Os Caça-Fantasmas

For it's time, Ghostbusters would have to be a classic. Visiting such realms as the supernatural, is sure not meant to be funny, but this film does stretch that rule a little. Thankfully it does, as it allows those among us (like me), who do not believe in ghost and goblins, to sit back, relax and enjoy the funny antics of these ghost-busting heroes. Although it might be a little dated in the new millennium, 'Ghostbusters' is still one of the 'great comedies of the 1980's' in my view.

When the University downsizes the parapsychology department, Doctors Venkman, Stantz and Spengler make the leap from scientists to Ghostbusters, investigators and exterminators of paranormal pests! When the bewitching Dana Barrett discovers her refrigerator has become a portal into the spiritual dimension, our heroes come face to face with an ancient evil force with plans to raise hell in Manhattan.

When reviewing a movie, I try to be as fair as I can be. However I feel that by only viewing a movie once, we can not comprehend or appreciate the work that has gone into it, as a lot of work goes into bringing a movie to 'life'. For me that is no more apparent than with this classic hit. The time spent doing the script, special effects, production designs all have their merit and make this movie great. It is not just actors doing their job, as that is only one small part of the movie.

Most of 'Ghostbusters' success must be given to director Ivan Reitman. He did a fabulous job directing the Ghostbusters. I am certain that he left no stone unturned when it came to getting this film right and I am so glad he did. What also made this film more unique was that two of its stars wrote one very very good script. I am of course talking about Dan Akroyd and Harold Ramis. Their originality and comedy on paper, made watching this film a real joy. It is not often that stars write good scripts, but this time these guys got it right.

The cast that this film has was amazing to say the least. The four Ghostbuster characters were all different, which made them great to watch. I love the way that director Reitman summed up the Ghostbusters. He said of the three main guys that, Bill Murray was the 'mouth' or the smart ass of the film, while Dana Barrett says of Dr Venkman, ' you're more like a game-show host' and I have to agree with that, Dan Akroyd was the 'hands', meaning the person who was very hands-on when came to the ghostbusting, and finally Harold Ramis was the 'Brains' or the smartest one of Ghostbusters. Add in the cheery Ernie Hudson, who played Winston Zeddemore, making them the perfect team.

However, the Ghostbusters are a little different when it comes to doing their job. They have funny facilities, which only they could invent, a car that is as wild and conspicuous as its owners are, while the tools that they use to trap there supernatural phenomenon are weird and crazy. I love the traps, 'nuclear accelerators' and other bits and pieces they simply refer to as 'toys', when they are anything but that.

Then take into consideration the other great roles in this film, as without them this film would not be as good. Sigourney Weaver was very 'spiritual' when came to being the normally delightful Dana Barrett. I really enjoyed the onscreen chemistry between her and Bill Murray. Rick Moranis played the moronic '' as only he can. I always think of him as the man from 'Little shop of horrors', but there is no doubting his acting talents. Add in the very 'unusual' and eccentric Receptionist Janine, who was amusingly portrayed by Annie Potts. I love it when she screams 'we got one'. Yet I still say my favourite character in the Ghostbusters, over the silly Venkman (who is second), is the funny ghost Slimer. While Murray is as insane as the ghosts were in this movie, Slimer steals the show in my view. He is wild, 'slimes' people and makes the Ghostbusters all the funnier. Whoever invented Slimer is a genius!

There are some very funny scenes and lines in this movie. I love how we are introduced to the first ghost in the movie, who is part of the library in New York, then the mayhem and chaos we see slimmer cause in the Hotel is classic cinematography. The Venkman line at the end of the scene is priceless as he says 'we came, we saw, we kicked its ass!' Throw in scenes with the monsters that run around New York terrorising people, the unlocking of ghosts by the Environmental Protection jerk and the Marshmallow Man are all hilarious parts to a movie that is full on from start to the finish.

I wish I had been old enough to see the opening of 'Ghostbusters' in the cinema, as I am sure it would have had a huge cinema release. When I remember the Ghostbusters two things come to mind. One is the hypnotic tune 'Ghostbusters' written and performed by Ray Parker Jnr., and two is that my mother and one of her friends said that they banned their children from viewing such rot. I certainly missed out on seeing many great facets of what the Ghostbusters spawned, such as two ingenious cartoons. I sort of understand what they were on about, but I would have preferred being allowed to watch it and then just forget about it. This film has a lot to like about, it is funny, crazy and a little bit different. If you are yet to see what the great fuss is about the 'Ghostbusters', then please do yourself a favour and pick up a copy today. Yes, they are ready to believe you!

CMRS gives 'Ghostbusters': 5 (Brilliant Film)

Bill Murray is one of the best wise guys in the business. I was amazed to find out on the GHOSTBUSTERS 15th Anniversary DVD that Murray had little to do with the dialogue his classicly blase, fiercely cynical 'Dr. Venkman' cuts loose throughout this good comedy. Credit Dan Aykroyd and Harold Ramis with "getting into Bill's mind" as Ramis puts it and presenting Murray with a gag-a-second character. Murray also lends his own comic genius through his delivery and facial gestures (especially with his classic cross-eyed, curled-lip look). Together with a fun premise and above average special effects, GHOSTBUSTERS will never be a relic of the 80's and should always be a refreshingly humorous spook show.

