Colheita Maldita

Children of the corn is a 1984 film based on the short story by Stephen King. The story is that a couple who go to Gatlin, Nebraska find themselves in a living nightmare as they are hunted by a cult of children who have been taught by their "preacher" Isaac that everybody over the age of 18 must be killed.

This film starred: Peter Horton, Linda Hamilton & John Franklin

In my opinion this is an entertaining film and doesn't deserve all the stick it gets, it isn't great by any means however it's a good film too watch when your bored also a good film to watch with your friends on a night in. I do recommend this film if you have read the short story or if you are a Stephen King fan also to all you 80's cult fans.

***/***** Good film.

Children of the Corn is a classic example of a movie that was much more frightening when I was a kid. Now I suppose it pales in comparison to the better horror flicks I've seen. It's still not a bad genre flick and I recommend seeing it. Children of the Corn has its moments. Isaac and Malachai are still creepy looking cats (both played effectively by John Franklin and Courtney Gains). The musical score with the children chanting is an eerie effect too. The café scene and the accidental hit and run are the standouts of the movie, it's pretty grisly stuff. The rest is a bit mediocre. Peter Horton and Linda Hamilton are pretty good as the young couple trying to escape the murderous children. And an appearance by R.G. Armstrong is never a bad thing. The movie is a "loose" adaption of a Stephen King short story, but the sequels are just absolutely King rapes. So do not bother with those.

I saw this film sitting on my Dad's lap when I was about seven years old. (I was a horror film fanatic from a very early age on.) We used to sit up watching late night scary movies while my Mom went to her ceramics classes.

Dad and I loved this movie. There is no sex or nudity in this film. Even though the images are pretty graphic, if your older children are mature enough to handle a little fright, this should be okay for them. Besides, since the children are the "bad guys", your kids should be pretty happy!!

My favorite actors in the film are the two star children (Joby and Sarah). They really make the film eerie with their innocence and sadness over losing their families. Malachi would be the scariest character. Even the way the other children in the movie gasp when they hear his name makes me shudder. I would not want to face him either!! Another aspect that makes this film so scary is the music. The director adds clips at just the right moments but doesn't forget to leave ample silence. There is nothing greater to add to the suspense than a good dose of silent screen. Then all your senses get a jolt at once when the big horror scene comes alive.

The most suspenseful scene is when the boy stumbles out onto the highway clutching his sliced throat. It's a real hair raiser!! But, without revealing too much, I guess I will close by saying that this is by far one of the best horror films I have ever seen. A little strange, but, then again, this IS a Stephen King film. Need I say more??

This is the tale of a young couple (Peter Horton and Linda Hamilton) stranded in the deserted little town of Gatlin, Nebraska and stalked by a pack of adult killing children worshipping a demon living in the surrounding cornfields.

This very atmospheric piece is a rather humble b-movie that boasts an unusual and interesting premise (thanks to a pretty good short story by Stephen King) and delivers some decent performances from its cast (which is rare with children in general).

Although soft in its depiction of violence, the movie offers some creepy moments (especially in the still effective opening sequence). John Franklin, excellent as the child-preacher Isaac, makes for one odd and creepy looking kid and Courtney Gains inhabits his psychopathic Malachai character with obvious delight.

The cornfields are beautifully shot and the overall is boosted by a pretty efficient score by Jonathan Ellias. And to top this all up, R.G. Armstrong makes here an appearance (albeit a too short one) as a recluse gas station owner.

Don't be fooled though. The movie is far to be a masterpiece. At leading endlessly its main characters around cornfields and then through the deserted town (direct effect of superficially expanding a short story to feature film length), the movie ends up suffering from its slow pace ("Things just aren't happening fast enough" even says Horton at some point) with the characters taking what seems like an improbable amount of time to realise what is afoot.

The danger of young and impressionable minds blindly following extremist religious leaders is certainly an interesting theme but is here barely tapped into.

Finally the climatic sequence, with the manifestation of the collieflower looking "He Who Walks Behind The Rows", is a bit of a let down to say the least.

Those (not so minor) details however are not enough to warrant the bad press the movie gathered upon release (and Stephen King's severe criticisms). "Children of the Corn" is a well performed little soft core horror b-movie that surprisingly enough spawned a franchise and still provides eerie ambiance and creepiness that even, at times, make the few cheap scares work.

I saw this movie recently and I was unimpressed. I have seen many adaptations of Stephen King's short stories, and this film is not among the best. However, it also didn't seem as bad as many people say. It has some redeeming qualities that must be taken into account. Perhaps it contributed to becoming a film with some notoriety, even after several disastrous sequels.

The film is based on a short story by King about a small rural town, where everything revolves around growing corn. One day, in 1980, inspired by the fiery preaching of a teenager recently arrived in the city called Isaac, the local children unite and massacre the adults, their parents and family members, in order to please an evil and diabolical deity they call "The One Who Walks Behind the Rows". And from there, the city dies, and so do those who get there. It was what would happen to a young couple who gets lost and finds the city by chance, but they will have the help of two children from the city, unhappy with the direction of the situation.

Well, I don't know if it's really worth saying that logic isn't the film's strong point. It does not make sense for a city, however small, to suffer such a calamity and that is not front-page news, with an invasion of police, armed to the teeth, to hunt down the sect. It is best to accept the film as it is and not think too much about the story or everything will fall apart. One of the things that pleased me most is the way the film begins: through the voice of one of the children, we witnessed the horror of the massacre, with the refinement of cruelty. It is one of the most striking scenes in the film, and it introduces very well what will follow. The film is effective in the task of creating an atmosphere of tension and surrounding suspense, but it spoils it as it progresses and the film becomes more exaggerated. The ending is histrionic and uninteresting.

The film has a cast that we can divide into adults and children. The overall performance is average, but there is no actor who truly shines or stands out for his good work. This is largely due to the poor direction of Fritz Kiersch and the fact that the characters are basic, without any development. Most children did not have much to do. John Franklin is greasy and slippery, but never truly threatening, Courtney Gains is more effective at this task; Robby Kiger and Anne Marie McEvoy are sweet, pleasant and easy to like; Jonas Marlowe and Julie Maddalena do nothing more than is essential. When it comes to adults, Linda Hamilton steals the spotlight whenever she appears and the reason is clear: she is beautiful and convincing in the role of the lady in danger, but she does nothing but be in danger, appear scared and run away. R. G. Armstrong did a good job on a character that comes up briefly, and it gives us perhaps the closest thing to a well-done dramatic interpretation. Peter Horton has not convinced me and has scenes that are absolutely inconceivable.

Technically it is a rather poor film, and it should certainly not be the fault of the time it was made. There were already better features and special effects than those used here. Really, the film has horrible special effects, the best and most creative being that pile of earth that runs from side to side and, supposedly, is the evil creature that lives in the corn and the children deified. There is little blood in the film (in certain scenes there should be more to make it more credible) and the deaths are not graphic, but they shock more by what is implied than by what is actually seen.