Chauve", and Kafka's "Trial". I still pray to find it one day on the torrents or P2P!

    L.E.: I got it! :D I have it on DVD! Wowwwidze!
    10g-tsaava-208-828886

    Allegory To Modern Organizations

    This movie is timeless masterpiece, one of the best in Georgian cinematography. It is considered to be allegory of the system in Soviet Union and that is true; but nowadays when that system doesn't exist, it is difficult to relate to that period of time, especially for younger generations, who were born after collapse of Soviet Union.Somehow the movie hasn't lost it's relevance, even more, now this allegory can be attributed to organizations and to modern managers. Bureaucracy, lack of communication, procrastination,absenteeism and strange decision making process, what we often see in our workplaces, this movie is allegory to everything listed above. It is heavily loaded with quotations. It is one of the must watch movies in my opinion. Even more, you can watch it several times and every time you can rediscover a lot of new things. Thus, if you haven't seen it yet, I strongly recommend.
    Vincentiu

    fall of a period

    absurd humor, memorable characters, a manuscript and a fight with shadows. a film about a death soul society, gallery of masks and hypocrisy, prisoners of waste of time and victims of need to be only insignificant shadows of existence. a film from East who present not only a deep crisis who can be considered version of Ionesco or Beckett theater but , in fact, it is only cruel-precise image of Soviet Union fall. nothing new because this form of satire is present, as instrument against politic regime, in many films from Communist camp but in this mixture of Ilf and Petrov, Bruno Schultz and Daniil Harms is something different. the secret ingredient - poor manuscript who can broke the large - fragile circle of fake certitudes.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Final film of Sesilia Takaishvili.
    • Citações

      Soso: When are you expecting him?

      Mdivani: I don't know. He might come right now, might be late, might not come at all. Can I help you?

      Markscheider: I'm here on the topic of fables.

      Mdivani: Be for whatever you want to be. Don't you see? He's not here. Even if he was here, he could not see you in the first half of the day.

      Markscheider: Can I wait until the second half of the day?

      Mdivani: Of course!

      Markscheider: Thank you.

      Soso: You know, I will also wait.

      Markscheider: I apologize, but if he won't come today, can I wait for him tomorrow?

      Mdivani: Yes, of course, wait.

      Markscheider: I won't disturb you anymore. From when to when does he have waiting hours?

      Mdivani: From the morning till evening.

      Markscheider: Thank you.

      Mdivani: You are welcome.

    • Conexões
      Featured in Dede (2017)

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    Perguntas frequentes15

    • How long is Blue Mountains, or Unbelievable Story?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de outubro de 1985 (Hungria)
    • País de origem
      • União Soviética
    • Idiomas
      • Georgiano
      • Russo
      • Francês
      • Alemão
    • Também conhecido como
      • Blue Mountains, or Unbelievable Story
    • Empresa de produção
      • Georgian-Film
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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