Murray rules the screen, mauling his geeky para-psychologist partners and hitting on a young blonde while conducting shock therapy experiments on her. Aykroyd uses his standard machine gun delivery of obscure (or should I say made up) facts and anecdotes and Ramis is just enough for the ultra-dork 'Egon'. The funniest element in GHOSTBUSTERS happens to be Rick Moranis in a splendid role as a small-time accountant who has parties for clients only and becomes mixed up in some extremely supernatural events. Along with Sigourney Weaver, Moranis has the most difficult physical tasks to topple.

This was a picture I loved when I was a kid. I must have went some 12 to 15 years before I saw it again and I was alarmingly impressed. It has endured. The special effects are not only good, but they are comedic and add even more laughs throughout the 'Busters turbulent jobs. The DVD version has tons of goodies included and is an essential addition to any Saturday Night Live fan's movie library. SNL is the very essence and reason for GHOSTBUSTERS, where Murray and Aykroyd starred. Director Ivan Reitman created his meal ticket here and can pretty much do any comedy he wants now.

It is a shame John Belushi was not around to play one of the 'Busters, for he was originally cast. The movie is already well-paced and engaging so just imagine how frenzied the pace would have been with Belushi. Regardless, GHOSTBUSTERS is one for the kids, teens, and adults alike. It has spanned these phases for me and still works wonderfully.

RATING: ***

This film has been part of my childhood and still makes me laugh. A true classic of the 80s! For a film of 35 years, the special effects are still great and is film making at its best. Go get her Ray!

What's that you say? Ghostbusters, one of the most financially successful and over-hyped comedies of the eighties, underrated? Yes. Precicely because it was so over-hyped and made so much money, there has been a stigma attached to this film identifying it as a childish FX piece, when it is nothing of the sort. Most of the lines people remember("He slimed me," "OK. So? She's a dog," "When someone asks you if you're a god, you say YES!") are not its funniest or wittiest lines, which often are missed on first or even second viewing. I laugh every time I observe a gag or a quip that I somehow missed the other 20 times I viewed a scene; "Egon, this reminds me of the time you tried to drill a hole through your head, remember that?" "That would have worked if you hadn't stopped me", or, to the driver of a van from a loony bin, "Dropping off or picking up?" Brilliant.

Not only is Ghostbusters funny, it manages to include some truly scary scenes. And not just lose-your-popcorn moments like the fridge from Hell, but also scenes of quiet, thoughtful chill, like Egon's retelling of how the possessed apartment building came into being, or Winston recalling the Book of Revelation. Which other film has managed to combine the Marx Brothers with HP Lovecraft?

The special effects hold up well, besides some obvious studio sets and models, but what really creates this film's world is the stunning cinematography. Manhattan, perhaps the pinnacle of Gothic architectural evolution, is brilliantly utilised here to create a sense of menacing grandeur. After watching "Ghostbusters" I couldn't imagine the realm of the Old Gods opening into our world from anywhere else. The soundtrack is great, not the overrated theme (Which was in fact lifted from Huey Lewis' "I Need a New Drug"), but the wonderfully blusey "Cleaning Up the Town," the creepy proto-techno chiller "Magic" and also the wonderful score by the late and much lamented Elmer Bernstein.

I have special affection for this film. When I was a youngster, growing up between the ages of four and ten, this was my favorite film. I loved the whole Ghostbusters thing. I loved the sequel, the cartoon series, I had to have the toys and merchandise every Christmas, you name it. Strangely, as I have gotten older, I find myself appreciating the film more and more. When I was a child I loved it for the special effects, the gadgets and the ghostbusting especially. Nowadays I love it for the same reasons, but now that I'm older I find myself appreciating the dialog which is some of the funniest committed to a film, the oddball humor, like Venkman's line about dogs and cats living together and the in jokes, like Slimer being the ghost of John Belushi and Venkman rubbing his hand at glee at the thought of the money to be made from the merchandising of the ghostbusters brand. Not only that, but some 80's hairstyles aside, the film as aged remarkably well. My cousin who is five years old has developed a love for the whole Ghostbusters thing, showing that this is truly worthy of being branded one of the most successful films ever made.

Unlike many of today's blockbusters which are humorless and pompous thinking that they are serious films and forgetting about any sense of fun along with the complicated visual effects, Ghostbusters is funny and a fun paranormal movie. The set pieces are superb as we see the Ghostbusters going up against Slimer, Gozer and, undeniably the classic movie moment of the 80's, the Stay Puft Marshmallow Man. For a film made in 1984 the climax is very well done and looks exceedingly realistic, without any hint of clues as to the fact that it is a special effect. This is what going to the cinema should be all about. Fun with a capital F. All the actors get into it with great comedic aplomb. Bill Murray, one of the finest comedy actors to grace the screen, is superb as Peter Venkmen who gets the best lines in the film as well as the funniest moments. Just check out the "there is no Dana, only Zool" moment. Murray's priceless reaction to Dana Barrett's possession is one of the most side splitting moments I have ever seen. In fact, the casting is pretty much spot on. As well as Murray, we have co writers Dan Akyroyd and Harold Ramis sharing the spotlight as the fellow Ghostbusters, Sigourney Weaver making a wonderful damsel in distress, Rick Moranis is almost scene stealing as her nerd of a neighbor who becomes possessed himself, while Ernie Hudson and Annie Potts both put in wonderfully sardonic supporting roles who get their chances to shine.

Add to this one of the best theme tunes and a truly apocalyptic finale, it is no surprising that this was the biggest film of 1984. A summer blockbuster with humor, trills, spills and some of the best special effects money could buy at the time, this is truly a genuine classic and is one of the best Hollywood blockbusters ever made.