AVALIAÇÃO DA IMDb
6,7/10
3,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLove doctor radio host Nancy, bar owner Eve, Pearl, drifter Mickey et al meet in LA.Love doctor radio host Nancy, bar owner Eve, Pearl, drifter Mickey et al meet in LA.Love doctor radio host Nancy, bar owner Eve, Pearl, drifter Mickey et al meet in LA.
- Prêmios
- 2 vitórias e 1 indicação no total
Sandra Ann Will Carradine
- Ida
- (as Sandra Will)
Mike Kaplan
- Harve
- (as Mike E. Kaplan)
Avaliações em destaque
With atmosphere to spare. If you've never wandered LA's back-streets at night, this movie will give you a taste.
The theme of this movie is a common one, the search for love.
Highly stylized. Overloaded with delicious details and clever ideas. Characters with quirky (and intriguing) personality traits. What male viewer wouldn't want to be like the main protagonist, Keith Carradine's character? Fighter pilot, spy, expert mechanic. What female viewer wouldn't identify with either of the two lead female roles? Tough yet vulnerable, sexy, desirable, but unable to play the mating game and win.
All the characters are interconnected, but they don't always know it. The writer/director gets full marks for interesting characters and a story that twists and turns in on itself, but now comes the challenge of making it cohesive and comprehensible. That's where the movie doesn't hold up as well.
There is not enough "glue" between scenes. There are too many places where the plot takes a leap and the viewer is expected to fill in the gap. I found myself asking, "where did that come from?". I kept wanting to replay the previous scene because I had missed the transition, but there wasn't one.
I wish Rudolph had a collaborator with the screenplay and the directing. I feel the casting was very good, but the performances are often stilted, like what you might find in a high school production. Awkward pauses and intonations in the dialog. This also makes the story hard to follow and hard to believe. I can't decide if this was intentional or not. Reminds me of Hal Hartley.
This movie is not for everyone. Personally, I love it, warts and all. I've seen it three times and own the DVD. The Teddy Pendergrass songs are wonderful and I would say under-used in the film. Very surprised to see Maltin give this 3.5 stars, even if it is "a critics movie". He must have been in a good mood that day.
The theme of this movie is a common one, the search for love.
Highly stylized. Overloaded with delicious details and clever ideas. Characters with quirky (and intriguing) personality traits. What male viewer wouldn't want to be like the main protagonist, Keith Carradine's character? Fighter pilot, spy, expert mechanic. What female viewer wouldn't identify with either of the two lead female roles? Tough yet vulnerable, sexy, desirable, but unable to play the mating game and win.
All the characters are interconnected, but they don't always know it. The writer/director gets full marks for interesting characters and a story that twists and turns in on itself, but now comes the challenge of making it cohesive and comprehensible. That's where the movie doesn't hold up as well.
There is not enough "glue" between scenes. There are too many places where the plot takes a leap and the viewer is expected to fill in the gap. I found myself asking, "where did that come from?". I kept wanting to replay the previous scene because I had missed the transition, but there wasn't one.
I wish Rudolph had a collaborator with the screenplay and the directing. I feel the casting was very good, but the performances are often stilted, like what you might find in a high school production. Awkward pauses and intonations in the dialog. This also makes the story hard to follow and hard to believe. I can't decide if this was intentional or not. Reminds me of Hal Hartley.
This movie is not for everyone. Personally, I love it, warts and all. I've seen it three times and own the DVD. The Teddy Pendergrass songs are wonderful and I would say under-used in the film. Very surprised to see Maltin give this 3.5 stars, even if it is "a critics movie". He must have been in a good mood that day.
This film has always struck a special chord with me, although not all of the friends I've recommended it to over the years have liked it. I think you have to be a city person who's gone through some hard knocks in love to really embrace it. The scenes featuring Rae Dawn Chong aren't so special...(she's the weakest link)...but the scene where Bujold chats with Carradine after sex while getting dressed for work, the scenes with Dr. Love on the radio, the scene where Warren comes home from work to find that her roommate has stolen her boyfriend...these all have an immediate, bittersweet quality that's very haunting. Overall, the acting is flawless, and the whole film is an original. I only wish it were longer.
My mother famously tells all who will listen that she only reads true stories. She takes offense at implausible fiction, dismissing it as ridiculous. She heaps abuse on the television while viewing such stuff as"You Can't Take It With You," Olivier's film of "Hamlet," "Wings Of Desire," Fred Astaire pictures, The Simpsons. She can't abide the long stretches of zero plot development in musicals, ballets, operas. She hates characters who put on airs, and she really doesn't "want to watch" sexually evocative behavior among consenting adults. My mother loves Bob Hope monologues and says Jerry Vale has a beautiful voice.
I'm not bringing this video over to my mom's house for movie night. I'm going to make a hard drink with ice and watch this movie while lying on the sofa, with the lights off and the surround sound up to medium with the bass boost. And when it's over I'm going to get up and email an old flame. The one who could really kiss.
I'm not bringing this video over to my mom's house for movie night. I'm going to make a hard drink with ice and watch this movie while lying on the sofa, with the lights off and the surround sound up to medium with the bass boost. And when it's over I'm going to get up and email an old flame. The one who could really kiss.
I love stories with overlapping characters. This is one of them and I really enjoyed it. Interesting and somewhat mysterious characters, some seemingly separate but unknowingly linked together in an intricate pattern. I always liked Lesley Anne Warren who, along with Keith Carradine, Genevieve Bujold, Rae Dawn Chong and an early John Larrouquette provide some good performances. If you're into character driven movies I think you'll like this one.
10bigdiogi
Saw this film on a whim and became entranced. The strange premise was intriguing and the plot twists continued to catch me off guard. The wistful longing for romance displayed by the lead actor will touch a cord with anyone who has desperately needed to be loved. And that is most of us, isn't it?
Found the acting superb across the board. The story was totally unpredictable. Twisted and weird yet it never exceeded my ability to believe.
Too bad only 300 people ever saw this film. I believe it is one of the most seriously underrated movies ever produced.
Found the acting superb across the board. The story was totally unpredictable. Twisted and weird yet it never exceeded my ability to believe.
Too bad only 300 people ever saw this film. I believe it is one of the most seriously underrated movies ever produced.
Você sabia?
- CuriosidadesLesley Ann Warren states that this was her favorite of all her movies.
- Erros de gravaçãoWhen Eve and Mickey are talking in the bar for the first time, she has curly hair. When they are walking out the front entrance together, she has straight hair.
- ConexõesFeatured in Teddy Pendergrass: You're My Choice Tonight (Choose Me) (1984)
- Trilhas sonorasChoose Me (You're My Choice Tonight)
Written by Luther Vandross and Marcus Miller
Performed by Teddy Pendergrass
Produced by Luther Vandross
Courtesy of Asylum Records [us] and Teddy Bear Productions [ca]
Principais escolhas
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- How long is Choose Me?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Elígeme
- Locações de filme
- KPFK Radio, North Hollywood, Los Angeles, Califórnia, EUA(radio station scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 700.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.490.233
- Faturamento bruto mundial
- US$ 2.490.233
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