Visão Fatal

When I first saw this movie over 10 years ago, it convinced me of MacDonald's guilt. I saw it again last night and this time I'm not so sure.

This movie is looking more and more like a propaganda film, intended to cement the audience's hatred of MacDonald, and convince the audience that he is, indeed, guilty. That's quite frightening -- what if it's not the only one like this? What if many Hollywood movies are, in fact, propaganda? Isn't that what we accused certain dictators of making over the past 100 century.

After I watched last night's showing, I went to MacDonald's website. Yes, I know, if I'm worried about "propaganda", I have to view his site with skepticism too. And I did. Yet I couldn't help coming to an uneasy conclusion: if MacDonald really is guilty, why is he so willing to have his DNA tested?

After all, if you are guilty of murder -- and knowing that mitochondrial DNA testing is highly accurate today -- you know for a fact that if you agree to DNA testing, you will be caught. Yet MacDonald is willing to go ahead with it. Sorry, but I just can not shirk the nagging feeling that this means he is convinced of his own innocence (notice I said "convinced" -- it may well be that he did indeed commit the murders, but is so horrified about them that they are now part of his repressed memory and he, in fact, believes he did not commit them!).

The other thing that disturbs me is that the North Carolina prosecutors themselves seem very reluctant to allow full DNA testing. For instance, they are willing to allow nuclear DNA (requiring a larger sample size) or mitochondrial DNA testing, but not both.

Why not? Wouldn't you, as a prosecutor, want to exhaust every possible avenue to find a killer? How can there be such a thing as "too much" information when trying to solve a murder? I find this disturbing. In fact, combined with MacDonald's willingness to undergo DNA testing, I find the prosecutors' reluctance to be evidence that they are far less than certain that they convicted the right man for the crime. Perhaps the prosecutors have something to hide?

In conclusion, I must also agree with another writer that perhaps the most perplexing (and disturbing) aspect of this case that alludes to MacDonald's innocence is the apparent lack of motive. There seems to be no financial nor love-triangle motivation for MacDonald to kill his family.

There is a phenomenon known as "family annihilators", men who kill their entire family because they sense impending ruin (usually financial), and feel that their family can not survive without them. In their misguided way, these men believe they are doing their family a favour by killing them, saving them from the misery that follows financial ruin. However, these men invariably break down in court and completely confess to such crimes. MacDonald didn't do that. So that explanation is likely out of the picture for him, especially since the movie does not portray him as facing imminent financial ruin.

Sometime later in 2002 the full mitochondrial DNA test will be performed. Stay tuned; the results will have significant ramifications. If, in fact, the test results cast doubt on MacDonald's guilt, the producers of "Fatal Vision" will have a lot of explaining to do ...

Fact-based movie depicting the case of Dr. Jeffrey MacDonald, an Army Special Forces group surgeon accused of murdering his wife and daughters. This two-part heart-wrencher is incredibly gripping, and chock-full-of powerful acting. Karl Malden and Gary Cole deliver such incredible performances, it is no wonder Malden was nominated for an Emmy. Very sad and moving, but clearly worthy of watching. I give it 8.5 out of 10 stars.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Although director David Greene is known almost exclusively for his work in television, this movie is several notches above most TV fare. Running a full three hours and twenty minutes in two parts, Fatal Vision is just about as riveting as the book of the same name from which it was adapted. The screenplay by long time Hollywood pro John Gay amounts to an indictment of army Captain Dr. Jeffrey MacDonald, but then again so did the book.

Gary Cole gives a convincing performance as the former Green Beret army officer who was accused, and then some nine years after the fact, convicted of the murder of his pregnant wife Collette and two young daughters. Karl Malden plays Freddy Kassab, Collette's father, with his usual skill, while Eva Marie Saint plays Kassab's wife.

Since it is still being debated to this day whether Jeffrey MacDonald really was guilty of this horrendous crime (as he continues to serve his prison sentence), perhaps we should appreciate this movie strictly as a study in sociopathology.

The story begins February 17, 1970 with MacDonald phoning the police to report that his wife and two daughters had been brutally murdered by a marauding gang of hippies who broke into his home shouting "Kill the pigs, acid is groovy." He claims he tried to fight them off and was injured and knocked unconscious.

In contrast, the story presented by the prosecution and detailed in McGinniss's book, portrays MacDonald as having, in a fit of temper injured or killed a member of his family, and then to cover up that crime killed all of them, and then fabricated a crime scene to support his story including the infliction of superficial wounds upon himself.

The question most people would like answered is WHY would a previously upstanding member of the community, a successful doctor as well as a decorated army Captain, go to such a horrendous extreme to cover up a crime no worse than manslaughter, if that?

The answer is in the character of Jeffrey MacDonald himself who is depicted as a psychopath possibly under the influence of amphetamines, a man so callous and unfeeling about the pain and suffering of anyone except himself, that he would murder his own family in an attempt to divert the blame from himself. This was the answer that McGinniss came up with after spending a lot of time with MacDonald and after initially believing him to be innocent.

This is the answer that the jury believed, and this is the answer given in the character that Gary Cole so vividly portrays.

There are many kinds of truth--legal truth decided by a jury, scientific truth decided by experiment and confirmation, spiritual truth, etc. And there is cinematic artistic truth, decided by the viewer. I think the business-like direction from Greene and his adherence to McGinniss's "vision," along with the fine performance by Gary Cole make us aware of the reality that there are sociopaths among us who can charm and kill with equal ease.

Regardless of the true facts of the case (which we will never know for certain) it is this singular truth that makes this movie worth seeing.

One of the better "true crime" dramas (and I think that between a&e, court tv, and lifetime, I have seen almost all of them ...). As another reviewer pointed out, there is another side to this story, so don't go thinking the movie presents the gospel truth, but it's still a very compelling flick. Question to others who have seen it: am I nuts, or is Liam Neeson on the jury? He's not credited, but only the jury foreman got a line ... still, there's a guy in the back row who looks amazingly like Neeson. Anyone else catch this?

I have my own opinions on the guilt or innocence of Jeffrey McDonald, but I do not intend to get into a sparring match over it here. I wanted to comment on the movie itself.

I found this to be a very well made and well acted movie. I'm not a real big fan of Gary Cole but I thought he was great here--he had to display a whole gamut of emotions and did so quite admirably. The only thing I could really remember Karl Malden from other than this was "Pollyanna" and his acting has definitely improved over the years--I thought he did an excellent job. And Andy Griffith is a hoot, even in such a serious role! I also liked the flashback scenes that were used to help fill in the blanks in the couple's past.

The only complaint I have is that by the movie starting with the minutes following the murders, you don't really get to feel you "knew" Collette and Kimmy and Kristy. It was a VERY effective opening scene but at the same time it sort of robbed the viewer of having any kind of relationship with Collette and the girls. The flashbacks helped--maybe if they had found a way to squeeze in a couple more? You couldn't help but feel horrified by what had happened to them, but I think it could have been felt more deeply if you had time to get more "attached" to them.

Overall it was a good made for TV miniseries.